Fans pick 100 books like Deathless

Tigana might be my favorite book of all time, any genre, which says a lot.

Every time I read it, I am blown away by the perfection of the story and characters and the intricate story of love, hate, rebellion, magic, and politics. I have read it at least a dozen times since I first discovered it, and every time, I find something new or rediscover something I’d forgotten that makes this book wonderful.

It has the structure of a fantasy story and quest for redemption but is also a story of family, friendship, trust, loyalty, and love. It could be any empire and conquest in history. Imagine how devastating it would be to have the name of your country erased from time and memory. 

I seriously enjoy a good “between-a-rock-and-a-hard-place” romance, especially when the female heroine is able to navigate it while staying true to herself. In this one, King John weds his illegitimate but beloved daughter Joanna to his bitter enemy, Llewelyn, Prince of North Wales, in an effort to take Wales under his control. But Joanna loves both of them—father and husband—and is forced time and again to prove her loyalty to one side or the other, until neither faction supports her in return. While this definitely portrays the helplessness that many medieval women faced, often experiencing a forced marriage for some political purpose or other, Joanna’s courage, bravery, and sense of self in the face of so much conflict were inspiring and so addicting to read about.

Due to my short attention span, I was hesitant to read this book at first, due to the words “History” and “Memoir” in the title; however, “Dragons” sold me, and I’m very glad it did.

This book reads like a classic Victorian travel narrative, following an intelligent and likable protagonist in her quest to learn more about the natural life around her—namely, dragons. The way this genre-bending novel treats dragons, showing them in scientific diagrams and field drawings, makes for an interesting semi-fantasy world that’s exciting to step into and so much fun to explore.

When I discovered Kristin Lavransdatter was 1000 pages, I never expected to fininsh it (I'm a slow reader). However, about 50 pages into it, I was hooked and was at a loss when I read the final chapter. Religion is pervasive but delivered indirectly. The Catholic Church in the Middle Ages was an absolute authority with an iron grip on the main character Kristin. Undset was not judgmental in the book, but I was in reading it. 

Leavitt’s story is a fairytale and like all good fairytales, there is a handsome prince except this one is played by Lord Death himself.

I love Keturah. She is brave enough not to be afraid and big-hearted enough to see beyond Death’s terrifying purpose to the underlying sadness of the feared and hated outsider. Through the course of the book, she also comes to appreciate the meaning he brings to life.

“It was Death who…made her see the sun in the blue sky and hear the trees in a spring wind. He made her see how much she loved her friends…Made her love the breath in her lungs. She knew she had never been truly alive as when she met him. Never so happy and content with her lot until she was touched by the sorrow of him.”

This story is a twist on a familiar Lewis Carroll tale.

It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive. 

This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.

Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.

Not sold yet? What if I told you the god of death is also Prince Charming?

It’s an awesome premise.

I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.

I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.

This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.

I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.