I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
This Nommo-award-winning collection is experiential in its offerings of literary fragments yet bold and playful—a clean taste of Wole Talabi’s creativity and curiosity on genre and reimagining a future Africa. Talabi is unlike your typical short story writer, if there’s ever one. His stories are sharp, brisk, hauling the reader to mindful captivation. The collection is a transcultural odyssey into Yoruba mythology in stories of logic, illogic, the known and unknown, relationship and fallout, trust and betrayal, transposition, exposition, and much escapade. Virtual reality has a role here, as do gods and goddesses, victors, and survivors. Incomplete Solutions is a cross-genre degustation of possibilities and impossibilities that deconstruct the reader’s mindset.
An elderly woman in early 22nd century Lagos is called in to help test the artificial intelligence built from her genius mother’s mind, but all is not as it seems in the Nommo-award winning story, “The Regression Test”.
Exiled from Earth for a crime of passion, a young man must learn to survive a barely habitable prison planet and come to peace with his past in “Polaris”.
“Wednesday’s Story”, nominated for the 2018 Caine Prize, is at once a retelling of nursery rhymes and folklore and a meta-fictional meditation on the mechanics, art and power of storytelling.
I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.
In this riveting account, Agbiboa dispels the myth that corruption is a culturally accepted norm in Nigeria.
He spent months behind the wheel as a minibus conductor in the informal settlements of Lagos, Nigeria, and experienced first-hand the stark realities of the corrupt interactions between drivers, police, and members of the transport workers union.
Nigerians reject, and simultaneously have little choice, but to participate in the petty corruption that arises from the systematic, violent, and exploitative relationship between the state and union on the one hand, and transport operators and passengers on the other.
Agbiboashows that binary understandings of formality/informality, public/private, and legal/illegal derived from Western thought do not adequately capture the way that petty corruption is embedded in the state and is driven by elite corruption.
This resonated strongly with my research on the informal economy in Tanzania.
Accounts of corruption in Africa and the Global South are generally overly simplistic and macro-oriented, and commonly disconnect everyday (petty) corruption from political (grand) corruption. In contrast to this tendency, They Eat Our Sweat offers a fresh and engaging look at the corruption complex in Africa through a micro analysis of its informal transport sector, where collusion between state and nonstate actors is most rife. Focusing on Lagos, Nigeria's commercial capital and Africa's largest city, Daniel Agbiboa investigates the workaday world of road transport operators as refracted through the extortion racket and violence of transport unions acting in complicity with…
I am a scholar of African and African American literature with interests in the cultures, histories, and philosophies of Africa and the diaspora. Currently, I teach and research at Texas A&M University. The history of the transatlantic slave trade and its legacies are huge components of my current research; it is also the topic of my doctoral research which I completed in 2017 at The School of Oriental African Studies (SOAS), The University of London.
The transatlantic slave trade was, historically, the most organized and sophisticated system of dependence, but it was not the only form of enslavement. In Africa, prior to it, and even proceeding it, were systems of bondage. This is the heart of Emecheta’s novel: set in the early 20th century, it tells the story of a young Igbo woman who loses her parents and is then sold into slavery. As characteristic of Emecheta, it is beautifully written and developed in characterization. Specifically, what I love about this novel is its perspective on the African female in situations that are physical, psychological, and cultural enslavement.
"Her graphically detailed pictures of tribal life make the novel memorable."―Chicago Tribune
The Slave Girl follows the fortunes of Ogbanje Ojebeta, a Nigerian woman who is sold into slavery in her own land after disease and tragedy leave her orphaned as a child. In her fellow slaves, she finds a surrogate family that clings together under the unbending will of their master. As Ogbanje Ojebeta becomes a woman and discovers her need for home and family, and for freedom and identity, she realizes that she must ultimately choose her own destiny.
I was born in Akure, a hilly, ancient, rainforest town that became the chief administrative town of the newly created Ondo State in 1976. As a child, I witnessed the old town’s effort, both deliberate and inevitable, to wear a modern look. I’m naturally attracted to stories, fiction or non-fiction, that gives voice to the individual right to resist the old or the new; resistance that will not be without consequences. Kasali’s Africa is the theatre of ideas for Kasali, a rural farmer courted by the educated elites, and his view on what Africa should be. If you love Africa, I know you will enjoy these books.
