My ache for the ancient is a disease. It’s probably safe to say that I am the creator of the world’s greatest range of Egypt-based fiction by a single author. My depth of knowledge comes from a lifetime spent studying ancient Egypt and Egyptian archaeology and making numerous research trips to Egypt. I am fascinated by the mystery of ancient Egypt and its potency and relevance to today’s world. I have written numerous series and stand-alone adventures.
A thrilling read that first sparked my lifelong passion for ancient Egypt with its vivid recreation of a distant past.
Sinuhe’s career as a young Egyptian physician takes him to the center of royal power and secrets and into the lives of unforgettable characters. Like the heartless courtesan Nefernefernefer, a beauty whose name ensured that no man would ever hear it spoken without saying it aloud and remembering it. Just as I remember it today.
First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Bob Brier is the foremost expert on Egyptian mummies. He is famous for actually mummifying a human body as a science experiment, with Dr. Ronn Wade in 1994. This was the first time a human was mummified in 2000 years. This is a popular book, entertaining, but accurate. He covers everything we know about ancient Egyptian mummification.
Egyptian Mummies results from research done in preparation for the mummification of a human body, the first to be done in the Egyptian style in two thousand years. Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.
The genre I specialize in is Ancient Historical Fiction. I have always been fascinated by history, and my vacations often involve visiting ancient ruins. I’m an avid reader on various periods of our past, especially Egypt, Rome, Mesopotamia, and India, and I enjoy writing about them. On the topic of Egypt and Cleopatra — Egypt is one of my favorite civilizations, and Cleopatra is one of the more interesting figures. I wanted to give her a treatment I felt she deserved—as a capable administrator, brilliant, ruthless, and fighting the circumstances of her times.
Who has not heard of King Tut? Written by the discoverer of the tomb, the book is a fascinating glimpse into the mind of an accomplished archeologist and a window to the fabulous riches of Egypt. Reading firsthand about what they saw and how things were placed gives us an insight into how things may have been in the last few hours of sealing the tomb. I often use such content to fuel my imagination of what might have happened.
November 4, 1922. For six seasons the legendary Valley of the Kings has yielded no secrets to Howard Carter and his archeological team: "We had almost made up our minds that we were beaten," he writes, "and were preparing to leave The Valley and try our luck elsewhere; and then — hardly had we set hoe to ground in our last despairing effort than we made a discovery that far exceeded our wildest dreams." Join Howard Carter in his fascinating odyssey toward the most dramatic archeological find of the century — the tomb of Tutankhamen. Written by Carter in 1923,…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
John Romer’s Ancient Lives, the Story of the Pharaohs’ Tombmakers, like Kemp’s book, is about urban life, but the urbs is not a city per se, but a village.
In this case, though, it’s the village of the workers who excavated, crafted, painted, and consecrated the great royal tombs of the Valley of the Kings, so this “village” is intricately related to a great city on the Nile. Romer had access to a cast of personalities sketched from documents, read off of limestone flakes, potsherds, and administrative and judicial papyri.
He resuscitates networks of gossip and brings us within earshot of personal rivalries and property disputes, uncovers an audacious tomb robbery along the way, and following the trial of its perpetrators.
More than 3000 years ago a village was established at Thebes on the west bank of the Nile. Situated amid a barren and arid landscape, it housed the workers who created the tombs of the Pharaohs and the Valley of the Kings. It was through death and the ritual of burial that the Pharaohs became gods, and their elaborately carved and decorated temples were an essential part of this mystical process. Stonemasons, painters, sculptors, quarrymen, lived with their wives and children in the village, and worked closely together in the sacred valley. As well as building the magnificent tombs of…
I’ve written nonfiction books for children on topics ranging from daylight fluorescence to Reconstruction, from The Nutcracker to the invention of the Super Soaker. What all those topics have in common is that I didn’t know much about them when I got started. That’s definitely true for my book Glitter Everywhere! While getting familiar with more than 150 sources of information, I learned a lot about glitter. But there’s always more to know, and that also goes for the readers of my books. While mine may be the first books that someone reads about the topics I’ve explored, there’s no better feeling than knowing my books won’t be the last.
For my research, I was in touch with Egyptologists who have studied the collection of sticks and staves that were buried with Pharaoh Tutankhamun.
