I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
I’m a law professor who has been teaching and writing in the area of intellectual property for 20 years. As my career went along, I came to realize how important it is to not just mechanically apply the legal rules but to think about why they are there. Intellectual property law—a 7 trillion-dollar legal regime governing one-third of the U.S. economy—continually guesses as to how the minds of artists and audiences work. The more I read about neuroscientific advances, the more I realized that these guesses are often wrong and need to be updated for a new technological age.
Sure, this book was written way back in 1956, but its dark tale of “mind reading” police is still just as captivating and relevant today. In Dick’s imagined future, three mutants are able to foresee crime before it occurs, allowing the cops to stop crime before it gets started. Like the mutants, today’s neural imaging machines are heralded as ways to see what people are thinking, revealing what they can’t or won’t voluntarily describe. The novel explores questions about expectations of privacy, the dangers of authoritarian regimes controlling invasive technologies, and the nature of free will—all issues that society will need to wrestle with as our understanding of the brain advances.
Imagine a future where crimes can be detected before they are committed, and criminals are convicted and sentenced for crimes before committing them. This is the scenario of Philip K. Dick's classic story, now filmed by Steven Spielberg, starring Tom Cruise.
In addition to MINORITY REPORT this exclusive collection includes nine other outstanding short stories by the twentieth century's outstanding SF master, three of which have been made into feature films.
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
This is the OG of utopias—written in 1516 about people living on a distant island. Later writers made up utopias set in the future, but More’s island is still fun to read about. A place where there is no private property, no one desires wealth, all citizens are equal, and all religions are tolerated—though there is no privacy (or premarital sex) either. Nobody knows whether More meant it as satire or longing, or even if we should translate u-topia as “no-place” or “good-place.”
First published in Latin in 1516, Utopia was the work of Sir Thomas More (1477–1535), the brilliant humanist, scholar, and churchman executed by Henry VIII for his refusal to accept the king as the supreme head of the Church of England. In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato…
I’m a philosopher with a voracious appetite for literature. I inhabit a world of abstract ideas but always return to fiction because it vividly portrays the real-world consequences of our beliefs and reminds us that ideas also move us irrationally: they’re comforting or disturbing, audacious or dull, seductive or repellant. I prefer world literature because it plants us in new times and places, helping us, like philosophy, see beyond our blinders. Deprived of the assumptions that prop up our everyday arrogance, we can clear a mental and emotional path to what we’ve ignored or covered up, as well as rediscover and reaffirm shared values, arrived at from new directions.
Nietzsche’s greatest admirers often distort his views. Mishima is no exception. Considering his nationalism, militarism, and ritualistic suicide, it’s little surprise he endorses the popular misconception of Nietzsche as a champion of egoism and power.
In this fascinating, disturbing story, adolescent boys create a club devoted to an amoral, pseudo-Nietzschean ideal. When they encounter a mysterious sailor, they worship him as a living embodiment of their values until he defies the image they’ve created.
Mishima misinterprets Nietzsche but in a critically illuminating way. The boys’ ultimate reaction to their disappointing demi-god proves their hypocrisy, revealing that they idolize precisely the qualities they lack. So Mishima inadvertently debunks the stereotypical image of the “overman,” a cartoonishly impossible superhero, a fantasy who attracts only his polar opposites: the insecure, resentful, conformist, and childish.
A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.
I was fortunate enough to meet my husband over 17 years ago, and we have packed a lot of life in since then. Along with two kids and a dog, we’ve had our fair share of tough moments: financial challenges, bereavement, family issues, marital disagreement, and traumatic life events that taught me just as much as my two decades-long career as a relationship psychotherapist has. This, combined with working with individuals, couples, and partners in search of what love means and how to practically go about achieving it, has clarified for me just how much we all need tools and teachings when it comes to matters of the heart.
Jane Austen would have made such a great therapist! Her razor-sharp observations, combined with profound insights into people and relationships, make this book an all-time favorite of mine. I love her descriptions of falling in (and out of) love and how fallible each of her characters is, reminding us of our humanity–especially when it comes to matters of the heart.
