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As an American artist and writer who has lived in European cities for the last decade and a half—first Berlin, now Paris—I often look for echoes of dislocation and longing in the books I read. My first published book explores the lives of people who fled other countries to arrive in a city filled with a complex and dark history.
I go in and out of obsession with the irascible crime novelist Patricia Highsmith. In her first Ripley book, we are introduced to an amoral but likable American character who journeys between Rome, Palermo, and Naples, trying to outrun his modest and murderous past.
The cities he encounters are dazzling, filled with old villas and beautiful things representing his new, forged identity.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
The collection Little Musings, available on Amazon, covers several decades of Joy's work as poet and painter. It touches on many aspects of her life, including the loss of her mother, in Do Not Mourn Her and Loss - Double Rainbow. Her childhood was spent in Plymouth, and in A Plymouth Girl Reflects, she recalls the aftermath of the air raids. Being in close proximity to Cornwall, that area also a major theme here, especially in Newquay, Cornwall, and On Air, By Melancholy. Four of the poems, "Absent Friends," "Isle of Thanet," "At Jim's Cafe," and "Captain Ahab of Thanet" are focused on the Thanet area of East Kent, where Joy now lives.
Tess of the D'Urbervilles has the dual quality of a being great work of literature, and a polemic which faces the issues of poverty and oppression—an incredibly honest, balanced portrayal of all aspects of rural life. Many of my personal problems reflected the traumas faced by the tragic heroine.
HarperCollins is pround to present its new range of best-loved, essential classics.
'My life looks as if it had been wasted for want of chances! When I see what you know, what you have read, and seen, and thought, I feel what a nothing I am!'
Challenging the hypocrisy and social conventions of the rural Victorian world, Tess of the D'Urbervilles follows the story of Tess Durbeyfield as she attempts to escape the poverty of her background, seeking wealth by claiming connection with the aristocratic D'Urberville family. It is through Tess's relationships with two very different men that Hardy tells…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I’ve been intrigued with the mind for as long as I can remember. As a child, I imagined shrinking myself down and worming my way into other people’s brains to discover how their thoughts differed from mine. When I realized that was impossible, I started creating characters and imagining how they would think, react, and feel. This led to writing novels and motivated me to get my bachelor’s in abnormal psychology and my master’s in forensic psychology. Now, with an innate curiosity for the mind and a background in how it works, I find myself drawn to reading and writing books that take me into characters’ heads.
I didn’t get pulled into one character’s head in this book, but two. What I enjoyed most about this book is that the balance between the mystery and the characters’ struggles is equal throughout. I cared about both protagonists and was routing for them to achieve their goals (and defeat their enemies) while anxiously awaiting the resolution to the mystery.
While reading, I often had to stop ruminating about the kinds of people in the world. This book is dark, exhilarating, and sometimes horrifying–and I loved every page of it.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 1973 novel, set in Appalachian Tennessee, paints the gothic portrait of Lester Ballard, a serial killer who is evicted from his home, an event which sends him squatting in an abandoned cabin and spying on young couples parking in cars near a place known as the Frog Mountain turnaround.
I am equally taken by McCarthy’s pastoral imagery and the colloquial voice of the unidentified first-person narrator. This book is as unsettling and entertaining as it is sublime.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2011 novel is set in the Ten Thousand Islands off the southwest coast of Florida. I am drawn to the novel’s peculiar backdrop: a shabby alligator-wrestling theme park in the swamp.
Along with the fantastical setting, the reader is quickly lured into this place by the vivid, precocious voice of the thirteen-year-old narrator, Ava Bigtree, who is on a quest to rescue her sister, whom Ava believes to have been stolen away into the Underworld by Bird Man, a mysterious gentleman claiming to possess magical gifts.
New York Times Bestseller | Pulitzer Prize Finalist
"Ms. Russell is one in a million. . . . A suspensfuly, deeply haunted book."--The New York Times
Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness.
I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.
I first read H.P. Lovecraft when I was in college. His Cthulhu Mythos instantly grabbed my imagination. Lovecraft was a large part of the reason I started writing horror. Even back then, his disdain for foreigners and Black people and anyone else whose ancestors didn’t come over on the Mayflower, the way his did, was apparent. In recent years, Lovecraft’s racism has become a hot topic. That’s why I like this book: because it urns the usual Lovecraft trope of evil monsters from another dimension on its head by bringing the monsters closer to home, in the form of the horrors of the Jim Crow era.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.
The action is set in the fictional east Texas town of New Long Lincoln, where Daniel Russell returns after a long absence. He was 13 when his father tried to kill them both by driving his car into Moon Lake. Now a drought has caused the lake to evaporate and the car’s been found, with the remains of Daniel’s father inside, as well as an extra body in the trunk. Daniel teams up with a childhood friend who’s become a police officer to untangle a web of old grudges and strange murders.
Drowned towns – ones that are deliberately submerged in order to build dams and reservoirs – fascinate me. There’s one in Sussex County, New Jersey, called Walpack. It was intended to be buried under a man-made lake in the nineteen-seventies, as part of a project to build a dam across the Delaware River. It was a cause célèbre…
Daniel Russell was only thirteen years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash- and growing into adulthood- Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.
As Daniel diligently follows where the mysterious trail of vengeance leads,…
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
I loved cooking and baking since I was a child, but it wasn’t until I was an adult that I rediscovered the joy of the kitchen. Even though I may enjoy tossing off a batch of eclairs on a whim or experimenting with sous vide, I can get into a cooking rut of last-minute dinners and grab-and-go meals and forget why I enjoy it in the first place! These five books never fail to remind me of the figurative (and sometimes literal) magic of making delicious food with my own hands.
No can deny that pie is magic, but in this book, pies are literal magic: anyone who eats the fruit pies at the Blackbird Café will receive messages from their long-lost loved ones, thanks to the blackbirds who arrive at midnight and sing their dreams.
I adore the touch of magical realism in this gentle novel, and I can never read it without wanting a slice of pie and a glass of blackberry sweet tea. There’s something so quintessentially summery and wholesome about this book that you can practically taste it as you turn the pages.
THE USA TODAY BESTSELLER Heather Webber's Midnight at the Blackbird Cafe is a captivating blend of magical realism, heartwarming romance, and small-town Southern charm.
Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café.
It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to…
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