When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.
It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere.
'Intriguing, atmospheric, thought-provoking' Alexandra Bell
'Beautifully crafted, thrilling and atmospheric' Rebecca Netley
In the midst of the woods stands a house called Lichen Hall.
This place is shrouded in folklore - old stories of ghosts, of witches, of a child who is not quite a child.
Now the woods are creeping closer, and something has been unleashed.
Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something.
Then she meets the mysterious mother and young boy who live in…
This book is such an usual book, and I love it for how strange and unexpected it is.
The story takes place in a near-future Edinburgh, where the world has dramatically changed due to an undefined apocalyptic event but has more of a gothic sensibility than a post-apocalyptic one.
There’s magic, history, and an extremely likable narrator wrapped in an almost-crime-novel package.
"An absolute delight . . . kept me totally hooked." – Genevieve Cogman, bestselling author of The Invisible Library
Sixth Sense meets Stranger Things in T. L. Huchu's The Library of the Dead, a sharp contemporary fantasy following a precocious and cynical teen as she explores the shadowy magical underside of modern Edinburgh.
WHEN GHOSTS TALK SHE WILL LISTEN
Ropa dropped out of school to become a ghostalker – and they sure do love to talk. Now she speaks to Edinburgh’s dead, carrying messages to those they left…
This book is so atmospheric; when I read it, I could taste the Scottish sea air and smell the black peat of the island.
It has the pace of a thriller but does not compromise on rich language and complex characters. Like Johnstone’s first book, Mirrorland, the twists are absolutely brilliant and unexpected; I couldn’t put this one down!
A remote village.
A deadly secret.
An outsider who knows the truth...
'ATMOSPHERIC AND COMPELLING' CATHERINE COOPER
'ENGROSSING, EVOCATIVE AND CHILLING' C. J. TUDOR
'DELICIOUSLY UNSETTLING' OBSERVER
'SPLENDIDLY CREEPY' DAILY MAIL
Maggie Mackay has been haunted her entire life. No matter what she does, she can't shake the sense that something is wrong with her. And maybe something is...
When she was five years old, without proof, Maggie announced that someone in the remote village of Blairmore in the Outer Hebrides had murdered a local man, sparking a media storm.
Now, Maggie is determined to discover what really happened and…
This book is such a smart novel. It draws its inspiration from Frankenstein, and although it is very different from the original (with its likable lesbian protagonist), it loses none of the original novel’s gothic themes and atmosphere.
The story moves quickly yet manages to convey rich language and explore complex themes.
A gothic adventure story, a classic tale with a feminist twist, a story of ambition and obsession, forbidden love and sabotage...
'It is not the monster you must fear, but the monster it makes of men...'
Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how...
The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and…
Fray is such an unexpected novel. It’s presented as a sort of ‘missing person mystery,’ but it’s actually quite an experimental and literary novel.
The whole story, written in often surreal fragments, takes place in the Scottish wilderness and is rife with unforgettable imagery. Ultimately, it’s a story about grief, and the fragmented narrative style perfectly suits this theme.
Lynx is a Grief Nurse. Kept by the Asters, a wealthy, influential family, to ensure they're never troubled by negative emotions. When news arrives that the Asters' eldest son is dead, Lynx does what she can to alleviate their sorrow. But as guests flock to the Aster’s private island and manor home for the wake, bringing their own secrets, lies, and grief, tensions rise, and Lynx finds herself trapped at the center of a family tearing itself apart.
The son's death is not the last, and the island soon becomes a vortex of jealousy, suspicion, hatred, and tragedy–with Lynx caught in the middle. With romance, intrigue, and spectacular gothic world-building, this spellbinding novel is set in a subtly reimagined 1920s Scotland.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
