I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
Ross Sayers is one of my favourite contemporary Scottish authors. His books are always unique and humorous with genuine characters. This book looks at the subject of memory, how we can yearn to go back to a particular moment in time, how we can be trapped by things that have happened in our past and asks if we can really trust our own memories. It contains dual timelines alternating between 2019, with Hannah’s first day working at Memory Lane in Edinburgh, and 1975, inside the memory of John Valentine as he relives his wedding day over and over again. It’s a compelling work of speculative fiction that forces the reader to confront their own memories.
2019 - It's Hannah Greenshields's first day at Memory Lane, a memory clinic in the centre of Edinburgh. She soon learns that Memory Lane possesses advanced technology which allows clients to relive their favourite memories for a substantial fee. 1975 - John Valentine, a Memory Lane client, is reliving his wedding day over and over again, hoping to change one key event he can't forget. However, as proceedings become less and less familiar, John realises his memory isn't such a safe place after all. When Hannah and John's paths meet, they must work together to get John back to the…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
Like myself, Rankin didn’t start writing fiction until he left his native country. His books could only be set in a city like Edinburgh, with its blend of Puritan zeal, parsimony, and violence. His depiction of his hometown is so enthralling that it started a tourist boom, much like Oxford experienced with Colin Dexter.
I adore how he brings back Rebus after retirement as a detective and straight into conflict with former colleagues and criminals. Rankin realizes that a good detective must be closer to the dark side to be effective. I admire Rebus’s imperfections, even how he copes with his health problems. He’s no white hat, but he gets the job done—his way.
A series of seemingly random disappearances - stretching back to the millennium. A mother determined to find the truth. A retired cop desperate to get his old life back...
It's been some time since Rebus was forced to retire, and he now works as a civilian in a cold-case unit. So when a long-dead case bursts back to life, he can't resist the opportunity to get his feet under the CID desk once more. But Rebus is as stubborn and anarchic as ever, and he quickly finds himself in deep with pretty much everyone, including DI Siobhan Clarke.
As the author of the Dr. Josephine Plantae Paradoxes, a historical mystery series based on my grandmother, an early trailblazing woman doctor, I stay true to the facts. I remember entering her apothecary filled with strange bottles of little homeopathic white pills, giant stills, and finding poisonous plants in her atrium. In my novels, Dr. Josephine Reva fights for woman’s equality and practices a mix of botanical and modern medicine, and moonlights as a sleuth to solve paradoxical ‘poison cure’ crimes. An award-winning journalist, author, and former professor with an MS from Columbia University, I studied botany. I currently live between France and New England with my family, furry friends, and lots of plants.
This book is an evocative historical tale written in rich language.
The descriptions of plants and trees while creating a botanical garden in 1832 Edinburgh are a delight to read and take you back to that time and place.
The two female protagonists are unusual; one is a botanical illustrator, and especially well-drawn is Belle, a courtesan and botanical perfumer who has a plan to use her talents to capture a rare flowering succulent to solve her problems.
Unfortunately, plans rarely work out perfectly, but this novel does. A treat for gardeners everywhere.
'Compelling, fascinating . . . A cracking good read' Val McDermid
'An evocative, enjoyable portrait of 1820s Edinburgh' Sunday Times
'Lush, seductive' Daily Mail
'Completely enchanting' Scotsman
'A beautiful tale of scandal and intrigue' Susan Stokes-Chapman, author of Pandora
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Could one rare plant hold the key to a thousand riches?
It's the summer of 1822 and Edinburgh is abuzz with rumours of King George IV's impending visit. In botanical circles, however, a different kind of excitement has gripped the city. In the newly-installed Botanic Garden, the Agave Americana plant looks set to flower - an event that only occurs…
Following a herbal and homeopathic pathway for 20 years has taken me on many insightful and inspiring tangents. One of those being the passion to commune with nature spirits and learn directly from herbs. This practice has led me on many a fine adventure (one of which Wild Flower Walker contains) and continues to be a rich source of teachings and growth. I have been teaching these practices for the last 11 years and offer courses in Shamanic Herbalism; Herbal Alchemy; & Plant Spirit Communication. These books have been treasures and catalysts for me and I hope they will open your heart further to the rich world of nature spirits.
A true-life fairy tale in the 1960s of a man whose childhood dream of meeting the fairies was finally realised in his 60's. It is an engaging read as well as packed with information gleaned through Roc's experiences meeting Pan, the spirit of Nature. A must-read for anyone willing to learn more from the nature spirits themselves.
In the "Scientist and the Faun" the reader follows Robert Ogilvie Crombie's (ROC's) experiences and encounters with Pan and the elemental kingdom in the Botanic Garden in Edinburgh and the path that led him from there to the Findhorn Community where he encountered more elementals and fauns. In one conversation with Pan at the Botanic Garden ROC talks about other people being jealous of his abilities and asks why he is able to see Pan and the elemental kingdom and receives this reply from Pan: Communicating with my subjects is not a garden game for the odd half hour when…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I read this book when it came out last year and also heard the author speak about it at the Edinburgh Book Festival. It’s a story set long after the Highland Clearances, a time when people were driven out of the glens of the Scottish highlands to be replaced by sheep. It drew me right into the human consequences which continue to unfold long after the dramatic events are over.
I particularly enjoyed the compelling main character, Jamesina Ross, who is long since damaged and disappointed yet still has the instantly recognisable dry humour and strength of an older woman who has lived and loved.
'A wonderful and moving story, beautifully told . . . an episode of history brought vividly to life' Clare Chambers, author of Small Pleasures
Jamesina Ross is long finished with men. But one night a stranger seeking lodgings knocks on the door of her tenement flat. He doesn't recognise her, but she remembers him at once. Not that she plans to mention it. She has no intention of trusting anyone enough to let herself be vulnerable again.