The Fishermen is set in Akure, the first town I ever knew intimately, and a town I have fallen in love with once again as an adult. In Akure you will see hills and rivers and green scenery, you will see stories. This gives me rare insight into the childhood adventures of the protagonist, Ben, and his 3 brothers, whose lives were shackled by the rantings of a mentally disturbed man. I love the author’s use of historical figures and events of 1990s Nigeria as a backdrop for this tragic story about a normal Nigerian family.
A striking debut novel about an unforgettable childhood, by a Nigerian writer the New York Times has crowned "the heir to Chinua Achebe."
Told by nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of a childhood in Nigeria, in the small town of Akure. When their father has to travel to a distant city for work, the brothers take advantage of his absence to skip school and go fishing. At the forbidden nearby river, they meet a madman who persuades the oldest of the boys that he is destined to be killed by…
From the moment I first began reading about Nigerian history, I was drawn to the country’s complexity – the mix of religious traditions, ethnic groups, languages, cultures, and intersecting histories. As a graduate student, I delved deeper into the history of Islam in northern Nigeria, first by reading the secondary literature, then by exploring primary documents, and eventually by conducting my own fieldwork. Sadly, as my interest in Nigeria grew, so too did the country’s ongoing tragedies, including the violence perpetrated by Boko Haram. Nevertheless, there is much more to Nigeria than conflict, as is amply demonstrated by the tremendous contributions of Nigerian novelists, musicians, filmmakers, entrepreneurs, and scholars.
Siollun’s Soldiers of Fortune(and its acclaimed sequel, focusing on the consequential 1993 elections and what came after) take readers inside the last few military regimes that dominated Nigeria. Given that so many of the characters Siollun discusses still loom large in Nigerian politics today, the books are indispensable for understanding the country and its trajectory.
‘This book is the story of Nigeria’s political journey between December 31, 1983 and August 27, 1993. This is the story of how things fell apart.’
The years between 1983 and 1993 were momentous for Nigeria. Military rule was a time of increased violence, rampant corruption, coups, coup plotting and coup baiting. It moulded the conditions and character of Nigeria today, forcing seismic changes on the political, economic and religious landscape that nearly tore the country apart on several occasions.
Soldiers of Fortune is a fast-paced and thrilling narrative of the major events of the Buhari and Babangida era. The…
An exploration of Lagos' complex biodome from a British, Brooklyn-based author?
This is a dream come true for me, as a creative writer who spent years in Brooklyn and grew up in West African culture—one that I consider my strongest affiliation, even before my native Brazilian heritage.
It is the story of a London girl who settled in Lagos with her husband. Suddenly, she disappears.
When the investigation hits a dead end, her aunt flies to Nigeria in search of answers.
It’s a complex whodunnit that swerves across timelines as it explores the ins and outs of Lagos' powerful hold on eager souls.
Well-constructed, culturally relevant, and faithful. A must-read for anyone interested in Nigerian customs and sharp crime thrillers.
'I was hooked right through to the shocking end' BERNARDINE EVARISTO
'An excellent read' GUARDIAN
'Beautifully written, immersive, thought-provoking' MARIAN KEYES
'Obsessed' KERRY WASHINGTON
'A shimmering success' DIANA EVANS
THE PERFECT WIFE. THE PERFECT MURDER.
Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of Lagos and a glamorous group of friends. She left London and a troubled family past behind to become part of a community of expat wives.
But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation…
I have always been fascinated by how power and money work, and hopeful that we can change the world for the better by subverting both. In the 1990s, when I started travelling to, and writing about, Russia, I became aware of how completely oil and gas completely dominated Russia’s economy, its power structures, and its people’s lives. I learned about how oil, gas, power, and money relate to each other, and for 14 years (2007-2021) wrote about those interconnections as a senior research fellow at the Oxford Institute for Energy Studies.
In 2003 I went to Nigeria to write a report on oil companies’ “corporate social responsibility” in the Niger Delta. There was, and is, no such responsibility. The companies finance corrupt officials, wreck communities, and allow oil spills to poison millions of people’s drinking water. Under the Abacha dictatorship in the 1990s, they colluded with violent suppression of protest against their activities, culminating in the judicial murder of Ken Saro-Wiwa and the “Ogoni Nine”. This book showed me how Shell’s naked exploitation of people and their land worked, the systems of power that supported it, and how these evolved over time. One of the authors, Oronto Douglas, has passed away, but both participated in communities’ self-defence in the face of these systems. Their book is passionate, engaged, and razor-sharp analytically.
