100 books like The Bloody Chamber

The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.  

I’ve known I was “special” since I was a child. I saw, felt, and heard things that others did not. Eventually I embraced my clairaudient mediumship gifts and turned it into a thriving business, allowing me to live a life of purpose: helping others find their passions and live their most joyful lives. But the journey never ends; I am always on a mission to transform. Consistently, literature has been where I turn when I am seeking wisdom on becoming the best version of myself. I also pursued certification as a Book Therapist - the first thing I’ll recommend to friends, family, or clients is the best book for their dilemma!

I was born in Communist Poland, and when we emigrated to the UK, I craved the tastes of my childhood. More than that, I missed the culture of foraging, preserving, fermenting, and the stories that accompanied these processes–there was something deeply ingrained in my soul that I have been called to explore within my own work. I have written four books on East European cuisine. Slavic Kitchen Alchemy is rather different from the others because of its focus on herbs, healing, and mythology. The books on this list have inspired me in my own writing, and I will keep returning to them again and again.

As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.

I’m a British writer with a passion for the stories of history, both real and imagined. I have always been fascinated by tales and relics of the past, old ruins, ancient buildings, mythology, and the uncanny power of the natural world. All these things connect us to the ghosts of the past. So, I write historical fantasy novels based in the England I explored growing up, but brushed with the shadow of the supernatural, magic, witchcraft, and seductive illusion. I also write straight historical fiction under the name Samantha Grosser.

I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.

I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world. 

I’m an Irish author who lives close to three very different forests: deciduous, planted coniferous, and the planned gardens of a former stately home that once welcomed WB Yeats and several other famous writers. I’ve always loved the woods – it often feels like stepping through a portal into some other, stranger parallel world – and drew huge inspiration from these places for Shiver the Whole Night Through. I wanted the forest to feel like a character, which was sentient and had agency. I incorporated several real-life locations into the fictional Shook Woods…and wrote a lot of the story in the forest, gazing into the dark trees, waiting for them to speak. 

Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.

I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.