People come to songwriting from all different directions. Some have wanted to do this since they were little kids. Some like to make their parents mad. Some are wildly talented but crippled with doubt. All I can say is that no matter which way you’re facing, I think I can help you. I say this because I’ve been teaching college-level songwriting for years now, and every semester I have students who want to meet with me for office hours. They’re all repeat customers and I’ve noticed that many of them ask repeat questions. The point of my book, Music, Lyrics, and Life, is to try to address those repeat questions because chances are good that you have them, too.
Do not come to this book in search of warm hugs about the beauty of the process. True to the title, Klinkenborg (best name ever?) offsets each of his sentences like an epic poem in verse. The epic he describes is how epically bad your writing is, and—hopefully—how to improve. He returns to the word "notice" over and over, and that's really it. You're blowing sentences by not noticing what the sentence itself is doing. You're over-emphasizing "meaning" at the expense of the vehicle that delivers it. I sense there's a kind man in there, somewhere, who's working a side of the street he feels has been neglected by years of misguided education. But here, he's dedicated to the larger cause of clean, clear sentences. Not hugs.
An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg.
Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that “wisdom”—about genius, about creativity, about writer’s block, topic sentences, and outline—and understand that writing is just as much about thinking, noticing, and learning what it…
I return to this book again and again. As both a writer and a person who appreciates philosophical inquiry, I find that Rilke is dialed into the soul of man. His reflections about what makes great writing are not only insightful for a writer, but for anyone looking to grow and find focus in their life.
Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle…
There are so many ways to make friends—and to be friends. As a painfully shy person for most of my life, I’ve learned that words aren’t always necessary, and that shared interests and non-verbal (or differently-verbal) communication can take you a long way. It’s probably why so many of my books focus on unconventional friendships, like that between a boy and a funny-talking fruit bat (in Megabat), a boy and his emotional support duck (in Quack), or even a bee and a flea (in Bee and Flea and the Compost Caper). Not surprisingly, I also love reading books that celebrate unlikely friends. These are just a few of my favorites.
Adventure awaits when an inkblot from one of Ethan’s dad’s sketches comes to life and leaps off the page. Sydney Smith’s inky illustrations add to the fun of this fast-paced and funny story about friendship and family. And because Inkling loves to read/eat up ink, and he takes on the mood of whatever text he’s just devoured, it’s also a cool and clever introduction for kids to some classics and to different genres of writing.
What’s more, the book ends on a note that suggests a sequel that I can’t wait to read!
Mishaps and madness ensue when magical drawing ink comes to life in the Rylance home and 11-year-old Ethan tries to prove he's just as talented as his famous father.
A moving but light-hearted story about grief, family and a sixth-grade rivalry. When Ethan's class is given the task of creating a graphic novel and magical ink jumps out of his father's sketchbook, a strange series of events is set into motion. To his younger sister, Inkling is Lucy, her beloved dog; to his father, Inkling is a second chance at a dwindling career and a chance to solve his family's…
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the…
Professionally, I’ve been a journalist, author, speaker, marketer, adjunct professor, consultant, startup founder, and more; but at my core, I’m a storyteller and a lifelong student. I read voraciously about creativity, writing, media, marketing, psychology, and design, and I’m fascinated by drawing connections between these things. (I’m still allowed to say “read” when I mostly consume audiobooks, right?) I’m currently focused on helping other creators and storytellers master their craft, refine their big ideas, and figure out their unique differentiators, through The Creator Kitchen, the mastermind program I run with fellow creator Jay Acunzo.
I’ve read a lot of books on creativity, and this one stands out for its more scientific and historical approach.
No surprise; it’s written by the NYT’s Science Reporter, and it comes with the sources, case studies, and expert insights you’d expect from someone who works for the country’s newspaper of record. It covered some of the biological and evolutionary support for creativity, which was something I haven’t seen much of elsewhere; and since biological writers are up against the mechanized ones, this will help you see your key advantages.
The audiobook was over 11 hours long, but it didn’t feel like it, and I found myself sitting in the car to continue listening after I’d arrived at my destination more than once.
The New York Times's Pulitzer Prize-winning science reporter "unpacks the myths and mysteries of the creative process" (Salon)
How does creativity work? Where does inspiration come from? What are the secrets of our most revered creators? How can we maximize our creative potential?
Creativity defines the human experience. It sparks achievement and innovation in art, science, technology, business, sports, and virtually every activity. It has fueled human progress on a global level, but it equally is the source of profound personal satisfaction for individual creators. And yet the origins of creative inspiration and the methods by which great creators tap…
I taught writing and copywriting at Columbus College of Art & Design in Ohio for thirty-seven years (retiring as an ancient-but-somehow-still-living fossil in 2014). I taught all our majors, but most of my copywriting students were advertising and design majors. During those decades I wrote nonfiction for newspapers and magazines and copy as a freelancer for ad agencies and design studios. My copywriting book emerged from my experiences in and out of the classroom. I hope I’ve given good advice on advertising: how to think about it and how to write it. But you’ll be the judge.
We’re writers before we’re anything else, and over the years I’ve learned from many how-to-write books. I’ll give two recommendations here: One: William Zinsser’s On Writing Well. Justifiably a classic. I’ve gone back to it often and assigned it in writing classes. If you haven’t yet read it, you must. Two: anything by Gary Provost, someone you’ve probably never heard of, but whose books on writing, all of them, give pungent, smart advice on how to write anything better. Brevity, euphony, clarity, surprise, and lots of other elements combine to create prose worth reading. Provost shows us how.
