My family lived in an American camp in Saudi Arabia when I was young, and we traveled extensively. I’ve always loved ancient cultures, from our first international trip to Greece when I was six. The two months I spent in Mexico and Central America as a young adult inspired my first novel for young people, The Well of Sacrifice. But Egypt has long held a special place in my heart. The mummies and pyramids grab a child’s attention. The fact that these people were so different from us – and yet so similar in other ways – keeps that fascination going. Stories about ancient Egypt never get old!
This photo-filled book was written by an Egyptian archaeologist who was the head of Egypt’s Supreme Council of Antiquities.
The book discusses ancient and modern ideas of mummy curses. While Dr. Hawass sometimes feels the tug of ancient magic, he does a good job of refuting the idea of a curse. He shares many personal stories from his years as an archaeologist. His passion and enthusiasm for archaeology shine through.
The author also wrote Tutankhamen and the Golden Age of the Pharaohs, which has friendly, enthusiastic writing and nice photos in a large format.
"Hardcover: 160 pages Publisher: National Geographic (May 1, 2004) ISBN: 079226665X Product Dimensions: 10.9 x 9.6 x 0.6 inches All Ages ""Why do [people] want to believe that the ancient Egyptians wish to reach out over thousands of years an"
I grew up in a hard-core reader family. Everyone always had a book in their hands, so it came naturally to me to absorb everything in the house library before the urge to write caught up with me. My first typewriter was my mother’s from college, my twelve-year-old self delighted by the opportunity to express herself at last in ways that made sense to me (especially since I was the weirdo introvert who talked to the voices in her head). Since my parents exposed me to a multitude of genres, it’s no surprise I write everything from sci-fi to post-apocalyptic, fantasy and horror, cozy mysteries, and young adult paranormal.
If you haven’t read The Mummy by Anne Rice, you’re totally missing out. Her deliciously intense prose and ability to render an environment with emotional impact always thrills me. And while I love the Vampire Lestat books, the tale of Ramses and Julie is part Beauty and the Beast, part Raiders of the Lost Ark, and all awesome. Anne Rice brings you to the early 20th century in London while Egyptian “recovery” was all the rage and I swear you can see, feel and taste that experience on every page. It’s billed as a horror, but I’ve always read it as a deeply adventurous and exciting love story.
NEW YORK TIMES BESTSELLER • Ramses the Great returns in this “darkly magical” (USA Today) novel from bestselling author Anne Rice
“The reader is held captive and, ultimately, seduced.”—San Francisco Chronicle
Ramses the Great lives!
But having drunk the elixer of live, he is now Ramses the Damned, doomed forever to wander the earth, desperate to quell hungers that can never be satisfied—for food, for wine, for women.
Reawakened in opulent Edwardian London, he becomes Dr. Ramsey, expert in Egyptology. He also becomes the close companion of voluptuous, adventurous Julie Stratford, heiress to a vast shipping fortune and the center…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
I remember being a kid in a museum, staring at the figurines making up a strange judgment scene. Gods weighing a man’s heart against a feather – what was that all about? If you want to understand the ancient Egyptians, you need a good Book of the Dead. This translation of the goldsmith Sobekmose’s burial copy won’t bring any cursed mummies back to life, but it gives you a road map to ancient Egyptian paradise... and some neat spells to control demons, if they happen to turn up along the way.
The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, New York, is one of the most important surviving examples of the ancient Egyptian Book of the Dead genre. Such `books' - papyrus scrolls - were composed of traditional funerary texts, including magic spells, that were thought to assist a dead person on their journey into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass and, of…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
The Victorians loved mummies and mummy stories... and before I read The Mummy’s Curse, I’d never heard of any of them! The nineteenth century’s obsession with Egypt and curses doesn’t get talked about much today. This book opened me up to a whole new world of stories, including some strange curse tales that never got quite as big as King Tut. (Which is a shame, because some of them are wonderfully creepy!)
In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British…
When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
This short story involves a Frenchman, an antique store, a mummified foot, and a little too much wine.
We understand mummified bodies better by placing them in context. The other books do that historically, but this one does something very well: it showcases the enduring obsession with Egyptian mummies coming to life, in a rather enthralling fiction story, by a French writer.
