The most recommended books on rhetoric

Rieder’s work is perhaps the single most interesting interpretation of King’s ability to thrive in very different rhetorical audiences, and explains his ability to communicate to so many different audiences at the same time. From King’s street talk in private to his SCLC colleagues, to his magnificent sermons to black church crowds, to his soaring oratory to more general public audiences, King code-shifted with ease and skill. No one captures this quality better than Rieder in this book.

Do not come to this book in search of warm hugs about the beauty of the process. True to the title, Klinkenborg (best name ever?) offsets each of his sentences like an epic poem in verse. The epic he describes is how epically bad your writing is, and—hopefully—how to improve. He returns to the word "notice" over and over, and that's really it. You're blowing sentences by not noticing what the sentence itself is doing. You're over-emphasizing "meaning" at the expense of the vehicle that delivers it. I sense there's a kind man in there, somewhere, who's working a side of the street he feels has been neglected by years of misguided education. But here, he's dedicated to the larger cause of clean, clear sentences. Not hugs.

I loved this book because it is the most original, detailed, elegantly written, and argued examination of Lincoln’s famous Gettysburg address, by common acclamation, one of the greatest and most powerful political speeches in world history.

In this Pulitzer Prize book, Wills argues that at Gettysburg, Lincoln “came to change the world, to effect an intellectual revolution”—and succeeded in doing so. “No other words,” Wills writes, could have successfully brought about both “a revolution in thought” and  “a revolution in style.” Wills concludes that the address “wove a spell that has not, yet, been broken,” as Lincoln “called up a new nation out of the blood and trauma.”

This one didn’t change my life, but it did provide me with a no-nonsense guide to pesky things like conjunctions and clauses, superlatives and synonyms, prepositions and pronouns, and, obviously, alliteration. Ha. 

What I liked most about this book is that it isn’t written like a textbook. I read what is widely considered to be the writer's bible, The Elements of Style by William Struck and E.B. White, and considered giving up on my dream of becoming a writer because the book made me feel as if only someone with an Einstein-like intellect could write. 

But, as Mr. King wrote, the story is what matters; everything else is just dressing. But in saying that, being able to string together sentences helps (I think my jokes are funny, but no one else does), and this book gives a simple explanation of how to make your copy sing.

Mignon is one of my writing idols, so this is rightfully one of my writing bibles.

No one’s better than Mignon—best known as “Grammar Girl” on her podcasts and in her books—at separating fact from fiction when it comes to grammar. She also has an extremely friendly, supportive style that builds trust right away, like getting advice from your neighbor (who happens to be omniscient about language and word usage).

I felt this myself as one of Mignon’s guests on her very popular podcast. Quick and Dirty Tips is like having Mignon’s skill and insight on call, and that’s an amazing and invaluable resource for any writer. 

Some writing guides can be a little bit “citation needed.” The author certainly sounds like they mean it—but where’s the proof? 

There’s no such problem with Anne Janzer’s superb Writing to be Understood. Setting out to get to the heart of what makes a piece of text clear and memorable, she offers a masterclass in clear and expressive writing. 

Along the way, she interviews experts in every area from non-fiction writing to psychology, risk management, behavioral design, and even comedy, bringing their authoritative guidance directly into her book. Read, learn, and see your writing improve.

This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.

And here is something totally different for you…

I read The Elements of Style several times in my life but I recently bought the illustrated edition of this little “bible.” The Elements of Style (illustrated) by Strunk/White/Kalman is not only a classic but something every English language writer (and reader) should check out! The colorful illustrations by Maira Kalman make the reading even more entertaining.

It’s not a surprise to me that this “style manual” has also appeared on a bestseller list. It’s not just a great, quick, and useful reading; it also makes a great gift for anyone interested in writing and in better understanding the English language.

Perhaps the most widespread engagement by ordinary citizens in political relations is with the education of their children. School boards are increasingly regarded as a site of passionate political contest over what our children will learn, especially when it comes to learning history and its consequences for their understanding of their community and nation. Challenges of Ordinary Democracy reports on three years in the life of a local school board. The voices of administrators, teachers, parents, and the press are examined when dissent takes center stage in the school board’s deliberations. Given that ordinary citizens will disagree, often vehemently, Tracy asks us to consider the parameters of reasonable hostility and why reasonable hostility is important for the voices of ordinary citizens to matter in deciding issues that affect their lives.  

This book was one of the first to take critical thinking beyond a purely academic focus on informal logic, so that it deals with ‘real-world’ material (even including cartoon strips).

As the author explains, he was concerned that, though his students could learn from informal logic books how to identify and label errors in reasoning, they were unable to transfer this understanding to their own writing and to everyday material.

There are many useful exercises after each chapter, enabling the reader to apply their understanding of the content. The author hopes that the book is both rigorous and accessible, and this hope is indeed vindicated.