Fans pick 100 books like Several Short Sentences about Writing

Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.

A series of poetry lectures not intended for publication, they combine to form an astounding journey into language and art. You don’t need to be a poet to love the casual way she delivers bomb after bomb, and to wish you’d been her student. I guess this is as close as I’ll get, and it’s taken a long time (I’m still not done) because I can just sit on a phrase or a page for an entire subway ride. Definitely would have failed her class, but having the lectures written out is like getting an extension without needing to grovel for it.

This ode to losing yourself grabbed me by the hand and never let me go. I loved being invited into Solnit’s universe, which is so original and contemplative.

Her meandering associations about wandering and the importance of embracing the unknown are themes at the heart of what drives my passion for adventure and for pivoting to try new things. In this philosophical book of essays, Solnit explores why ramblings of the body incite musings of thought as she traverses landscape and life. 

While some writing books offer nuts and bolts–the so-called rules of writing–this book from Pulitzer Prize winner Annie Dillard teases the writer with essays that make you think.

We are invited into the world of writing with metaphor and we learn by comparison. Like the story of the inchworm stuck in the long grasses, frozen to the tall blades. Perhaps you should just jump, Dillard quips, and put yourself “out of your misery.”

True, writing can be miserable at times, but also, it can be wonderful. I like this book because it is a way to experience what it feels like to be a writer through the craft of prose. 

It’s 2005, and it’s my first day at The Daily Telegraph. I still couldn’t believe they had hired me as a cadet journalist. The smile I was wearing–from ear to ear–suddenly vanished when the Chief of Staff walked over and said, ‘Phelpsy, a bus has just crashed in Egypt. We have been told that there may have been some Australian tourists on board. Punch out 500 words and give it to me in an hour.’ 

I turned to my computer screen, looked down at my keyboard, and suddenly realized that I had no idea what I was doing. I’d never had any writing training, and my experience was limited to the gibber I had been submitting to the paper (for free) for the past year in the hope of landing a job. After ten minutes of writing a word or two, deleting them, and then doing it again, I… show more.

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

We’re writers before we’re anything else, and over the years I’ve learned from many how-to-write books. I’ll give two recommendations here: One: William Zinsser’s On Writing Well. Justifiably a classic. I’ve gone back to it often and assigned it in writing classes. If you haven’t yet read it, you must. Two: anything by Gary Provost, someone you’ve probably never heard of, but whose books on writing, all of them, give pungent, smart advice on how to write anything better. Brevity, euphony, clarity, surprise, and lots of other elements combine to create prose worth reading. Provost shows us how.

Writing professor Gabriele Rico knows how to take the fear out of writing, which is why this book became such a powerful best-seller and why I love to read and recommend it. Among the many strategies and techniques she offers in Writing the Natural Way, one of my favorites is her brainstorming strategy called clustering, which gives us permission to wander and bypass the critical censorship we are often hindered by. In turn, this fuels creativity and prompts us to make associations among ideas, memories, and feelings that are otherwise seemingly diverse or disorganized. She also firmly believes that, although writing can be a painful process, it’s not what hurts us that matters but rather it’s how we deal with the pain, and it’s through an honest expression of our truth that we can grow and heal.

As a young man who loved the violent films of Martin Scorsese and the soothing sounds of Gregorian chants, I wanted to reconcile these seemingly contradictory passions.

Madeleine L’Engle offers wise words of encouragement for integrating our faith and our art. While I’d enjoyed her science fiction novels like A Wrinkle in Time, I was surprised by the practical, down-to-earth aspects of Walking on Water. This book slowed me down, allowing child-like wonder to return. She challenged me to develop a daily creative practice because one day off ends up disconnecting us for three.

We all have to ‘feed the lake’ every single day.

While not exactly a light read – it contains adult explorations of trauma and violence – Purcell’s writing is drum-tight and entirely absorbing.

This book broke my months-long reading slump and writer's block, reminding me that all it takes to fall in love with stories again is one really, really good one. I’m not much of an annotator, but the pages of my copy are splattered with pen, most often exclamation marks and underlines and obscene exclamations of enthusiasm and grief.

Split between multiple perspectives, locations, and decades, The Lessons is a heart-wrenching romance without fluff, tropes, and suspended disbeliefs. A story of expectations and disappointments, promises and betrayals, it’s full of sharp observations about writing and writers, social constructs, and human behaviour.

I devoured it in days, and can’t wait to forget all the details so I can come back to it and fall in love all over… show more.