I like it especially because Gautier did see the foot in question in the collection of a man called Dominique Vivant Denon, who is central to French museums, and to Egyptology, and brought the foot from Napoleon’s expedition.
I imagine Denon and Gautier having a chat: the fine line between fantasy and reality, ever so paradigmatic of France’s attitude to foreign bodies collecting.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I’ve had a passion for weirdness in mundane settings since my childhood days watchingThe Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushidointroduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrunnovels.
Wizard is one of Seattle’s homeless magicians, a seer who tells the truth to those who need it, haunted by a nebulous menace and hiding from his past. Apart from its (often ambiguous) fantasy elements, it’s a beautifully-written guide to urban survival and to downtown Seattle (as well as the setting for my latest novels).
The fifth book in the Megan Lindholm (Robin Hobb) backlist.
Seattle: a place as magical as the Emerald City.
Subtle magic seeps through the cracks in the paving stones of the sprawling metropolis. But only the inhabitants who possess special gifts are open to the city's consciousness; finding portents in the graffiti, reading messages in the rubbish or listening to warnings in the skipping-rope chants of children.
Wizard is bound to Seattle and her magic. His gift is the Knowing - a powerful enchantment allowing him to know the truth of things; to hear the life-stories of ancient mummies locked…
I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
The Monkey’s Paw is one of those short stories we either read or heard someone tell us about it. And so it goes overlooked. If you haven’t read it, do yourself a favor and read it. If you have read it, do yourself a favor and revisit it. It’s short, it’s available, it’s a horror classic, and it’s very likely what Stephen King had in mind when he wrote Pet Sematary.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Salina Ikram is the foremost expert on Egyptian animal mummies. She has performed mummification on numerous animals in order to better understand the ancient Egyptian process of mummification. This book is by a number of egyptologists. It is academic, but not difficult to understand. It gives information on different animals that were mummified, and the context in which they were discovered.
The invention of mummification enabled the ancient Egyptians to preserve the bodies not only of humans but also of animals, so that they could live forever. Mummified animals are of four different types: food offerings, pets, sacred animals, and votive offerings. For the first time, a series of studies on the different types of animal mummies, the methods of mummification, and the animal cemeteries located at sites throughout Egypt are drawn together in a definitive volume on ancient Egyptian animal mummies. Studies of these animals provide information not only about the fauna of the country, and indirectly, its climate, but…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
When my father and I were getting ready to visit Egypt for the first time, he asked me for a book to introduce him to Egyptology. I gave him Red Land, Black Land. It brings you right into the distant yet familiar world of ancient Egypt: we see families fighting in letters, bored kids falling asleep in school, and scribes gloating over how amazing they are compared to everyone else. The past can seem so strange, but this book brings it to life.
A fascinating, erudite, and witty glimpse of the human side of ancient Egypt—this acclaimed classic work is now revised and updated for a new generation
Displaying the unparalleled descriptive power, unerring eye for fascinating detail, keen insight, and trenchant wit that have made the novels she writes (as Elizabeth Peters and Barbara Michaels) perennial New York Times bestsellers, internationally renowned Egyptologist Barbara Mertz brings a long-buried civilization to vivid life. In Red Land, Black Land, she transports us back thousands of years and immerses us in the sights, aromas, and sounds of day-to-day living in the legendary desert realm that…
I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.
In her first crime novel, Gaites portrays a psychopathic monster in Ivan Smallbone, and a relentless race against time by police to stop him. Populated by flawed characters, Gaites explores the human psyche to great effect in driving her novel to its inevitable and tragic conclusion. Not for the squeamish.
1960 – Late in life Marjorie Smallbone gave birth to her only child. Relieved he was perfect, she named him Ivan. As the years went by, she discovered perfection is only skin-deep.
1983 – Sentenced to serve eight years in prison for the manslaughter of many young school children, upon her release in 1991 June Saunders’ appearance had changed. Shortly after, so did her name.
1994 – New Year’s Eve. DI Leo Thorne has identified similarities between two vicious rapes, but with no evidence to go on, his investigation’s stalled before it’s begun. Then, a sadistic rapist…
