This book is
great for a kid who is fascinated with the workings of the human body.
With plenty of lift-the-flap sections, it covers all the major bodily
functions: what the organs do, how circulation and breathing work, bones
and muscles, the brain… and of course the big one for kids, how do we
poop? My daughter loves pointing at parts before I’ve read about them and
declaring what they are, especially the fun ones to say like “esophagus.
What gives me shape? How do I move? What's blood for? And where does my food go? Take a peek inside the human body and discover what's really going on - with help from a characterful cast of body parts!
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Andrew Loomis worked in editorial and advertising in 1930s America. At the time, most skilled artists were preoccupied with experimenting and high art. Meanwhile, the growing consumer culture required a lot of professional artists to work also on advertisements. This Andrew Loomis’ work is a manual meant to explain complicated human anatomy concepts in a simple manner – a sort of an ABCs for visual artists. It’s an excellent book for beginners!
The human head and hands are the most difficult elements in figure drawing, but world-class illustrator Andrew Loomis' classic primer offers the solution. Revered among artists for his mastery of figure drawing and clean, realist style, Loomis' hugely influential art instruction books have never been bettered. "Drawing the Head and Hands" is the second in Titan's programme of facsimile editions.
I’m an inclusion consultant working with publishers to help ensure all children are included in books. It’s easy to forget how important embracing all types of bodies is when thinking about diversity and inclusion. But inclusion is essentially about welcoming and appreciating all different types of bodies. The best way to promote this is to build a sense of awe about how bodies are created, understand the science behind why differences occur, and see that bodies come in many shapes and forms, and are all beautiful. There are so many books that can help with this, but alongside my book, the books on this list are a great place to start.
With a real focus on the range of bodies and features that exist, and lovely rhyming text to support this, Bodies Are Cool really does show that all bodies are just that.
With body hair the norm rather than the exception, scars, stretch marks, stoma bags and more depicted, this book focuses on how bodies are different without othering them – just by making them natural and familiar.
This cheerful love-your-body picture book for preschoolers is an exuberant read-aloud with bright and friendly illustrations to pore over.
From the acclaimed creator of Dancing at the Pity Party and Roaring Softly, this picture book is a pure celebration of all the different human bodies that exist in the world. Highlighting the various skin tones, body shapes, and hair types is just the beginning in this truly inclusive book. With its joyful illustrations and encouraging refrain, it will instill body acceptance and confidence in the youngest of readers. "My body, your body, every different kind of body! All of them…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
Blending sci-fi, fantasy, and horror, Bradbury’s The Illustrated Man takes readers to places they’ve likely only seen in their dreams or, more likely, their nightmares.
From heartbreaking tales of space disasters (“Kaleidoscope”) to frightening tales of a VR nursery gone wild (“The Veldt”), the strength of Bradbury’s legendary fiction is found in the way he brought humanity to even the wildest, most out-of-this-world premise. In addition, his immaculate prose is as much a joy to appreciate on the word-by-word, sentence-by-sentence levels, as it is on the story level.
The Illustrated Man was one of the first short story collections I ever read. The fact that so many of the tales included within its pages still stick with me to this day is proof of its power and legacy.
A classic collection of stories - all told on the skin of a man - from the author of Fahrenheit 451.
If El Greco had painted miniatures in his prime, no bigger than your hand, infinitely detailed, with his sulphurous colour and exquisite human anatomy, perhaps he might have used this man's body for his art...
Yet the Illustrated Man has tried to burn the illustrations off. He's tried sandpaper, acid, and a knife. Because, as the sun sets, the pictures glow like charcoals, like scattered gems. They quiver and come to life. Tiny pink hands gesture, tiny mouths flicker…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
I'm enchanted by ecology – how life on Earth is both a web and a seamless continuum. In my first book, Corpse, I explored the organisms that colonize the human body after death. In Good Germs, Bad Germs, I immersed myself in our symbiotic relationship with the ever-present bacteria that live in us and on us. I’m passionate about understanding how we evolved to survive in a bacterial world and how we must take the long-term view of surviving – and thriving – in their ever-present embrace. My joy has been in exploring the world of science and translating this joy into lay-accessible stories that entertain as well as educate.
