The most recommended books about writer's block

Yes, the same Stephen King: Carrie, The Shining, Misery, and dozens more. Fiction? Yes–his memoir is among the best books for writing nonfiction, not the best of nonfiction books.

Writers of every genre suffer the same troubles, like doubt, rejections, not enough days when the work “flows”, procrastination, alcohol, and drug abuse, having to bow and beg (until your success reverses the tables), and so on. In On Writing, Mr. King gives us his story: "the good, the bad, and the ugly", of writing. 

Start with chapter 25 of “CV”, right to the meat of King’s memoir. Be sure you read his “Tool Box” for writing. From the “fundamentals” (e.g., read and write a lot, vocabulary, sentences, paragraphs) to the “craft” (e.g., subject, story-telling; clarity {again !}; people, personalities, and characters).  

Enjoy!

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

While not exactly a light read – it contains adult explorations of trauma and violence – Purcell’s writing is drum-tight and entirely absorbing.

This book broke my months-long reading slump and writer's block, reminding me that all it takes to fall in love with stories again is one really, really good one. I’m not much of an annotator, but the pages of my copy are splattered with pen, most often exclamation marks and underlines and obscene exclamations of enthusiasm and grief.

Split between multiple perspectives, locations, and decades, The Lessons is a heart-wrenching romance without fluff, tropes, and suspended disbeliefs. A story of expectations and disappointments, promises and betrayals, it’s full of sharp observations about writing and writers, social constructs, and human behaviour.

I devoured it in days, and can’t wait to forget all the details so I can come back to it and fall in love all over… show more.

Adventure awaits when an inkblot from one of Ethan’s dad’s sketches comes to life and leaps off the page. Sydney Smith’s inky illustrations add to the fun of this fast-paced and funny story about friendship and family. And because Inkling loves to read/eat up ink, and he takes on the mood of whatever text he’s just devoured, it’s also a cool and clever introduction for kids to some classics and to different genres of writing. 

What’s more, the book ends on a note that suggests a sequel that I can’t wait to read!

We’re writers before we’re anything else, and over the years I’ve learned from many how-to-write books. I’ll give two recommendations here: One: William Zinsser’s On Writing Well. Justifiably a classic. I’ve gone back to it often and assigned it in writing classes. If you haven’t yet read it, you must. Two: anything by Gary Provost, someone you’ve probably never heard of, but whose books on writing, all of them, give pungent, smart advice on how to write anything better. Brevity, euphony, clarity, surprise, and lots of other elements combine to create prose worth reading. Provost shows us how.

Of all the creative self-help books out there, Twyla Tharp’s perspective stands out as one fueled by awareness and curiosity rather than grit and force.

For me, this gentler, more curious cultivation of creativity has proved sustaining as opposed to the conventional wisdom that suggests life must be pushed away or overcome to create. As a choreographer and dancer, her wisdom on building a life of creative expression is broad and encompassing, focusing on how one interacts with the world rather than the products one creates.

The inspiration in this book is followed up with practices that have changed the way I approach seeing the world, focusing my thoughts, and allowing the creative process to transport me to surprising places.

This book follows a writer named January, who goes to her father’s beach house that he shared with his mistress after his passing.

I love it when a character's backstory has a unique twist to it, and I could feel January’s pain and confusion as she navigated her father’s complicated past. We get to see January grow as a person and also have a romance with the writer next door.

Love stories with complex character growth are my bread and butter, and this was the novel that started it all for me. 

For all the writers out there, this picture book is an exploration of the “unspeakable horror of the literary life.”

Edward Gorey, in his signature macabre manner, conveys the unconveyable as he takes us through this deceptively insightful story of an author’s journey from the first page, revisions, and finally publication…leaving us to wonder what exactly it is that draws us authors to the lonely aching, hallucinations, and general ennui of the writing life…but loving it all the way!

This was Edward Gorey’s first published book and has his signature pen and ink illustrations in all of their listless glory. A hilarious and relatable read!

Do not come to this book in search of warm hugs about the beauty of the process. True to the title, Klinkenborg (best name ever?) offsets each of his sentences like an epic poem in verse. The epic he describes is how epically bad your writing is, and—hopefully—how to improve. He returns to the word "notice" over and over, and that's really it. You're blowing sentences by not noticing what the sentence itself is doing. You're over-emphasizing "meaning" at the expense of the vehicle that delivers it. I sense there's a kind man in there, somewhere, who's working a side of the street he feels has been neglected by years of misguided education. But here, he's dedicated to the larger cause of clean, clear sentences. Not hugs.

Many times, content creators don’t focus on the entire plan…from the initial creation of the text, the audio, the video through to measurement. Well, fret no longer. Melanie takes her personal experience as well as interviews with content creators at companies around the world to develop a framework that works. The step-by-step format is can’t miss.