A lifetime ago Jamesina Ross was bent on becoming a writer. She had a facility with words. She made up songs about the…
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
This is the first book in the Skelfs series by Doug Johnstone. A Dark Matter introduces us to Dorothy, Jenny, and Hannah, three generations of women who run a funeral home and a private investigator business in Edinburgh. Each chapter is from the perspective of one of the three central characters and gives the reader a different take on what is happening. The crime elements of the story keep you guessing and make you want to read on, however these are interspersed with moments of introspection from the characters who meditate on issues such as science versus faith and the different ways people deal with grief. It is both uplifting and grim all at the same time as well as being darkly humorous, and it takes you to the parts of Edinburgh that the tourists don’t go to.
Three generations of women from the Skelfs family take over the family funeral home and PI businesses in the first book of a taut, gripping page-turning and darkly funny new series.
***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ***Shortlisted for the Amazon Publishing Capital Crime Awards***
'An engrossing and beautifully written tale that bears all the Doug Johnstone hallmarks in its warmth and darkly comic undertones' Herald Scotland
'Gripping and blackly humorous' Observer
'I was addicted from the first page; gripping, gritty and darkly funny as hell' Erin Kelly
I love everything Scottish. My grandfather was Scottish. I never met him, but mom passed the pride of her heritage and culture to me. Mom used to throw out an occasional phrase or poem that I thought was Gaelic. (I later learned it was Scotts but that’s another story.) I decided I wanted to learn the language and found a short course at a small college on the Isle of Skye and it changed my life. After that short course I committed to learning the language and enrolled in the distance learning program. I travel to Skye for the short courses between my semesters and have made lifelong friends.
This is the first book in the Loch Lannick series. I love that this book is set on the Isle of Skye because I know the area fairly well. Like Colgan’s books, she has created a world that I can’t wait to travel back to. She has created a close-knit world on the loch full of highland culture and hospitality. I am only three books into the series but so far I’ve loved the heartfelt humor in each one.
What happens when you meet the right person, at the right time, in the wrong place?
Twenty-two-year-old Leana Mackenzie is looking for adventure. Full of excitement, she leaves her home in a remote Scottish village and heads for the bright city lights.
In Edinburgh she meets Alasdair – a cute and charming singer/songwriter. As their relationship develops everything feels perfect.
But as the sparkle of her new life begins to fade, Leana finds herself longing for her cosy home on the Isle of Skye, and the close-knit family she left behind.
When Alasdair is offered the career opportunity of a…
I love reading crime but oh, it does annoy me when an otherwise competent sensible female detective insists on going into the lonely house to tackle the murderer without backup, and needs to be rescued by her male sidekick. Cass is the cool-in-a-crisis heroine we’d all like to be. Like her, I’m a solo sailor (I’ve lent her my yacht for the series) and I’d love to say I’ve learned to be quick-thinking, self-reliant, and prudent—the sea doesn’t forgive stupidity. I also live in a village where everyone sees the lifeboat going out, and having to be rescued would be the ultimate embarrassment.
Through Covid I revisited childhood favourites, and found I still loved this series. Cathy has grown up in a Birmingham orphanage, and the only clues to her identity are a locket with a portrait of a Highland lady and a torn luggage label. She escapes north, where she meets Ian and Sovra. They spend their time messing about in their boat on the loch or camping in a remote bothy. Their determination to help Cathy gets them all into trouble, but it’s Cathy’s own character that gives her the chance of a happy ending.
In this, the third Ian and Sovra story, the pair discover that life in Edinburgh can be as thrilling as life in their own Western Highlands. For there they meet Cathie, who's escaped from an orphanage. They smuggle her out to a secret hut on the coast, where, after her rides in lorries and rolls of carpet, she's only too delighted to enjoy the free outdoor life of her new friends, while Ian and Sovra do a spot of detection for her. How they solved the mystery and found that this land of mountains, lochs and white sand really was…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.
Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.
Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world.
Ever since Cass almost drowned (okay, she did drown, but she doesn't like to think about it), she can pull back the Veil that separates the living from the dead . . . and enter the world of spirits. Her best friend is even a ghost.
So things are already pretty strange. But they're about to get much stranger.
When Cass's parents start hosting a TV show about the world's most haunted places, the family heads off to Edinburgh, Scotland. Here, graveyards, castles, and secret passageways teem with restless phantoms. And when Cass meets a girl who shares her "gift,"…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I couldn’t make this up: one night masked men broke into the Edinburgh townhouse of Lord and Lady Grange, gagged Lady Grange, bound her to a chair, and carried out of the house to a waiting horse. From there, they travelled across Scotland to the remote islands of St Kilda, where she was left for the next seven years. Lady Grange was by all accounts unbalanced and difficult to live with, so her husband decided to have her abducted, and told his friends she had died. The west of Scotland at the time was essentially a different country from Edinburgh society, complete with an English-Gaelic language barrier. This story is so outrageous that it is difficult to believe it is true. Pair it with any edition of Johnson and Boswell for another look at life in the west of Scotland in the eighteenth century, and read their versions of the…
In the 18th century shotgun weddings were not unusual, but in most cases it wasn't the bride that was holding the gun. So began the stormy marriage between Lord and Lady Grange, a marriage which was to end with Lady Grange's death on the Isle of Skye after 13 years in exile.
The daughter of a convicted murderer, Lady Grange's behaviour, such as her fondness for drink, was so outrageous that her sudden disappearance from public life was not considered surprising. But few knew the true story of her disappearance.
This book reveals, for the first time, how the unfortunate…
