100 books like Jamaica Inn

This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.

Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.

It’s 2005, and it’s my first day at The Daily Telegraph. I still couldn’t believe they had hired me as a cadet journalist. The smile I was wearing–from ear to ear–suddenly vanished when the Chief of Staff walked over and said, ‘Phelpsy, a bus has just crashed in Egypt. We have been told that there may have been some Australian tourists on board. Punch out 500 words and give it to me in an hour.’ 

I turned to my computer screen, looked down at my keyboard, and suddenly realized that I had no idea what I was doing. I’d never had any writing training, and my experience was limited to the gibber I had been submitting to the paper (for free) for the past year in the hope of landing a job. After ten minutes of writing a word or two, deleting them, and then doing it again, I… show more.

Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it. 

Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."

But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become? 

We have all heard of this book. We all know something about the plot either by watching the film or hearing something about it at school. If you haven’t yet read the book, you must put it on your reading list. We can only give Mary Shelley’s work full justice by reading it from beginning to end; not until then will you be able to feel Victor’s internal struggles. In his attempt to achieve immortality, he created a monster.

I never get tired of reading chapter five where Shelley describes Victor’s utter disappointment upon watching his creation coming to life. I love the choice of language. The thoughts that went through his mind and his guilty feelings mixed with pride and excitement present an unsolvable moral dilemma. Should he destroy his own creation?  

Something that really drew me into this book is how slippery the sense of danger is: Is journalist Scott McGrath only risking further legal trouble with Stanislas Cordova if he continues to research the suicide of the mysterious director’s daughter, or is he up against something far more evil?

After his last encounter with Cordova destroyed his career, reputation, and marriage, Scott McGrath should be worrying about other things… but he can’t help himself. I was also intrigued by his shifting motivations: Is he driven by a need to know the truth, seeking revenge, fascinated by the story, or trying to protect himself and his loved ones?

Many scenes felt like optical illusions where I could see entirely different truths depending on what perspective I looked at them from.

I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis. 

The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.

So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again. 

I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.

Is Claire supernatural because she can go through the stones? Her skin is certainly milk-soft and bright enough to shimmer in sunlight, but she doesn’t. Even when her hair starts to go white, it doesn’t exactly shimmer. However, she does fit, and so does the story because Unusual things happen to quite ordinary-looking people.

But the most magical thing about this book is the love that Jamie and Claire find in each other. Swoon.

I love this book because it taught me so much about myself. When I read it as a teen, I was enthralled with Edmond’s exciting revenge plots against those who had wronged him. When he decides at the end that he’s gone too far, it seems like an afterthought. But as an adult, I see it differently.

Now, it’s clear that his regret at the end IS the point because he spent so much time becoming as cruel as those that he hated. By focusing on his enemies, he couldn’t be there for those who had loved him. His grand revenge now just seems like a wasted life. More than a sumptuous story, this book shows me the dangers of letting anger win out over love. 

Tess of the D'Urbervilles has the dual quality of a being great work of literature, and a polemic which faces the issues of poverty and oppression—an incredibly honest, balanced portrayal of all aspects of rural life. Many of my personal problems reflected the traumas faced by the tragic heroine.