I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Philip Collins was a speechwriter in Tony Blair’s New Labour government in the UK, and in this book he looks at 25 great speeches through history and picks them apart to show what they were trying to do and how they did it.
It’s very approachable, and full of insider knowledge, anecdotal nuggets, and a craftsman’s insight into speechwriting tricks – as well as mounting a firm and impassioned case for the importance of rhetoric to democracy itself. The jokes are good, too. “Barack Obama may be the best male speaker in living memory,” Collins writes, “and the second-best speaker in his own family.”
'For all those who believe in the politics of principle and hope this a wonderful reminder that they do not always lose. For all those who despair that politics can ever be inspiring again this is a must-read to shake you out of your misery' Paddy Ashdown
'By the people, for the people'
'I have the heart and stomach of a king'
'We shall never surrender'
The right words at the right time can shape history.
By analysing twenty-five of the greatest speeches ever given - delivered by iconic figures from Elizabeth I to…
As a writer and historian, I’m all about rabbit holes. When something I’ve never heard about before catches my interest, I have to find out more—and sometimes I end up writing whole books on the subject! I have a head full of bizarre little nuggets of information, and I love reading books, like the ones here, that tell me something new and change my way of thinking.
This clever and funny book explains that there are specific techniques that make good writing sound good, or a pithy phrase stick in the mind, and tells you the long and difficult Greek (or slightly easier Latin) names for all these rules you kind of knew without actually knowing.
I can hardly retain any of the Greek labels, but I do remember the fun little examples, like why Oscar Wilde’s epigrams are so striking (antithesis) and how Shakespeare totally lifted part ofJulius Caesarfrom a historian, but polished it up (alliteration). And whenever you hear a memorable three-part phrase, it was probably longer but everyone forgot the other bits (tricolon).
This is not one for fans of utilitarian writing, but as Forsyth says, “To write for mere utility is as foolish as to dress for mere utility.”
From the #1 international bestselling author of The Etymologicon and The Horologicon comes an education in the art of articulation, from the King James Bible to Katy Perry…
From classic poetry to pop lyrics, from Charles Dickens to Dolly Parton, even from Jesus to James Bond, Mark Forsyth explains the secrets that make a phrase—such as “O Captain! My Captain!” or “To be or not to be”—memorable.
In his inimitably entertaining and wonderfully witty style, he takes apart famous phrases and shows how you too can write like Shakespeare or quip like Oscar Wilde. Whether you’re aiming to achieve literary…
I have been writing and teaching about African American poetry and poetics for more than two decades. My passion began when I kept discovering long-lost poems that were published once, in Black newspapers, and then forgotten. I wondered why I had never learned about Gwendolyn Brooks in school, though I’d read about e.e. cummings and Robert Frost. Once I stumbled on the fact that Claude McKay discovered cummings, I realized how much the questions of influence and power aren’t really central topics in thinking about the genealogy of Black poets and their influence on each other and on poetry in general.
Nadia Nurhussein’s book is critically important for understanding the role of dialect poetry in the African American poetic tradition. It is all too easy to dismiss the popularity of dialect poetry in America—including Black dialect—as an embarrassing phase in American taste and particularly problematic for poetry used in minstrelsy but Nurhussein argues for the importance of the craft of dialect poetry and the remarkable brilliance of Paul Laurence Dunbar’s work along with many other poets working in many other dialects.
Rhetorics of Literacy: The Cultivation of American Dialect Poetry explores the production and reception of dialect poetry in late nineteenth- and early twentieth-century America and investigates the genre’s rhetorical interest in where sound meets print. Dialect poetry’s popularity stems not only from its use as an entertaining distraction from “serious” poetry, but as a surprisingly complicated pedagogical tool collaborating with elite literary culture. Indeed, the intersections of the oral and textual aspects of the dialect poem, visible in both its composition and its reception, resulted in confusing and contradictory interactions with the genre.
