The most recommended books about queens

I loved Innocent Traitor by Alison Weir because it focuses solely on a much-forgotten woman of Tudor History. Weir gets across that Jane Gray was simply used as a political pawn. She was such a young girl, at only 17, and her parents gave no thought as to her happiness. She was scared and felt utterly alone and was handed the crown. If only for nine days, this young girl was Queen of England before her execution. She truly was an innocent traitor.

No list of books about Henry VIII’s wives is complete without one of Philippa Gregory’s. She has written numerous fictional accounts of these women, most famously The Other Boleyn Girl, which was adapted into a feature film starring Scarlett Johansson. I have chosen this one as it tells the fascinating story of Catherine of Aragon, Henry's first wife, who was also married to his older brother Arthur. Gregory, in her typically arresting style, depicts the child bride, a pawn in European politics, brought over from Spain to marry the heir to the English throne, only to be widowed within months, and the impossible political situation she found herself in.

Catherine de Medici has been reviled as an evil and power-hungry queen mother of three French kings, and as the architect of the St. Bartholomew’s Day’s Massacre—the most infamous episode in the decades-long French Wars of Religion. She was even slanderously accused of murdering another queen by sending her poisoned gloves, in keeping with her “Machiavellian” Italian extraction. Leonie Frieda’s biography corrects the “Black Legend” of Catherine and provides a vivid portrait of the complex woman who wielded unprecedented power as queen regent in France, where Salic Law prohibited women from exercising sovereignty in their own right, as did her contemporary Elizabeth I. She shows that from her husband Henri II’s unexpected death in a gruesome accident through the reigns of her sons, who unfortunately did not inherit their mother’s ability, Catherine displayed “intelligence, courage, and an indefatigable spirit” in exercising political power and acting as an exceptional patron of… show more.

I bought this book as a house gift before I even had the chance to read it. When I finally did, I was struck by the level of detail of the history of these four sisters.

Most importantly, this book could and should inspire a thousand pieces of fiction with its rich descriptions and characters. While the standard assumption that the rights of medieval women were limited to being decorative and useful pawns who would bear heirs, this was an eye-opening book in the breadth of these sisters’ reach throughout Europe. 

This book is right up there with Sabriel as one of the first female-led fantasy books I read and loved. It’s an epic fantasy for adults, but I can see younger readers enjoying it, too. It’s wholesome and optimistic, with vivid descriptions of the natural world.

Daleina is an academy student learning elemental magic. She partners with Ven, a former champion, to save the land of Renthia from spirits bent on cleansing the land of humans. As you might imagine, that’s no simple feat.

This book resonated with me because I’m a nature child at heart. (Some might say a wild child… LOL). There is a sparkling magic in the great outdoors, and this book captures it beautifully.

As a writer fascinated by the period around 1066, I’ve long been intrigued by Emma of Normandy – a woman whose marriage to King Aethelred ‘the Unready’ and, after him, to King Cnut could be said to have started England on the path to the Norman conquest. It was a joy, therefore, to find this gutsy, involving, and utterly convincing novel about her life. Queen Emma is a woman who truly demonstrates that there has always – even in the seemingly most misogynistic of times – been space in history for determined women with the self-belief to step up and claim the power they deserve and Patricia Bracewell’s novel vividly brings to life both the woman and the times.

Ashton's Cleopatra and Egypt considers Cleopatra from an Egyptian perspective.

Her detailed examination of the Egyptian sources for Cleopatra's life and reign distinguishes her work from most other books, which tend to place Cleopatra into a framework of Greek and Roman history. A large number of images center the Egyptian monuments and works of art associated with Cleopatra.

The text provides ample background on the Egyptian political and religious traditions onto which the Ptolemies imposed their rule.

In many ways, Antonia Fraser's Warrior Queens spurred my long-term interest in women warriors. Fraser not only introduced me to historical women I had never heard of, but to the idea that women had fought as a normal part of the army in far more epochs and far more civilizations than is normally appreciated. Fraser looks at her warring queens as a group as well as individually, trying to understand the tropes that (mostly male) historians have used both to make them bigger than life and to demean them as women. A fascinating read that has held up well over time.

Eleanor of Castile, who was the first wife of Edward I, is one of the most fascinating of English queens. Posthumously, thanks to the series of crosses her husband erected in her memory, she gained the reputation of a perfect, peerless queen. However, the real Eleanor was very much a controversial figure, renowned for her acquisitiveness. Eleanor has been the subject of much academic study in the work of John Carmi Parsons and others, however, I particularly recommend Sara Cockerill’s recent study for its compelling narrative and detailed research. Cockerill brings this fascinating figure to life, giving equal weight to her political importance and her significant role within the royal family.

The World Over is the first book in a series, so it sets up the expectations for what is coming.

Winter, on the other hand, is the last in a series, and it did a lot to show me how to bring together an ensemble cast in a way that builds to a satisfying ending without making previous installments feel unnecessary or redundant.
While zombies don’t appear in Winter, the history of the experimentation done to create the evil queen’s lupine army gets a lot of screen time without crossing the line into over-telling.

For anyone interested in the more technical aspects of a zombie apocalypse, Winter is a great novel for learning to weave background exposition with foreground action.