On 22 February 1895, a naval force laid siege to Brass, the chief city of the Ijo people of Nembe in Nigeria's Niger Delta. After severe fighting, the city was razed. More than two thousand people perished in the attack. A hundred years later, the world was shocked by the murder of Ken Saro-Wiwa--writer, political activist, and leader of the Movement for the Survival of the Ogoni People. Again the people of Nembe were locked in a grim life--and--death struggle to safeguard their livelihood from two forces: a series of corrupt and repressive Nigerian governments and the giant multinational Royal…
I am an art and architectural historian whose field also includes the histories of cities. My area of specialty is Africa. I am also a professor at Harvard who has lived in Cambridge, Ma. for over 30 years where I have become a civic leader, co-founding the Harvard Square Neighborhood Association to help bring improvements to the city and preserve historic buildings here. I teach a class on Harvard Square (and the city of Cambridge) and following January 6, I felt it was important to rethink the way we teach young people – encouraging them to understand the diversity of all our communities.
This delightful new addition to children’s literature addresses two young cousins, both living in large cities on different continents – one (Olu) in Lagos, Nigeria, and the other (Greta) in Milan Italy – share complementary experiences and differences in their diverse settings – in their lived lives and while they are playing.
The bold, colorful, and wonderfully engaging illustrations that convey the different characters and settings are a key part of the pleasure of reading this book.
The geographical and cultural distance between two cousins is counteracted by the universalities of childhood and the dream of uniting.
Olu lives in Lagos, Nigeria; his cousin, Greta, lives in Milan, Italy. Though their lives may be different, their ways of living and playing are quite similar. They both roller skate; they both skip down the street; they both play with toy trains, trucks, and boats... and they both dream of meeting and being together. Debut author-illustrator Diana Ejaita references her own childhood and heritage to create a rich, poignant, and authentic portrayal of Nigeria, of Italy, and of the…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
I sometimes think of memoir as a modern genre, but the truth is that people have been writing about their own lives for thousands of years.
This 1789 account begins with Olaudah Equiano’s day-to-day life growing up in the kingdom of Benin, Africa, and then describes his crossing the Atlantic Ocean via the Middle Passage and subsequent enslavement.
When I first read this book in college, it was the beginning of my realization that the people in history were people with whom I share all the same range of emotions and motivations that comes with being human. This book instilled in me a desire to understand the people of the past.
A first-person narrative of Olaudah Equiano's journey from his native Africa to the New World, that follows his capture, introduction to Christianity and eventual release. His story is an eye-opening depiction of personal resilience in the face of structural oppression.
Olaudah Equiano's origins are rooted in West Africa's Eboe district, which is modern-day Nigeria. He details the shocking events that led up to his kidnapping and subsequent trade into slavery. His journey starts at 11 years old, forcing him to come of age in a society that abuses him at every turn. During his plight, he attempts to find new…
I am Australian but have lived in four other countries – England, Nigeria, USA, and Qatar – so I love reading about life overseas. How does the weather impact daily life, from what people wear to the available activities? How does culture influence behavior? Food, from what’s in the supermarket to the menus at local restaurants, can change the flavors and smells in homes and on the street. And what about alcohol? Does banning wine and spirits impact the vibe? (Hint: yes, it does!) These factors play out in my writing, and I love seeing how other authors portray place on the page.
I lived in Lagos for four and a half years, so a mystery in Nigeria grabbed my attention right away. Vanessa’s descriptions are so vivid that I was transported back there on the page.
I loved the insight into the lives of the Nigerwives—women from other countries married to Nigerian men. The power dynamics within the family were fascinating, and even as I wanted to know what happened to the missing Nigerwife, I was just as intrigued by the cultural insights.
“The perfect beach read…catapults you into a world that most of us have never seen before—and will have you glued to every page.” —HuffPost
“White Lotus meets Big Little Lies” (Good Morning America) in this riveting domestic drama about a young woman who goes missing in Lagos, Nigeria, and her estranged auntie who will stop at nothing to find her.
Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of glittering Lagos, and a glamorous group of friends. She left gloomy London and a troubled family past behind…
