Since early childhood I have had a passion for medieval times. I can remember climbing my first castle keep at 4. I became particularly interested in lesser-known medieval queens and noblewomen when I moved to Amesbury in Wiltshire—and found out that Eleanor of Provence, wife of Henry III, was buried somewhere in the grounds of the nearby rest home, her grave lost since the Reformation. I wrote a novel on her life which became more successful than I could have ever imagined, and now I am a full-time author writing further novels about medieval women, as well as the Wars of the Roses…and Stonehenge.
Sharon Bennett Connolly’s book covers important women who lived throughout the Middle Ages, including many who are very little known. The style is easy to read and never dry, and leaves you eager to research these women more. Included are Nicholaa, a woman Sheriff and Constable, and Maude who spoke out against ‘bad King John’ and paid with her life. Some of the stories almost feel like fiction they are so dramatic…but all are true!
These are the stories of women, famous, infamous and unknown, who shaped the course of medieval history. The lives and actions of medieval women were restricted by the men who ruled the homes, countries and world they lived in. It was men who fought wars, made laws and dictated religious doctrine. It was men who were taught to read, trained to rule and expected to fight. Today, it is easy to think that all women from this era were downtrodden and obedient housewives, whose sole purpose was to give birth to children (preferably boys) and serve their husbands. Heroines of…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
I seriously enjoy a good “between-a-rock-and-a-hard-place” romance, especially when the female heroine is able to navigate it while staying true to herself. In this one, King John weds his illegitimate but beloved daughter Joanna to his bitter enemy, Llewelyn, Prince of North Wales, in an effort to take Wales under his control. But Joanna loves both of them—father and husband—and is forced time and again to prove her loyalty to one side or the other, until neither faction supports her in return. While this definitely portrays the helplessness that many medieval women faced, often experiencing a forced marriage for some political purpose or other, Joanna’s courage, bravery, and sense of self in the face of so much conflict were inspiring and so addicting to read about.
An absorbing historical novel of power and betrayal, loyalty and political intrigue in thirteenth-century England, Wales and France, centring on King John of England, younger brother to the brilliant Richard Lionheart, Joanna, his illegitimate but recognised daughter and Llewellyn Ab Iowerth, Prince of Gwynedd, a bitter opponent of English ways, laws and encroachment into Wales who becomes Joanna's husband.
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
Eleanor of Aquitaine is certainly one of the most formidable women of the Middle Ages; not just because she was queen to two kings, but because she had the courage to openly defy them both.
Consequently, I raced to order Coirle Mooney’s first novel in her The Medieval Ladies series, followed quickly by the second, The Cloistered Lady. I absolutely love the author’s ability to craft vivid descriptions of time and place, especially the uncommon setting of the nunnery at Fontrevault. Joanna, Queen Eleanor’s lady-in-waiting, is a delightfully complex character.
Like Christina Kohl in my series, she is wonderfully human; but her fears and shortcomings are balanced out by her sometimes-surprising strength and compassion. I enjoyed all three novels in the series, but this one most of all.
The Restless Kings is an old book that I re-read for the course I’m teaching about the Plantagenet kings of England.
I’d forgotten what a brilliant book this is: it has all the facts but reads like a thriller novel set in the twelfth century. I so enjoyed re-acquainting myself with such exciting personalities like the feisty Eleanor of Aquitaine and Richard the Lionheart: a real man of action.
'A vivid and humane study of the Plantagenets' diabolical and devious first family - a real joy to read.' Dan Jones, author of The Plantagenets
In The Restless Kings Nick Barratt presents the tumultuous struggle for supremacy between the first Plantagenet king, Henry II, and his four sons. This conflict tore apart the most powerful family in Western Europe and shaped the future of both Britain and France, with a significance which still resonates today.
Exploring the personalities and crises facing this extraordinary family, The Restless Kings brings to life some of the…
Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!
Even an academic tome can be written with sensitivity. Here, the Sicilian angle is Joanna, the daughter who became Queen of Sicily as the wife of King William II.
