The best books about queens

I am perhaps more familiar with – and fonder of – Marie Antoinette than I am of any other historical personage. Emersed in French history since an early age, I have had a near-lifetime fascination for this complicated woman – who never said, “Let them eat cake!” 

Having researched Antoinette exhaustively (most recently, in connection with her periodic appearances in my own books), since first reading Evelyn Lever’s masterful, beautifully-written work some twenty years ago, I have found myself frequently returning to it. I am drawn to it for its depth and detail, as well as her balanced treatment of an, in many ways, controversial figure. I recommend it as it is a perfect introduction to the life of a captivating woman, as well as presenting a highly satisfying experience for any lover of fine biography. 

In many ways, Antonia Fraser's Warrior Queens spurred my long-term interest in women warriors. Fraser not only introduced me to historical women I had never heard of, but to the idea that women had fought as a normal part of the army in far more epochs and far more civilizations than is normally appreciated. Fraser looks at her warring queens as a group as well as individually, trying to understand the tropes that (mostly male) historians have used both to make them bigger than life and to demean them as women. A fascinating read that has held up well over time.

The Virgin Widow is a novel of one of England’s lesser-known Queens, Anne Neville, the wife of Richard III. Before she married Richard, however, she was briefly wed to Edward of Westminster, the Lancastrian heir, who was killed at the battle of Tewkesbury in 1471. This book chronicles Anne’s early life and her relationship with her father, the famous Warwick the Kingmaker, and then with the two young men she would marry. Anne O’Brien writes many interesting and engaging novels about medieval women.

May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man. 

I love everything by Elizabeth Norton, but this book is one of my all-time favourites.

It tells the story of Elizabeth I’s life before she became queen; the spotlight is on her short stay in the household of Katherine Parr and Thomas Seymour. Fast-paced and evocative, it reads like a thriller.

It’s a narrative based on primary source material, printed and archival, describing the events between Henry VIII’s death in January 1547 and Thomas Seymour’s execution in March 1549.

This book is a lesson in how to create an immersive historical narrative while staying true to the primary sources. An inspiration.

I read this book many years ago as it covers the imprisonment and execution of Queen Anne Boleyn.

With its immense detail, it is one of the few books you need to read on this later period of Anne's life. Best of all, the author has reassessed the evidence and done away with romantic misconceptions. It is therefore an utterly reliable resource. The storytelling is superb, easy to read, and, again, hard to put down.

I return to it again and again for reference material but it still makes a gripping holiday read.

Marian Woodman has been my shero ever since I attended a workshop of hers. I recall sitting in the audience listening to her speak and blinking my eyes. How could it be that she could shape-shift from a coy flirtatious maiden, into a warm nurturing mother, and then moments later appear as a regal, confident, and sovereign queen and then a deeply wise crone? She clearly understood and embodied the full range of the conscious feminine in its various aspects.

Of her many books, this is the one I love the most because, in this collection of interviews with her, the passion of her speaking voice comes through the written word loud and clear. Her phrasing is so delicious, my tattered copy is underlined throughout.

Going back into the Anglo-Saxon period, Pauline Stafford’s joint study of the powerful Queens Edith and Emma is essential reading. Stafford’s research into these two women is peerless, providing the most comprehensive study of late Anglo-Saxon queenship to date. She has left no stone unturned in her research, giving fine detail to the lives and activities of her subjects. Stafford’s book certainly disproves the common misapprehension that the Anglo-Saxons did not have queens.

Holly Black delivered a lush world within the Cruel Prince trilogy, and each book got better and better. The ending of book two, The Wicked King, had me running to the library to get the third book and I couldn’t put it down. It’s set in a land of the fae where a mortal girl refuses to be outmatched by their power, proving herself to be a foe much more dangerous than any of them predicted. As she gets closer to the throne, things become more dangerous, and she must be lethal and cunning if she is to survive.

Each book has plot twists, but the third was my favorite. This is a finished trilogy perfect for those who love the fae, fierce heroines, enemies to lovers, or political intrigue.

Of all the six wives of Henry VIII, it is fair to say that Anne of Cleves is often considered the least interesting. We have Katherine – the stoical first wife; Anne Boleyn – the Mistress who lost her head; Jane Seymour – Henry probably loved her most and she died giving him his much-longed-for son; Katherine Howard – young, flighty, and careless who also lost her head; and Katherine Parr who loved another and managed to out-live Henry and her marriage to him. And then in the middle, there’s Anne of Cleves – dull (Henry thought so too), who he divorced and packed off to the country. No story there.

But in Anna of Kleves, Weir really brings her alive and gives us a living, breathing version of who she may have been. From her days before Henry, to her survival instincts both during and after her marriage, I… show more.

This was the first biography of Queen Victoria that I read and, to date, it remains the best! Effortlessly combing in the personal with the political, it not only portrays Victoria as a Queen but also as a woman, who could simultaneously be one of the most dominant monarchs of the 19th century, and as nervous as a child. A brilliant portrayal of a fascinating character, playing a major role in one of the most interesting eras in history!