In Life on Man, the brilliant bacteriologist and renowned professor Theodor Rosebury became the first to introduce the public to the world of bacteria within and around them. He did so with irreverence and humor that shocked and delighted without sacrificing scientific accuracy and prudence. Though our understanding of the bacterial world has progressed light years since Life on Man was first published in 1969, it remains a classic. A must-read for everyone seriously interested in our personal microbiomes.
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
The
thing that I really like about this book is that it is literally built around a
3-D model of the body embedded in the center of the book, so that as you turn
the pages, you uncover different layers of the body, since the model is built
in layers, each attached to the board-book-style pages. So, opening the cover (the skin, as it
were) of the book reveals a page on the dermal system, and the skeletal system,
and as you turn the next page, the ribs come with the page to reveal some of
the internal organs, and so on.
I have always been interested in the overview, the joined-up, the patterns, trends, and directions rather than the details of things. As a biologist, this led me to study animal behaviour rather than molecules. Great things come from the cross-overs between disciplines. Bridges are there to be made between islands of knowledge. Both my books (Wild Health and Another Self) are books that bridge a huge divide between knowledge acquired from reductionist research and that gained by experience. We humans use both.
I loved the way Guy Claxton joined the dots between so many separate scientific disciplines.
He is (I believe) a professor of linguistics, yet he dove into human biology with clarity and gusto, presenting an accessible description of an extremely complex concept—that intelligence incorporates our whole body, not just our brain.
An enthralling exploration that upends the prevailing view of consciousness and demonstrates how intelligence is literally embedded in the palms of our hands
If you think that intelligence emanates from the mind and that reasoning necessitates the suppression of emotion, you'd better think again-or rather not "think" at all. In his provocative new book, Guy Claxton draws on the latest findings in neuroscience and psychology to reveal how our bodies-long dismissed as mere conveyances-actually constitute the core of our intelligent life. From the endocrinal means by which our organs communicate to the instantaneous decision-making prompted by external phenomena, our bodies…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Frédéric Delavier is an artist and a bodybuilder, and he’s written a unique book. Although Strength Training Anatomy is popular with the bodybuilder audience, it is very useful for visual artists as well. Instead of just showing muscles in static positions, this book emphasizes motion and demonstrates how muscles look when being worked.
Over 1 million copies sold! With new exercises, additional stretches, and more of Frederic Delavier's signature illustrations, you'll gain a whole new understanding of how muscles perform during strength exercises. This one-of-a-kind best-seller combines the visual detail of top anatomy texts with the best of strength training advice.
Many books explain what muscles are used during exercise, but no other resource brings the anatomy to life like Strength Training Anatomy. Over 600 full-color illustrations reveal the primary muscles worked along with all the relevant surrounding structures, including bones, ligaments, tendons, and connective tissue.
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
While the West was busy with postmodernism, the Soviet world cultivated social realism based on the 19th-century figurative tradition of the École des Beaux-Arts in Paris. East Germany was no exception with its own figurative tradition at Dresden Academy of Fine Arts. Gottfried Bammes was a professor of art there, and he further developed classical anatomy studies by introducing a more scientific approach. Illustrations in Der Nackte Mensch are precisely measured and reliable, and each of them introduces a new way to look at human anatomy. Concepts such as wire-framing and splitting organic form into geometric shapes appear here. This book is full of ideas, and it has been a huge influence on how I perceive human anatomy. Gottfried Bammes is, in my opinion, the greatest anatomist of the 20th century!
Gottfried Bamme - The naked man. Hand and textbook of anatomy for artists VEB Verlag of Art | 1982 | ISBN: 3364000166 | German | 480 pages Shown with special reference of their own tasks, objectives and methodological problems. With around 840 individual anatomical drawings by the author, over 120 examples of masterpieces of the fine arts, model 190 single shots and many students work.