The author brings us a perception of these women as real people without the kind of adulation or reverence too often directed at royalty. The phrase "crowned in a far country" suits Joanna, who was only eleven when she was betrothed to a man in his early thirties in what today would be called an "age gap" relationship. This is just one of many challenges she faced.
The three daughters of Henry II and Eleanor of Aquitaine all undertook exogamous marriages which cemented dynastic alliances and furthered the political and diplomatic ambitions of their parents and their spouses. It might be expected that the choices made by Matilda, Leonor, and Joanna with regard to religious patronage and dynastic commemoration would follow the customs and patterns of their marital families, yet in many cases these choices appear to have been strongly influenced by ties to their natal family. Their involvement in the burgeoning cult of Thomas Becket, their patronage of Fontevrault Abbey, the names they gave to their…
After enjoying Josephine Tey’s wonderful Daughter of Time, in which she exonerates Richard III from the crime of murdering the princes in the tower, followed by the Brother Cadfael mysteries, I became hooked on historical crimes and decided to try writing them myself! It was quite a challenge researching both the history and the settings from Australia, but the novels became a wonderful excuse for lengthy visits to travel around Great Britain and France. As well as writing the Janna Chronicles, my passion for history has also prompted several other published novels and series, including the Shalott trilogy.
Bastard-born Justin de Quincy becomes ‘the Queen’s Man’ after carrying an important letter from a dying man to Eleanor of Aquitaine. He is charged by Eleanor to keep her son John out of mischief and thwart his efforts to become king while she sets about raising the ransom money to bail Richard the Lionheart out of his prison in Austria. As a roving trouble-shooter, Justin is supported by the under-sheriff of Hampshire and a sergeant, Jonas, but things become complicated after he falls for the Lady Claudine, who is close to John, while the Queen’s double agent, Durant, also poses a threat. I enjoyed reading about all the intrigues of the court as Justin solves crimes and murders.
England, 1193: a land rife with rumours about the fate of its missing king. Justin de Quincy travels from Winchester to London. With a promise to a dying man, he is plunged into the conspiracy surrounding the disappearence of Richard the Lionheart, and under oath to reveal the truth to the Queen.
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
Susan Howatch walked away from her career as a highly successful novelist some years ago, but she’s well worth a read. Penmarric is the name of another Cornish mansion that is the fixed point in a swirling family saga. She took as her template the lives of the Plantagenet King Henry II and his powerful wife Eleanor of Aquitaine, plus their warring sons, with the house Penmarric standing in for the throne they fought over. You don’t need to know medieval history to enjoy the yarn.
Divided into five sections, each is narrated by a different family member. The action kicks off in 1890 with Mark Castallack clapping eyes on his complicated, older, future wife, Janna, in a churchyard. His mother, Maud, has directed her whole life towards regaining possession of the family estate, left to her cousin Giles instead of her because of primogeniture, and Maud was the wrong…
From the acclaimed author of Cashelmara: the “grippingly readable” New York Times–bestselling saga of a noble English family torn apart (The Sunday Times).
Overlooking the bleak cliffs of Cornwall is Penmarric, the ancestral home of Mark Castallack. The stunning gothic manor is the picture of English nobility, wealth, and comfort. But as the twentieth century unfolds, those behind Penmarric’s towering walls face nothing short of disaster. As Mark and his children struggle to save their home and their aristocratic way of life, they must engage in a bitter fight against greed, ambition, betrayal, and even murder.
Martin Walker studied history at Oxford, international relations and economics at Harvard, and spent 28 years as journalist and foreign correspondent for Britain's The Guardian newspaper. He divides his time between the USA, Britain and the Perigord region of France, where he produces his own Bergerac red wine, 'Cuvee Bruno'. Martin writes a monthly wine column and is a Grand Consul de la Vinee de Bergerac, a body founded in the year 1254 AD and dedicated to the support of the region’s wines.
This may not be the most scholarly book on this extraordinary woman; but it is by far the most readable on the only woman who married both a King of France and King of England, went on Crusade to Jerusalem, and civilized feudalism by sponsoring poets and minstrels and creating the idea of romantic love.
"Marion Meade has told the story of Eleanor, wild, devious, from a thoroughly historical but different point of view: a woman's point of view." Allene Talmey, Vogue.
