I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
Born and raised in New Zealand, about as far from the Roman world as one can get, I got hooked on history as a child and began university life as an ancient and medieval double major, studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach about many different aspects of that transformation and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
The Gothic is a vast subject, ranging from medieval architecture and debates over the origins of English democracy to literature and cinema, music, and fashion. Groom does superbly to introduce all these highly diverse elements in an accessible and engaging manner, opening up a variety of avenues for those who wish to explore further. The relationship between what is now called ‘Gothic’ and the original Goths ranges from tenuous to almost non-existent, which explains the limited attention paid here to the Goths of history—indeed, I wrote my own book on the Goths in part to provide that historical framework, while drawing gratefully on Groom’s work for many of the themes which have shaped how Goths and the Gothic are understood today.
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home decor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.
This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the…
Webb uses dreams and ghosts to bridge a historical mystery with present-day events.
Take recently divorced Kate Granger. Her life is a mess, so she is recuperating at her parents’ waterfront home on Lake Superior. While there, a perfectly preserved woman, with her baby tucked in the folds of her gown, washes ashore. Kate shouldn’t recognize her, but she does.
She’s been dreaming of the woman who lived 100 years ago. Not only that, but the woman’s unsolved murder is connected toHarrison’s House whichKate’s great-grandfather built; it’s now her cousin’s bed and breakfast.
Will Kate’s dreams and the secrets hidden within Harrison’s House solve the mystery before Kate completely unravels?
The ghosts of the past come calling in a spellbinding heart-stopper from the "Queen of the Northern Gothic."
After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together-only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...
One hundred years ago, a love story ended in tragedy, its mysteries…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!
This debut novel is a delight to read for it not only blends detective fiction with Lovecraftian horror, it also weaves a spell filled with the Blues scene and the Southern gothic genre. An intriguing tale from start to finish, it features a war veteran turned detective hired to find missing a blues man. It takes place in the Jim Crow south of 1951, these times being a horror unto themselves. Rich with atmosphere and mystery, the scenes the author depicts are something else entirely.
Nominated for the Bram Stoker Award for Superior Achievement in a First Novel Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music - broadcast at ever-shifting frequencies by a phantom radio station - is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil.…
I’ve written about war for years. To be honest, it all began in school when we studied the terrible events of The Great War. Hearing the hearts shatter of men on the frontline never left me. I wanted to understand. I needed to understand. PTSD is something I’m familiar with, even if I’ve never been on the front line in battle. I’m also obsessed with myths, legends, ghost stories, and mysteries. My Lorne Turner series combines my passions and the books shine a light, in fiction, on what happens to old soldiers when they come home.
Another spooky one, but this is more historical. It’s unusual because the protagonist is a child for a huge portion of the book, but you never feel like that’s a problem. It adds to the supernatural element beautifully. It’s an odd story, one of those where you are not quite sure if it’s supernatural or the characters are slowly going mad. Superstition, murder, conspiracy, it’s all there in a potent mix. And the ending is brilliant, it brings everything together with real skill.
A Times Best Book of 2019. 'Paver is one of Britain's modern greats. This sinister, gothic chiller shows why' BIG ISSUE, Books of the Year 2019.
"Something has been let loose..."
In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father.
When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened.
Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I imagined myself in the desolate place on the Essex coast where the main protagonist had gone, and I felt an invidious sense of dread as the atmosphere built up. The air of supernatural menace seems to breathe out of this story: the threat and the fear crept into me as if I were there myself, knowing something terrifying would happen, willing the main protagonist to get out and save themselves but knowing that I, just like them, would be held fast by those invisible and supernatural tentacles.
Don't miss this stunning novel from the Sunday Times bestselling author of Lady of Hay - a gripping tale of secrets, betrayal and revenge...
After a broken love affair, biographer Kate Kennedy retires to a remote cottage on the wild Essex coast to work on her new book, until her landlord's daughter uncovers a Roman site nearby and long-buried passions are unleashed...
In her lonely cottage, Kate is terrorized by mysterious forces. What do these ghosts want? Should the truth about the violent events of long ago be exposed or remain concealed? Kate must struggle for her life against earthbound…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Let me introduce you to the wonderful world of Turano's historical romances. Playing the Part is my favorite; it is about a 19th-century New York City actress who hides away at a friend's country estate. Every character is quirky and engaging. I laughed out loud, over and over, at the myriad of crazy situations they got themselves into.
"One of the funniest voices in the inspirational genre."--Booklist
Lucetta Plum is an actress on the rise in New York City, but is forced to abandon her starring role when a fan's interest turns threatening. Lucetta's widowed friend, Abigail Hart, is delighted at the opportunity to meddle in Lucetta's life and promptly whisks her away to her grandson's estate to hide out.
Bram Haverstein may appear to simply be a somewhat eccentric gentleman of means, but a mysterious career and a secret fascination with a certain actress mean there's much more to him than society knows.
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plotto people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps.
Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery isjust a fake, a Halloween prank, so…
I loved this book because it had interesting characters that grabbed my interest right away so I was invested in what happened to them. I also loved the unique magic system and the mysterious dark world. I also loved that it had a little romance between unlikely characters.
For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking.
Elspeth needs a monster. The monster might be her.
Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
Along with vivid characters, this book gives great house–a gorgeous and notorious Italian villa, which was the site of an infamous murder in the 1970s.
One friend, now hyper-successful, invites her old buddy to join her in the villa. The invitee becomes obsessed with solving the long-unsolved murder, and is increasingly sketched out by her old friend’s motives for asking her to come.
The story jumps back and forth from the swinging ‘70s to the present day, with tensions building in both past and present. The ending jump-scared me.
As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So, when Chess suggests a girl's trip to Italy, Emily jumps at the chance to reconnect with her best friend.
Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce's girlfriend, Mari, and her stepsister,…