In this innovative study, Nadia Nurhussein demonstrates…
I’ve been working with words for over 25 years, as a writer and editor in publishing houses, design studios, and now as a freelance. I help everyone from big brands and small businesses through to academics and consultants get their ideas out of their heads and on to the page. I was an original co-founder of ProCopywriters, the UK alliance for commercial writers. I’ve written and self-published four books, the most recent of which is How to Write Clearly. The books I’ve chosen all helped me to write as clearly as I can—not least when writing about writing itself. I hope they help you too!
I bought this when I saw it recommended online by a famous writer—and I’m very glad I did.
The title is apposite, since this is less of an all-encompassing writing guide, more of a toolbox of 55 practical ideas to help you write better. Some are about the basics, while others are ways to give your text a compelling structure or a touch of extra polish. Away from the actual hands-on craft, Clark also recommends 11 useful habits to help you become a better writer.
Buy it, keep it on your shelf, and dip in whenever you need a new direction or a dose of inspiration.
Tools Not Rules' says Roy Peter Clark, vice president and senior scholar at the Poynter Institute, the esteemed school for journalists and teachers of journalists. Clark believes that everyone can write well with the help of a handful of useful tools that he has developed over decades of writing and teaching. If you google 'Roy Peter Clark, Writing Tools', you'll get an astonishing 1.25 million hits. That's because journalists everywhere rely on his tips to help them write well every day - in fact he fields emails from around the world from grateful writers.
I like understanding television as culturally situated. Television is constructed along a number of sites: cultural, institutional, ideological, historical, or via the different ways audiences understand it. Interrogating television and what it does as a medium was historically relevant because it was a mass medium. But how can we evaluate the medium in times of highly fragmented audiences? Because of this, exploring Netflix as a new form of ‘television’ has become so important to me. The authors all try to get to terms with how television has changed over its short existence. This helps us understand the medium better, as well as our current moment.
This is a short book in which Newman explores the changes in what the term ‘video’ means.
The term is closely intertwined with the history of television, describing first television broadcasts and then how taping was used to bridge the time differences between the American east and west coasts. The term then described the ways home video revolutionized how video was used in the private sphere. Today, we receive videos as the digital snippets we see on YouTube or the short clips we post on social media.
I like Newman’s work in general. But this book tells us so much about TV history in the US; I find it an incredibly fascinating work.
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In…
Bathsheba Demuth is a historian and prize-winning writer, interested in how people, ideas, places, and other-than-human species intersect in the far north. Her interest in these subjects began when she was 18 and spent several years in the Yukon, mushing huskies, hunting caribou, fishing for salmon, and otherwise learning to survive in the taiga and tundra. Now, when not in the Arctic, she lives in Rhode Island, where she is a professor at Brown University.
Any discussion of how people and nature relate to each other in the twenty-first century will come up against the issue of climate change. And there are so many good books to read on the topic – Elizabeth Rush’s Rising comes right to mind, or the collection All We Can Save, edited by Ayana Elizabeth Johnson and Katharine Wilkinson. What Tale of Two Planets offers is a global perspective on rising seas, changing seasons, and damaging weather through genres from poetry to prose to fiction. Each author brings clarity to the science and politics of climate change, but the sections here are also portraits of love for place and community. If you’ve never read a book on climate change before, it’s a great start; if you’ve read them all, there’s something new and beautiful here.
Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live.
In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced. In the course of this work, one major theme came up repeatedly: Climate change is making already dire inequalities much worse,…
I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.
This is the best book in English that illuminates the intensive interpenetration of Eastern and Western thought that took place in the ancient world, when half-naked yogis wandered the streets of Alexandria, Egypt, and Greek philosophers traveled to the Hindu Kush to study Buddhism. This brilliant book helped me make sense of the Eastern and Western parts of myself, reflections of my former incarnations in Greece, Tibet, and Japan, and helped me to understand that we are all of one mind.
This revolutionary study by the renowned classical philologist reveals the interplay of Greek and Indian thought at the roots of Western culture.
Thomas C. McEvilley’s magisterial work demonstrates that Eastern and Western civilizations have not always had separate, autonomous metaphysical schemes, but have mutually influenced each other over a long period of time. Examining ancient trade routes, imperialist movements, and migration currents, he shows how some of today’s key philosophical ideas circulated freely in the triangle between Greece, India, and Persia, leading to an intense metaphysical interchange between Greek and Indian cultures.