The classic text on writing well, now refreshed and updated—an essential text for writers of all ages.
This is the one guide that anyone who writes—whether student, businessperson, or professional writer—should keep on his or her desk. Filled with professional tips and a wealth of instructive examples, 100 Ways to Improve Your Writing can help solve any writing problem.
In this compact, easy-to-use volume you'll find the eternal building blocks of good writing—from grammar and punctuation to topic sentences—as well as advice on challenges such as writer's block and creating a strong title. It is a must-have resource—perfect for reading…
I’m just an ordinary person who’s struggled with their own habits and compulsions. My fear and anxiety led me to read many self-help books over the last thirty-something years, and a lot of them helped me to firmly believe that if you start your day in the best way you can, then there’s no limit to the things that you can achieve!
Each of the books I’ve recommended has given me simple tools to help me do just that. Ultimately, I know they inspired me to create the Bad Habit Kicker system. I truly believe they can all help others optimize their lives and become the best versions of themselves!
Anyone who’s looking to establish a daily creative practice would be well advised to read this book and put the beautiful ideas inside into practice.
It’s packed with 12 weeks' worth of ideas for bringing out your artistic side. The ideas can help with any type of creative endeavour and are sure to encourage those creative juices to flow!
'I love it. A practical, spiritual, nurturing book.' - Russell Brand
Since its first publication, The Artist's Way has inspired the genius of Elizabeth Gilbert, Tim Ferriss, Reese Witherspoon and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron guides readers in uncovering problems and pressure points that may be restricting their creative flow and offers techniques to open up opportunities for self-growth and self-discovery.
A revolutionary programme for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you…
I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.
While not exactly a light read – it contains adult explorations of trauma and violence – Purcell’s writing is drum-tight and entirely absorbing.
This book broke my months-long reading slump and writer's block, reminding me that all it takes to fall in love with stories again is one really, really good one. I’m not much of an annotator, but the pages of my copy are splattered with pen, most often exclamation marks and underlines and obscene exclamations of enthusiasm and grief.
Split between multiple perspectives, locations, and decades, The Lessons is a heart-wrenching romance without fluff, tropes, and suspended disbeliefs. A story of expectations and disappointments, promises and betrayals, it’s full of sharp observations about writing and writers, social constructs, and human behaviour.
I devoured it in days, and can’t wait to forget all the details so I can come back to it and fall in love all over…
What if your first love was your one and only chance of happiness? In our lives, some promises are easily forgotten, while others come to haunt us with tragic results. From the bestselling author of The Girl on the Page comes The Lessons, a compelling novel about love and betrayal.
1961: When teens Daisy and Harry meet, it feels so right they promise to love each other forever, but in 1960s England everything is stacked against them: class, education, expectations. When Daisy is sent by her parents to live with her glamorous, bohemian Aunt Jane, a novelist working on her…
During my MFA, I learned to write family dramas and character-driven fiction, but I wanted more comfort, joy, and… romance! I knew the swoony and funny aspects of rom-coms could lift heavier emotional subjects like grief and loss, allowing readers to explore these resonant aspects of life safely, with a guaranteed Happily Ever After. All the books on this list explore a full emotional range of the human experience through extraordinary, utterly magical love stories about otherwise ordinary, flawed people. I hope they make you laugh, swoon, maybe shed a few cathartic tears, and come out the other side feeling better than when you turned the first page.
This enemies-to-lovers story about a romance writer and a literary fiction writer who strike a bet to write their next book in each other’s genre blew me away with its hilarious dialogue and realistic emotional stakes.
January struggles to write another Happily Ever After upon learning her recently deceased father had a secret life with another woman. She goes to deal with his beach house, only to find that her college writing rival is her neighbor for the summer.
As part of Gus and January’s renewed rivalry, they go on a series of dates to teach each other about their genre, and they develop mutual professional respect that bleeds into attraction.
One highlight is when they write flirty notes and hold them up through their neighboring windows. This is a true rom-com, so hilarious and sexy, but it commits to realism and reaches for heavy, heart-wrenching emotional stakes and the…
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION AND BOOK LOVERS!
A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters.
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.
They’re polar opposites.
In fact, the only thing they have in common is that for the next three months, they're living in neighboring…
I have been addicted to reverse engineering things since I was a kid. I wrote The Creative Curve to reverse engineer the science of creativity. What could academic research teach us about creativity? If we talked to some of the world’s leading creatives, what would they tell us? My goal is to help readers unlock the part of them (that, as I argue, we all have) that is creative. When I’m not writing, I invest in tech startups that I think will leverage the principles from my book. I live in New York City with my mischievous, but incredibly adorable corgi Maven.
In The Practice, Godin successfully does that “thing,” that he is so uniquely good at: sharing wisdom with panache and joy, not condescension or cliché. He artfully argues for the creative to better empathize with their audience, and in doing so, create better art. Since, creativity is nothing without impact.
From the bestselling author of Purple Cow and This is Marketing comes an elegant little book that will inspire artists, writers, and entrepreneurs to stretch and commit to putting their best work out into the world.
Creative work doesn't come with a guarantee. But there is a pattern to who succeeds and who doesn't. And engaging in the consistent practice of its pursuit is the best way forward.
Based on the breakthrough Akimbo workshop pioneered by legendary author Seth Godin, The Practice will help you get unstuck and find the courage to make and share creative work. Godin insists that…
