This book dazzles on so many levels it’s almost head-spinning.
It’s the almost-real-time tale of a Black transgender woman, Carlotta Mercedes, who comes back to her Brooklyn family and neighborhood after 20 years in prison, to find, Rip Van Winkle-like, that almost everything has changed and that she feels like a ghost walking back into a world she recalls so differently.
Loosely based on Ulysses, it plays out entirely in one July Fourth weekend, with almost no jump cuts. In a feat I don’t think I’ve ever seen a novel pull off, the narration constantly toggles, even in the same sentence, between a close third on Carlotta and her own crazy, funny, and heartbreaking inner voice.
It manages to be an unflinching look at what poverty, racism, and transphobia look like in the life of one person, and yet to call Carlotta a victim, despite her humiliations, would be wrong,…
In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected,…
My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
Doug Orlando is a conflicted New York City detective with a past, and that gives him a lot of psychological depth. Originally published in 1992, this was one of the best of the wave of gay mysteries. I loved it because the police procedures seemed so authentic and Doug seemed like a guy I’d want to know, and want on my side in case of trouble.
LAMBDA LITERARY AWARD FINALIST FOR BEST MYSTERY! The bestselling crime novels of New York life in the early nineties are back. Gruff, weary, gay Brooklyn Homicide cop Doug Orlando is facing his most shocking case: Rabbi Avraham Rabowitz lay in a pool of his own blood, a prayer shawl stuffed down his throat, and his beard shaved off. The question for Detective Orlando isn’t who hated the right wing religious sect leader—Rabowitz had been the open enemy of blacks, gays, pro-choice women, even fellow Jews. In a case that moves from the depths of the ghetto to the high-rise office…
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
This powerful story angered many when it was published, but Styron is asking serious questions: How do you survive a terrible experience, especially one that forces you to make an agonizing choice? Can you, in fact, survive that? He takes what I believe is the most extreme case of survivor guilt imaginable, which is the heart-rending decision that Sophie is forced to make and which is the core of the novel.
That’s in the past–the recent past for the characters–and in the present, the three main people in the novel find themselves in a painful love triangle that arises specifically from those terrible events but which I found to be a very perceptive insight into a situation that many of us find ourselves in.
It’s about a different kind of choice but one which will cause pain, whatever is decided.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
An immersive, impressionistic snapshot of Williamsburg, Brooklyn, as it was in the 1920s and early 1930s, when it was known not for hipsters, craft beer, and creative facial hair but as a Jewish slum rife with yentas and gangsters. Fuchs published this book in 1934 and swiftly followed it up with two more novels, Homage to Blenholt and Low Company. The books didn’t sell, but Fuchs catapulted himself out of the ghetto and into a respectable West Coast life as a Hollywood screenwriter. Only after Fuchs had all but stopped writing fiction did these early books receive a warm reassessment from the likes of John Updike and Jonathan Lethem. Full disclosure: Fuchs was my great uncle! He was the older brother of my maternal grandfather.
When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.
Welcome to the Neighborhood explores the complexities of forming adult friendships after moving into a new neighborhood and encountering an already established circle of friends.
I’ve felt like a fish out of water in a similar situation, and this story is eerily relatable.
I laughed and teared up too. This book gave me all the feels.
It’s an amazing debut about standing up for yourself, finding your tribe, and living a life that feels right to you.
A heartwarming and life-affirming story of family dynamics, mother/daughter relationships, and second chances-perfect for fans of Maria Semple and Abbi Waxman. After years of struggling to make ends meet, Brooklyn single mom Ginny falls for sweet, divorced Jeff, and relishes the idea of moving with her quirky eleven-year-old daughter Harri to his home in an upscale New Jersey suburb. Though she's never been impressed by material things, she is thrilled that getting a second chance at love comes with the added bonus of finally giving Harri everything she never could before. And then she meets the neighbors. Ginny is quickly…
As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.
Focus was the sole novel written by acclaimed playwright Arthur Miller. And while Miller would go on to be known primarily as a dramatist, Focus is an exceptional novel with a timely and engaging premise.
The protagonist is a somewhat introverted man (Lawrence Newman) who is moderately successful in his field, working in New York City, while residing in Queens. Set in 1945, Focus is set during a particular time of unrest, especially in New York City, where many are resentful of the U.S.’s involvement in WWII. This resentment comes to a head when Lawrence needs to be fitted for glasses due to his developing near-sightedness.
Yet as a result of how he looks with his glasses, people start to assume that he is Jewish, even though he is not. This misidentification not only leads to him being the unwilling recipient of anti-semitism but also leads to his own resentment…
Written in 1945, Focus was Arthur Miller's first novel and one of the first books to directly confront American anti-Semitism. It remains as chilling and incisive today as it was at the time of its controversial debut. As World War II draws to a close, anti-Semitism is alive and well in Brooklyn, New York. Here, Newman, an American of English descent, floats through a world of multiethnic neighborhoods indifferent to the racism around him. That is, until he begins to wear glasses that render him "Jewish" in the eyes of others, making him the target of anti-Semitic prosecution. As he…
Brooklyn in the 1930s and '40s comes to life in this pulsating memoir that sets the stage for author Stan Fischler's legendary career as a sports journalist, especially covering the National Hockey League, and author. A masterful storyteller, Fischler is hilarious and smart and has a great memory, recounting corner candy stores and subway rides, his beloved Brooklyn Dodgers, and eccentric relatives and pals.
Descriptions of stickball games and every nook and cranny of his neighborhood and a fondness for a Gotham Toy Company-manufactured hockey game grab your attention, as do tales from his adventures and misadventures as a drummer in the big-band era. This is a page-turning gem.
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
I was drawn to this book by the cover. Set in New York, famous erotica writer Eva Mercy is a single mom with a depilating auto-immune disease. Eva’s experiences of the writing life as a Black woman and how she managed her health drew me to her.
However, the unexpected connection between Eva and Shane, the award-winning literary writer she reunites with during a literary event, was my favorite part of this book. I loved how each writer’s trauma-informed the stories they told. I found myself encouraged to write about my own traumas in my stories. But what I loved the most about this book is how the sensual scenes between Eva and Shane were more about connection than sex.
I was inspired by Eva’s resoluteness in making a life for herself and being the mother she never had for herself and her daughter.
The instant New York Times bestseller and Reese Witherspoon book club pick is "a heady combination of book love and between-the-sheets love.” (Ruth Ware)
“Tia Williams’s book is a smart, sexy testament to Black joy, to the well of strength from which women draw, and to tragic romances that mature into second chances. I absolutely loved it.” —JODI PICOULT, #1 New York Times bestselling author of The Book of Two Ways and Small Great Things
Seven days to fall in love, fifteen years to forget, and seven days to get it all back again...
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
My favorite of Miller’s books, Tropic of Capricornis based on Miller’s life in Brooklyn in the 1920s. It’s a dizzying stream-of-consciousness array that sweeps you along. Miller’s occasional poignant reminiscences about the magic of his boyhood and friendships contrast with the soul-sucking realities of adulthood and workplace bureaucracy that try to stamp out the embers of wonder and passion like a boot heel. Like most of his books, Capricorncelebrates the absurd miracle of consciousness. Miller’s influence on my education as a writer was indispensable. His books didn’t serve so much as a template as how to write, as how to be a writer, specifically how to observe and appreciate the vast madness of the world, reject conformity, and the embrace the anarchist spirit of artistic creation.
A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer -- new to Penguin Modern Classics with a cover by Tracey Emin
A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of…
