I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
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I’ve read Weak Teeth twice now, as I was lucky enough to read it in its proof stage as well. It’s an anti-love story about Ellis, an Edinburgh girl, which opens with her long-term partner cheating on her before chucking her out of their shared flat.
Sounds depressing? But in the hands of Lynsey May, it becomes a bleakly, blackly hilarious, razor-sharp dissection of human relationships, along with a beautifully rich exploration of family and what it means to be strong in life.
The characters are so utterly identifiable, from Ellis’s poison-tongued but ferociously loyal big sister to her wet drip of an ex. It’s a book to hold your hand through the worst times of life and remind you that strength can be found where you least expect it.
'[A] warm and witty exploration of our hidden vulnerabilities' - Catherine Simpson
Ellis's life has crumbled without warning. Her boyfriend has fallen in love with someone else, her job's insecure, her bank account's empty and she has a mouthful of unreliable teeth. Forced back to her childhood home, there is little in the way of comfort. Her mum is dating a younger man (a dentist, no less) and is talking of selling the house, her sister, Lana, is furious all the time, and a distant cousin has now arrived from the States to stay with them.
I am a children’s horror author, editor, and mentor who has been writing and reading about the genre for ten years. I love seeing how my fellow authors take quite terrifying themes and content and creatively develop them into fun and creepy stories suitable for the youngest readers. It is a thrilling responsibility, and I hope we all bring something slightly different to the table for those who love the dark!
I was first attracted by the totally gorgeous cover; I’ve never seen anything like it. This story is written for middle-grade readers, ages 9-12. It is an unusual horror story, where the main character, Delores, is sent up to a distant family in Edinburgh to learn to deal with seeing ghosts.
I’ve visited Edinburgh, and it is an amazingly creepy city! I walked the ghost tunnels beneath the city, so it was lovely to read more about the area. The book conveys the setting beautifully, and I was captivated by the wonderful, descriptive, lively writing. I can’t wait for the sequel!
When Delores Mackenzie is chased home by a restless spirit, she is sent to the mysterious Uncles in Edinburgh Old Town to learn how to control her unusual 'gifts'. Scared and alone, she finds her new home at the Tolbooth Book Store is full of curious surprises: some welcome, others less so. But when a sinister apparition threatens the lives of her strange new housemates, Delores must gather all her strength to save them.
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
The story sounds like legend: three young girls flee their captors and survive a thousand-mile trek across the Australian desert. Sadly, Follow the Rabbit-Proof Fenceis all too true. It traces the real-life journey of Molly, Gracie, and Daisy, three Aboriginal Australian children forcibly removed from their families in 1930, part of a racist government strategy to wipe out Aboriginal culture. It’s an amazing tale of survival, but what really inspires me is Molly’s story after that fateful journey: her refusal to give in to a system bent on crushing her. Remarkably, almost a hundred years later, her fight for human rights still echoes in the headlines of today.
I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.
This is the first book in the Skelfs series by Doug Johnstone. A Dark Matter introduces us to Dorothy, Jenny, and Hannah, three generations of women who run a funeral home and a private investigator business in Edinburgh. Each chapter is from the perspective of one of the three central characters and gives the reader a different take on what is happening. The crime elements of the story keep you guessing and make you want to read on, however these are interspersed with moments of introspection from the characters who meditate on issues such as science versus faith and the different ways people deal with grief. It is both uplifting and grim all at the same time as well as being darkly humorous, and it takes you to the parts of Edinburgh that the tourists don’t go to.
Three generations of women from the Skelfs family take over the family funeral home and PI businesses in the first book of a taut, gripping page-turning and darkly funny new series.
***Shortlisted for the McIlvanney Prize for Best Scottish Crime Book of the Year*** ***Shortlisted for the Amazon Publishing Capital Crime Awards***
'An engrossing and beautifully written tale that bears all the Doug Johnstone hallmarks in its warmth and darkly comic undertones' Herald Scotland
'Gripping and blackly humorous' Observer
'I was addicted from the first page; gripping, gritty and darkly funny as hell' Erin Kelly
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I couldn’t make this up: one night masked men broke into the Edinburgh townhouse of Lord and Lady Grange, gagged Lady Grange, bound her to a chair, and carried out of the house to a waiting horse. From there, they travelled across Scotland to the remote islands of St Kilda, where she was left for the next seven years. Lady Grange was by all accounts unbalanced and difficult to live with, so her husband decided to have her abducted, and told his friends she had died. The west of Scotland at the time was essentially a different country from Edinburgh society, complete with an English-Gaelic language barrier. This story is so outrageous that it is difficult to believe it is true. Pair it with any edition of Johnson and Boswell for another look at life in the west of Scotland in the eighteenth century, and read their versions of the…
In the 18th century shotgun weddings were not unusual, but in most cases it wasn't the bride that was holding the gun. So began the stormy marriage between Lord and Lady Grange, a marriage which was to end with Lady Grange's death on the Isle of Skye after 13 years in exile.