Some of those artifacts were decorated with little pieces of iridescent beetle wings—and “that glittery, beetle-y effect,” as I put it, is still visible today! Tutankhamun’s tomb, however, included so much more, and this book puts into context not only the way that the pharaoh’s life and death were honored but also how the treasures were discovered and what we’ve learned from them.
Kids who connect with this book may well be on their way to becoming Egyptologists themselves…
Tutankhamun was born in a time of change. His father, Atakhenaten, instituted broad political and religious reform to Egypt, and his laws were controversial. By the time Tut turned nine, his whole family had died and he was named the youngest king Egypt had ever had. His rule was short and tumultuous, and around age nineteen, Tut died. More than three thousand years later, Howard Carter, a British archaeologist with a penchant for ancient history and a special skill for excavation in Egypt's Valley of the Kings, made a discovery that shocked the world: King Tut's tomb, long ago assumed…
I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a game.
Christopher Dunn's research is impressive, as he shares over 30 years of study and nine trips to Egypt in Lost Technologies of Ancient Egypt.
He explains the unique marks left by skilled craftsmen that today, with modern technology, we would have great difficulty reproducing. Dunn writes about the precision found in the monuments of Egypt. He uses digital photography and computer-aided design software to give the reader an appreciation for the ancient Egyptians' remarkable achievements.
He includes over 280 photographs of Egyptian monuments to support his theories, and his examination of the underground tunnels of the Serapeum is worth the price of the book alone. His explanation of the precision engineering achieved by our ancient ancestors leads the reader to question long-held beliefs about ancient people.
From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times.…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
A historian, lecturer, researcher, and author, Ahmed Osman is a British Egyptologist born in Cairo who published three books: Stranger in the Valley of the Kings (1987), Moses: Pharaoh of Egypt (1990) and The House of the Messiah (1992) says that Tut-Ankh-Amun had a very similar “story” to Jesus.
The Egyptian Book of the Dead contains the Ancient Egyptian Negative Confessions that were originally written on Temple walls and as the burial texts, and were "I have not stolen...", "I have not killed", etc., a letter written to Gods, engraved on Temples walls and prepared as Papyruses 2,000 BC and were equal to "Thou shalt not", the Ten Commandments of Jewish and Christian ethics, later perceived as divine revelation. The Negative Confession is accompanied by a list of protective sounds and symbols that kept souls safe from demons. Just for the history lovers, the timeline of these is the following:…
During his reign, the Pharaoh Akhenaten was able to abolish the complex pantheon of the ancient Egyptian religion and replace it with a single god, the Aten, who had no image or form. Seizing on the striking similarities between the religious vision of this "heretic" pharaoh and the teachings of Moses, Sigmund Freud was the first to argue that Moses was in fact an Egyptian. Now Ahmed Osman, using recent archaeological discoveries and historical documents, contends that Akhenaten and Moses were one and the same man. In a stunning retelling of the Exodus story, Osman details the events of Moses/Akhenaten's…
I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.
I loved Miriam—one of many of Mesu Andrew’s novels of Old Testament women—because this aged woman brings a fresh perspective to the well-known story of the Exodus from Egypt. Her lived experience from slavery to freedom—and from despair to hope—as she searches for the God of her brother, Moses, is both familiar and utterly new. Mesu Andrews weaves a beautiful tapestry of a story that breathes new and fascinating life into a familiar story.
The Hebrews call me prophetess, the Egyptians a seer. But I am neither. I am simply a watcher of Israel and the messenger of El Shaddai. When He speaks to me in dreams, I interpret. When He whispers a melody, I sing.
At eighty-six, Miriam had devoted her entire life to loving El Shaddai and serving His people as both midwife and messenger. Yet when her brother Moses returns to Egypt from exile, he brings a disruptive message. God has a new name – Yahweh – and has declared a radical deliverance for the Israelites.
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.
I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.
So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.
Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.
We need these stories of women on the edge who still, somehow, resist…
'An unforgettable, unmissable book for the new global feminist.' The Times
'All the men I did get to know filled me with but one desire: to lift my hand and bring it smashing down on his face.'
So begins Firdaus's remarkable story of rebellion against a society founded on lies, hypocrisy, brutality and oppression. Born to a peasant family in the Egyptian countryside, Firdaus struggles through childhood, seeking compassion and knowledge in a world which gives her little of either. As she grows up and escapes the fetters of her childhood, each new relationship teaches her a bitter but liberating…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.
Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could…
