The collection Little Musings, available on Amazon, covers several decades of Joy's work as poet and painter. It touches on many aspects of her life, including the loss of her mother, in Do Not Mourn Her and Loss - Double Rainbow. Her childhood was spent in Plymouth, and in A Plymouth Girl Reflects, she recalls the aftermath of the air raids. Being in close proximity to Cornwall, that area also a major theme here, especially in Newquay, Cornwall, and On Air, By Melancholy. Four of the poems, "Absent Friends," "Isle of Thanet," "At Jim's Cafe," and "Captain Ahab of Thanet" are focused on the Thanet area of East Kent, where Joy now lives.
The Lamorna Reach presents a Zola-esque tableau of raw, elemental life in early 19th Century Cornwall. Issy, the heroine, is incredibly beautiful and talented, but these qualities do not secure her a happy, comfortable life. She is born a foundling, under the most brutal circumstances, and is fostered. Issy undergoes rape and abuse, and is pressurised into an oppressive marriage. There is a saga of mutual obsession between her and the fascinating dark and menacing Tobias Carmichael, who seduces but does not control her. There are brief glimpses of euphoria and romance. Issy is a fiercely independent spirit; true to form, she disguises herself as a man and goes on a maritime expedition. Eventually, jealousy and prejudice conspire to take her life; but her spirit lives on.
Tess of the D'Urbervilles has the dual quality of a being great work of literature, and a polemic which faces the issues of poverty and oppression—an incredibly honest, balanced portrayal of all aspects of rural life. Many of my personal problems reflected the traumas faced by the tragic heroine.
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'My life looks as if it had been wasted for want of chances! When I see what you know, what you have read, and seen, and thought, I feel what a nothing I am!'
Challenging the hypocrisy and social conventions of the rural Victorian world, Tess of the D'Urbervilles follows the story of Tess Durbeyfield as she attempts to escape the poverty of her background, seeking wealth by claiming connection with the aristocratic D'Urberville family. It is through Tess's relationships with two very different men that Hardy tells…
Jamaica Innis another grand literary role model, though it gave me a sense of something missing. It was too glamorous, too romanticised. The harsh underside of life needed more prominence. However, it narrative pace, sustained sense of drama and suspense cannot be faulted, can never fail as a creative catalyst.
After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. There she finds Patience a changed woman, downtrodden by her domineering, vicious husband Joss Merlyn. The inn is a front for a lawless gang of criminals, and Mary is unwillingly dragged into their dangerous world of smuggling and murder. Before long she will be forced to cross her own moral line to save herself.
The Cornish Captive makes a powerful portrayal of abduction and imprisonment, as well as describing the forces of mental stress under the elemental pressures of Cornish life of that time. Cornish society then was unbelievably brutal. I identify so strongly with the sufferings of any sensitive soul under those conditions.
The sixth novel in a stunning series set in eighteenth-century Cornwall, perfect for fans of Bridgerton
Cornwall, 1800.
Imprisoned on false pretences, Madeleine Pelligrew, former mistress of Pendenning Hall, has spent the last 14 years shuttled between increasingly destitute and decrepit mad houses. When a strange man appears out of the blue to release her, she can't quite believe that her freedom comes without a price. Hiding her identity, Madeleine determines to discover the truth about what happened all those years ago.
Unsure who to trust and alone in the world, Madeleine strikes a tentative friendship with a French prisoner…
At this time there was extensive maritime traffic between Cornwall and the West Indies. The Lip also has an affinity with my own experience, which included going on a Transatlantic Voyage, described in my own book, and a collection of poems I wrote on board.
SHORTLISTED FOR THE WRITERS' GUILD BEST FIRST NOVEL AWARD | SHORTLISTED FOR THE HOLYER AN GOF LITERARY FICTION AWARD | LONGLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD
'This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to overlook. Charlie Carroll inhabits his damaged heroine completely' Patrick Gale 'A moving and affecting novel about life on the edge, with a very special flavour of wild and rugged Cornwall.' Emma Stonex, author of THE LAMPLIGHTERS
Away from the hotels and holiday lets, there is an unseen side of Cornwall, where…
The Tide Between Us is similarly typical of many Cornish novels which involve travel to the West Indies. The maritime links between those areas were extremely strong at those times. It therefore relates to the Transatlantic factor in my own novels which involves the West Indies and the slave trade.
1821: Among the thousands of Irish deportees to the Caribbean British Colonies is a 10 year old Irish boy, Art O’Neill. As an Indentured Servant on a sugar plantation in Jamaica, Art gradually acclimatises to the exotic country and the unfamiliar customs of the African slaves.When the new heirs to the plantation arrive from Ireland they resurrect the ghosts of brutal injustices against Art. He bides his time and hides his abhorrence from his new master by channelling his energy into his work. During those years he prospers, he acquires land, he sees his coloured children freed after emancipation as…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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