In the guise of a biography of the current queen, this is one of the best books on the modern British monarchy as an institution. Sarah Bradford talked to all the palace insiders, an amazing feat given how touchy and protective everyone around the queen is. Bradford has the best sense of the strengths of the current queen and her weaknesses.  Because Elizabeth II is now the longest-reigning monarch in British history, she epitomizes most of the advantages and disadvantages of the institution in her own single lifetime.  You will find out which of the episodes from Netflix’s The Crown are all made up, and which are close to the truth.

This next one is a bit of a curve ball, but it also reflects my interest in strong women in history and fiction—as well as my love of history and archaeology. Cleopatra: A Life, takes a historical figure who was nearly mythological, and roots her firmly within a cultural and historical context. Gone is the wily temptress of fiction and antiquity; Stacy Schiff's subject is a queen, a military strategist, an ingenious diplomat, and a polymath. She waged (and survived) civil war and foreign invasions, and reshaped the ancient world. The book reads like a novel, but never skimps on the historical and archaeological data--even the footnotes are compelling. Who wouldn't want this woman as backup?

History rarely gives a prominent place to women, and this is perhaps particularly true of medieval history. To have left such a huge mark, Eleanor must have been a truly extraordinary woman. It is the combination of her formidable nature with the equally formidable Henry II that makes her marriage to the great Plantagenet ruler such a remarkable story. Alison Weir’s book is a treasure, full of interesting anecdotes that bring the star-studded cast of Eleanor, Henry, and their sons Henry, Richard, Geoffrey, and John to life.

This book is an outstanding introduction to a fascinating period of English history, as an impatient, innovative king – sometimes aided by, and often hindered by, his wife – attempted to impose his will upon a stubborn and obstructive church and his rebellious sons.

Phillip IV of France ‘The Fair’ died in 1314. His three sons ruled after him in turn, and none provided a legitimate heir, so when the youngest son, Charles IV, died in 1328, the Capetian dynasty, which had ruled France for over 300 years, came to an end. But Phillip IV had a daughter, Isabella, who had married Edward II of England, and so their son, the future Edward III, was the nearest male relative to the deceased Charles IV.  Isabella was adamant that her son was the legitimate heir to the French throne, and it was this claim that was pursued throughout the Hundred Years War and which was only relinquished in 1802. Isabella has not had good press. Derided as ‘the she-wolf of France’ she was an adulteress, waged war against her husband, and was probably complicit in his murder. In fairness, she had much to contend with.… show more.

This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.

The second book in The Thief series, The Queen of Attolia is also, IMO, the most romantic.

It starts with a bang, Eugenides of Edis, the thief who can steal anything, is caught spying on the queen of Attolia, the sworn enemy of his own queen. Attolia’s brutal punishment of her rival’s cousin sends Eugenides into a downward spiral of regret and self-loathing.

Yet, when his cunning and skills are the only thing that stands between victory and defeat, Eugenides once more must rise to the call and try to steal the most precious prize of all, the queen’s heart.

An impressive world building, a lovable, if irritating, protagonist, and a most inventive and clever plot make for an unforgettable read.

Catherine de Medici has been reviled as an evil and power-hungry queen mother of three French kings, and as the architect of the St. Bartholomew’s Day’s Massacre—the most infamous episode in the decades-long French Wars of Religion. She was even slanderously accused of murdering another queen by sending her poisoned gloves, in keeping with her “Machiavellian” Italian extraction. Leonie Frieda’s biography corrects the “Black Legend” of Catherine and provides a vivid portrait of the complex woman who wielded unprecedented power as queen regent in France, where Salic Law prohibited women from exercising sovereignty in their own right, as did her contemporary Elizabeth I. She shows that from her husband Henri II’s unexpected death in a gruesome accident through the reigns of her sons, who unfortunately did not inherit their mother’s ability, Catherine displayed “intelligence, courage, and an indefatigable spirit” in exercising political power and acting as an exceptional patron of… show more.

The World Over is the first book in a series, so it sets up the expectations for what is coming.

Winter, on the other hand, is the last in a series, and it did a lot to show me how to bring together an ensemble cast in a way that builds to a satisfying ending without making previous installments feel unnecessary or redundant.
While zombies don’t appear in Winter, the history of the experimentation done to create the evil queen’s lupine army gets a lot of screen time without crossing the line into over-telling.

For anyone interested in the more technical aspects of a zombie apocalypse, Winter is a great novel for learning to weave background exposition with foreground action.

This is a must read for visitors to Versailles Palace.

I enjoyed this book because Ms. Fraser has a wonderful writing style and she weaves the story of Marie Antoinette from start to finish and even though we know the outcome, it is hard to put down this book. The author’s research is quite detailed and written with little-known facts including Count Axel von Fersen’s role with the queen and her family, attempts to save the royal family, and the king’s failure to consummate the marriage.

You start out feeling sorry for the fourteen-year-old girl who is a pawn in a European power chess game. Soon you are appalled at the way the young queen conducts herself. By the time she reaches middle age, you begin to see her attributes as a wife and mother.