While scholars have sensed a philosophical kinship between…
I have spent my entire academic career researching and teaching about American religious history, particularly focusing on issues of race and religion. I am the author of numerous works on this topic, including The Color of Christ: The Son of God and the Saga of Race in American History (co-authored with Edward J. Blum), and Howard Thurman and the Disinherited: A Religious Biography. Finally, after thirty years of work, I challenged myself to write a short reader-friendly biography of King that would capture him as fully as possible, but in a brief book that would communicate to general readers the full measure of the man.
Rieder’s work is perhaps the single most interesting interpretation of King’s ability to thrive in very different rhetorical audiences, and explains his ability to communicate to so many different audiences at the same time. From King’s street talk in private to his SCLC colleagues, to his magnificent sermons to black church crowds, to his soaring oratory to more general public audiences, King code-shifted with ease and skill. No one captures this quality better than Rieder in this book.
"You don't know me," Martin Luther King, Jr., once declared to those who criticized his denunciation of the Vietnam War, who wanted to confine him to the ghetto of "black" issues. Now, forty years after being felled by an assassin's bullet, it is still difficult to take the measure of the man: apostle of peace or angry prophet; sublime exponent of a beloved community or fiery Moses leading his people up from bondage; black preacher or translator of blackness to the white world?
This book explores the extraordinary performances through which King played with all of these possibilities, and others…
Deirdre Nansen McCloskey is Distinguished Professor Emerita of Economics and of History, and Professor Emerita of English and of Communication, adjunct in classics and philosophy, at the University of Illinois at Chicago. Trained at Harvard in the 1960s as an economist, she has written twenty-four books and some four hundred academic and popular articles on economic history, rhetoric, philosophy, statistical theory, economic theory, feminism, queer studies, liberalism, ethics, and law.
Booth was a professor of English at the University of Chicago and a president of the Modern Language Association. Surprisingly, he wrote this elegant book showing that Cartesian doubt as the basis of science (or of anything else) is silly, not a dogma that anyone can actually live by. Like the other books here, he shows even science to have—or course—a “rhetoric,” that is, “the art of discovering good reasons, finding what really warrants assent because any reasonable person ought to be persuaded by what has been said.”
When should I change my mind? What can I believe and what must I doubt? In this new "philosophy of good reasons" Wayne C. Booth exposes five dogmas of modernism that have too often inhibited efforts to answer these questions. Modern dogmas teach that "you cannot reason about values" and that "the job of thought is to doubt whatever can be doubted," and they leave those who accept them crippled in their efforts to think and talk together about whatever concerns them most. They have willed upon us a "befouled rhetorical climate" in which people are driven to two self-destructive…
I began my journey in communications as a competitive public speaker in high school and college, culminating in a national championship. That experience inspired me to help others develop their public speaking and presentation skills, especially effective point-making, which is fundamental to communication success but rarely addressed by trainers. Nowadays, I’m thrilled to combine my skill, experience, and passion in my work as a speechwriter and speech coach for organizations ranging from American Express to State Farm Insurance, as well as a speechwriter for a major nonprofit and contributor to media outlets including Harvard Business Review,Fast Company, and Newsweek.
Mignon is one of my writing idols, so this is rightfully one of my writing bibles.
No one’s better than Mignon—best known as “Grammar Girl” on her podcasts and in her books—at separating fact from fiction when it comes to grammar. She also has an extremely friendly, supportive style that builds trust right away, like getting advice from your neighbor (who happens to be omniscient about language and word usage).
I felt this myself as one of Mignon’s guests on her very popular podcast. Quick and Dirty Tips is like having Mignon’s skill and insight on call, and that’s an amazing and invaluable resource for any writer.
Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammar - but she's also determined to make the process as painless as possible. One year ago, she created a weekly pod cast to tackle some of the most common mistakes people make while communicating. The pod casts have now been downloaded more than seven million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of "The New York Times", "The Wall Street Journal", and "USA Today".Written with the wit, warmth, and accessibility that the pod casts are known for, "Grammar Girl's Quick and…
