The most recommended science fiction books

Folks daunted at the prospect of jumping in to a longer series will be delighted to know that this is just a standalone novel. In fact, it was the only novel Walter M. Miller, Jr. wrote in his lifetime. There is a posthumously published sequel to this novel, but it was completed by another writer and is generally considered the lesser work, and at any rate, Canticle stands on its own. This is a post-apocalyptic novel, set after a nuclear war in the 1960s wiped out civilization. It takes place over the course of centuries, and follows a small Roman Catholic monastery in the American southwest as they struggle to preserve documents from before the bombs destroyed everything—scientific knowledge, mostly, knowledge the poor monks can’t even begin to understand.

This is one of the most beautifully written novels in the genre’s history, and one that—though I’ve only read it two… show more.

In Zone One, the frantic oh-*expletive* bloodbath phase of a zombie apocalypse has clicked over into something like a new normal. In lower Manhattan, our hero “Mark Spitz” mops up straggler zombies seemingly stuck in mindless loops from their past lives and reflects on the transformed yet familiar landscape. Zone One made me realize how specific streets are encoded in my own memories, and made me want to be more present in my own life, to move through the world less like a zombie.

I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.

The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.

The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.

I love this novel. I read it well after my own came out, but the strong, badass, stoic female main character reminded me a lot of Delia from What Branches Grow (despite Brittle being a robot). The often dark and gritty scenes interspersed with moments of emotion and laugh-out-loud absurd humour turned a story that could have been depressing into one that was a helluva lot of fun. The raiders in this novel also fit the trope in the same homage to Mad Max/Fallout that mine do in What Branches Grow, albeit in a way I didn’t expect. The novel is also a quest through the wasteland with a ragtag group that culminates in a final battle, which is a similar trajectory to my novel (and a plotfline in this genre I very much enjoy).

The book that made me like robots. Okay, androids. Okay, Ancient-Egyptian-inspired hyper-advanced noble sapient beings biotransfered into soulless, dysphoric, flesh-phobic metal skeletons. To put it simply.

I loved the aesthetics of the book. Burnished silver, green, and black. Silver metal bodies with glowing emerald cores and burning “eyes”. Actinic green flashes of firing pylons and voidcraft in the night sky. A sacred tomb invaded by orks as scarab constructs and far worse things scuttle and crawl out from the shadows. An obsidian-black desert necropolis thick with obelisks and alight with gauss lamps.

Most of all, I loved how alien the book was, how inhuman – yet gradually “humanised”, with emotional and empathetic touches. Communication in this book felt unique. The “necrons” have no facial expressions or inflections of voice, so instead they found more technological ways to express emotional nuance in their new bodies: through the intensity of their core-fluxes,… show more.

To Sleep in a Sea of Stars is a bold, futuristic epic that immediately sucked me in and wouldn’t let me go. Starting on the far-off world of Adrasteia, the story follows Kira across the galaxy after she mistakenly walks into an interstellar war. Paolini perfectly paints this fantastical story, leaving you desperate for more. Having read Eragon at a young age, I wasn’t expecting Paolini to write this genre, but I am so impressed by his work. While I’d recommend any of his books, To Sleep in a Sea of Stars is my new favorite. His world-building is amazing and wildly entertaining!

Miranda Sinclair is a latchkey kid who lives with her single mom on the Upper West Side of New York City in the late 1970s. I love the way Miranda navigates her dirty, dangerous, yet enchanting city – her street smarts, her fears, her relationships with the adults in the neighborhood who keep a watchful eye over her. And the book, while totally gritty and real, also has a lovely, melancholy element of magical realism that makes the story mysterious and poignant. 

Electric, dystopic, magical, queer, Tentacle is the most exciting, genre-bending book I’ve gotten my little hands on in quite some time. Expansive in theme yet swiftly paced, it moves between three different connected time spans including futuristic Santo Domingo. Felt like a fever dream with seriously high stakes, I can’t believe how much world building happens in under 200 pages. Rita Indiana is also a brilliant musician based in the Dominican Republic, I was introduced to her revelatory music after reading her fiction. Her music now haunts all my playlists. 

Gaiman’s fairytale-like writing gives it a nostalgic feel I didn’t even know I was looking for, and the idea that stars aren’t just big balls of hot gas, but people? That lines up with the idea that every star is an attendant angel, for me—or older ideas of religions past, that the stars themselves were the “visible gods” of our world, watching over us from the cosmos.

All fiction comes from something someone said before, and it’s one of the things I love most about fantasy. Stardust is one of those books that really just gives you the old-school whimsy and magic and romance that, when you’re trying so hard to think of something never-been-done-before, reminds you that there’s a reason stories like these are called classic.

Mademoiselle Geraldine’s Finishing Academy for Young Ladies of Quality. A finishing school? Um, ye-ees. For spies. Spies? Uh-huh. On a dirigible. A—what? In a culture where vampires and werewolves are part of society. Wrapped in a huge steampunk bow. Etiquette and espionage. Curtsies and conspiracies. Waistcoats and weaponry. Manners and mutiny. What could possibly go wrong? (What can’t?) Gail Carriger’s Parasolverse is their entirely diabolically magical setting. Her writing is laugh-out-loud clever, witty as Noel Coward, deeply principled, and there are tons more. I started with the Alexia Tarabotti seven and read every single one. I’d do it again, too. Her heroines make my heart go pitter-pat. With glee.