The daughter of a convicted murderer, Lady Grange's behaviour, such as her fondness for drink, was so outrageous that her sudden disappearance from public life was not considered surprising. But few knew the true story of her disappearance.
This book reveals, for the first time, how the unfortunate…
This
is the second in a series, and I wouldn’t recommend diving into it without first
reading Book 1, The Library of the Dead, but since I read Our Lady of
Mysterious Ailments this year, it’s the one I’m listing.
Also, why would
anyone not want to read The Library of the Dead? The title alone is
enough to seal the deal, and it doesn’t disappoint. The series is about a young
woman in a post-something-really-bad-happened magical Edinburgh who solves
mysteries based on her ability to talk to ghosts, even though they aren’t the
most reliable witnesses.
It’s great for people like me who were devastated when
Lockwood & Co. was canceled. There’s a third book in the series
available now, and I hope they keep coming.
“Alluring, shadowy Edinburgh with its hints of sophisticated academic magic will draw you in, but it’s Ropa - a hard knocks ghostalker on her paranormal grind to pay the rent - who grabs hold. The moment you meet her, you’ll follow wherever she goes.” - Olivie Blake, New York Times bestselling author of The Atlas Six
T.L. Huchu returns with the gripping Our Lady of Mysterious Ailments, the next in the Alex-Award-winning Edinburgh Nights series.
Some secrets are meant to stay buried
When Ropa Moyo discovered an occult underground library, she expected great things. She’s really into Edinburgh’s secret societies…
I love reading crime but oh, it does annoy me when an otherwise competent sensible female detective insists on going into the lonely house to tackle the murderer without backup, and needs to be rescued by her male sidekick. Cass is the cool-in-a-crisis heroine we’d all like to be. Like her, I’m a solo sailor (I’ve lent her my yacht for the series) and I’d love to say I’ve learned to be quick-thinking, self-reliant, and prudent—the sea doesn’t forgive stupidity. I also live in a village where everyone sees the lifeboat going out, and having to be rescued would be the ultimate embarrassment.
Through Covid I revisited childhood favourites, and found I still loved this series. Cathy has grown up in a Birmingham orphanage, and the only clues to her identity are a locket with a portrait of a Highland lady and a torn luggage label. She escapes north, where she meets Ian and Sovra. They spend their time messing about in their boat on the loch or camping in a remote bothy. Their determination to help Cathy gets them all into trouble, but it’s Cathy’s own character that gives her the chance of a happy ending.
In this, the third Ian and Sovra story, the pair discover that life in Edinburgh can be as thrilling as life in their own Western Highlands. For there they meet Cathie, who's escaped from an orphanage. They smuggle her out to a secret hut on the coast, where, after her rides in lorries and rolls of carpet, she's only too delighted to enjoy the free outdoor life of her new friends, while Ian and Sovra do a spot of detection for her. How they solved the mystery and found that this land of mountains, lochs and white sand really was…
An old favourite that I re-read on
a train journey.
It should have been the
last of Rankin’s Rebus novels, with the eponymous policeman retiring at the end
of the story, although the author revived him a few years later. It is the usual mixture of mayhem and a little
mystery set in the underworld of Edinburgh, with the usual protagonists.
Re-reading any of the Rebus books is like curling
up under a warm blanket. You know what is
going to happen, but you are happy, to mix the metaphor, to go along for the ride.
It's late autumn in Edinburgh and late autumn in the career of Detective Inspector John Rebus. As he tries to tie up some loose ends before retirement, a murder case intrudes. A dissident Russian poet has been found dead in what looks like a mugging gone wrong. By apparent coincidence a high-level delegation of Russian businessmen is in town, keen to bring business to Scotland. The politicians and bankers who run Edinburgh are determined that the case should be closed quickly and clinically. But the further they dig, the more Rebus and his colleague DS Siobhan Clarke become convinced that…
I plucked this book out of one of those little free libraries as I had nothing to read and a limited time. I did not care that it was an older Detective Inspector John Rebus series edition. I have read most of them, and opening this edition was like slipping on an old comfortable shoe while sipping hot chocolate.
I am familiar with Ian Rankin’s characters: old friends by now. I always enjoy Ian’s laconic Scottish sense of humor and his familiarity with the ancient streets of Edinburgh.
I was recently in Edinburgh and was the butt of the same humor as well as being thrilled to be in Rebus’ locale. Having re-indulged, I can’t wait to play "catch up."
John Rebus can't close the door on the death of glamorous socialite Maria Turquand. Brutally murdered in her hotel room forty years ago, her killer has never been found.
Meanwhile, Edinburgh's dark heart is up for grabs. Young pretender Darryl Christie may have staked his claim on the city's underworld - but has criminal mastermind and Rebus' long-time adversary, Big Ger Cafferty, really settled down to a quiet retirement? Or is he hiding in the shadows until Edinburgh is once more ripe for the picking?…