What also strikes me is how true it is that pride, image, and status can still play out in our more modern relationships today. This book feels very old-fashioned in places, but it warns us how easily we can hurt other people and damage relationships, sometimes irrevocably. There’s a lot to learn from Emma, and I enjoy seeing relationships depicted in fiction, where so much can be explored through a fascinating and absorbing story, too.
'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer
Although described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece.
I admit it: I'm a superfan of Mark Gatiss' brilliant interpretation of these stories—I can watch episodes of "Sherlock" an infinite number of times. (OK: I can also do this with "House MD," and for exactly the same reasons.) Part of that is the amazing chemistry between Benedict Cumberbatch and Martin Freeman (or Hugh Laurie and Robert Sean Leonard), but more of it is the obvious references to "deep cuts" buried in the source material, which until this year I had never read. My eldest uncle died not long ago and I became the curator of his utterly massive collection of books, which included several editions of Conan Doyle's fantasia on infinite deductive power coupled with kelvin-scale zero social skills. Sherlock Holmes is the most relatable, lovable sociopath of all time, and it was just pure fun to go right to the source for once.
Is there a more enduring, legendary detective than Sherlock Holmes? This quintessential collection includes many of the famous cases that made the legendary Sherlock Holmes one of fiction's most popular creations. Set against the foggy backdrop of London and the English countryside, each story unravels an exciting new mystery, from mistaken identity and ominous omens to counterfeit currency and jewellery theft. Including 'A Scandal in Bohemia', 'The Five Orange Pips', 'The Adventure of the Blue Carbuncle', 'The Speckled Band' and 'The Final Problem', the collection follows Sherlock Holmes and John Watson on some of their most enjoyable cases. First published…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
Oscar Wilde gave us a genuinely chilling gothic tale in The Picture of Dorian Gray, but in this short story, the supernatural is a source of fun.
The Otis family, pleasant, sensible, and up-to-date Americans, move into a haunted English manor and immediately antagonize Sir Simon de Canterville, the house’s resident spectre. Sir Simon has a theatrical flair for haunting, pulling out all the stops to terrify his victims into gibbering wrecks, but it’s all wasted on the Otis family, who are hilariously unbothered by the spookiness.
If you’re staying in a haunted house, I highly recommend channeling your inner Otis.
Despite warnings from Lord Canterville that their new home is haunted and that several family have fled form it in the middle of the night the Otis family chooses to go forward with their relocation. Almost immediately the Otis Family discovers that the stories are true and that their house is haunted by the ghost of Sir Simon. It is Sir Simon's intent not to share the house with anyone, but the Otis family is not like previous families that Sir Simon has scared off in the past. Narrated by the ghost himself, this Gothic ghost story takes the reader…
Another
1925 gem, Gentlemen Prefer Blondes, was written, Anita Loos said, because
she couldn’t get H.L. Mencken’s attention on a cross-country train trip because
he was besotted by a blonde starlet-to-be.
One of the savviest, most pointed,
and cosmopolitan takes on sex and gender from the period or from any period, really. It is, like the movie adaptation with Marilyn Monroe, pure fun and
games at one level and trenchant commentary at another, but the book is that
much smarter and more trenchant and therefore, much funnier.
Loos was one of
the most successful screenwriters of her day, and she brings those skills to
bear, but she has superb dexterity as a prose stylist and an almost uncanny
knack for comic timing.
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper's Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed "the great American novel" by Edith Wharton.…
I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
Shepard’s roughly-hatched illustrations are a symbiotic match for the scruffy charm and humour of Milne’s stories.
Only a couple of chapters feature snow, but they loom so large in my imagination—Pooh and Piglet following their own footsteps in search of the legendary Heffalump; and building Eeyore’s new house at Pooh Corner to shelter him from the snowstorm (unwittingly using Eeyore’s existing house as their source of wood).
As Eeyore gets buried in the snow, I can feel the cold wind with each economical scratch of Shepherd’s pen nib.
Join Pooh and his freinds for more delightful adventures in the Hundred Acre Wood: from building a house for Eeyore and finding a Wolery for Owl, to playing Poohsticks and trying unbounce Tigger!
