The most recommended Marilyn Monroe books

I heard Marilyn Monroe in everything Holly Golightly said. I heard her witticisms. Turned out Truman Capote wrote it using Marilyn’s voice.

Holly, a hooker, her protagonist (apartment neighbor) was an in-the-closet gay man. Holly would climb the fire escape and crawl into his room and snuggle in bed with him as if they were lovers. She never denied she was a hooker – but never hid that she had standards and would expect fifty-dollar tips for washroom attendants.

This novella, as does Grapes and Old Man, demonstrates to me the stage play of life we choose to be in is in acts—we know our assets, limitations and to survive we follow them—in Grapes pickers followed a dream to orange groves—in Old Man—a fisher needed to prove he could get his luck back—and in Tiffany—if she could find playgrounds of the rich, she’d survive.

There have been many books written about Marilyn Monroe, and I have paid tribute to her in my own celebrity book but I feel that The Secret Life of Marilyn Monroe best explains the complex life of the ultimate sex symbol. Author J. Randy Taraborrelli's biography reveals that Marilyn, whose grandmother and mother were both committed to mental asylums, lived with the fear of possible impending madness.

I was also interested in details of Marilyn's relationship with the Kennedys—Bobby, Jack, and Pat Lawford Kennedy. These could have played a big part in her death.

This is the oldest book on the list, from 1979, but it is such a worthwhile read.

Garson Kanin wrote Born Yesterday, and was married to Ruth Gordon, of Harold and Maude fame. His story of BJ Farber, a Forrest Gump type of character in early Hollywood, is chock full of juicy details. 

The dialog is wonderful and addresses the Scarlett O’Hara War, Gilbert and Garbo, and Marilyn Monroe (although I personally think Monroe has been covered to death at this point).

My favorite scene is the catfight between southern actresses Tallulah Bankhead and Miriam Hopkins during a dinner party scene as the search for Scarlett continues: “I declare your little brother is cute as paint.”

We call them 'movies' as a nickname for 'moving pictures,' and the immense importance of the 'pictures' part of that phrase is underscored by this lavish and gorgeous book celebrating the work of Hollywood's classic glamour photographers. In brief lives and portfolios of the likes of George Hurrell, Peter Stackpole, Phil Stern, Sid Avery, and Ruth Orkin, we see hundreds of photos of such icons as Marilyn Monroe, John Wayne, James Dean, Judy Garland, Marlon Brando, and Shirley MacLaine on the set and off, posed for sumptuous portraits or grabbing coffee and a smoke between takes, in iconic images and remarkable candids. David Fahey and Linda Rich, important photographers themselves, are ideal guides to this gallery, pointing out aspects of the photographers' technique and craft without losing sight of the remarkable subjects of these memorable shots.

The Atrocity Exhibition is an experimental novel that reads more like a collection of loosely-linked short stories split into a series of vignettes. Written in 1969 it alludes to many celebrities of the period, focusing in particular on those who met violent or tragic ends. So the (not literal) ghosts of J. F. Kennedy, Marilyn Monroe, Jayne Mansfield, and Albert Camus are represented as springboards for themes that are mostly sexual, fetishistic, centred around art and celebrity and the personification of desire and status represented by the automobile. It’s not an easy read – and for some, it might be considered obscene – however, the cumulative effect is to shine an unrelenting arc light on the nature of celebrity and how it bleeds into the everyday lives of consumers, who feel they know their stars inside out but who probably don’t know them at all.

Both for sheer inspiration and for studying the craft of biography, I read this book at least five times while researching and writing Spitter. Absorbing, controversial, and courageous, this book offers a deeply disturbing look into the rise and fall of the most famous baseball icon of the twentieth century—and ‘the loneliest hero we ever had.” DiMaggio is rendered so vividly you almost want to look away. The book taught me the supreme importance of building the character, starting on page one, and of sustaining and expanding central and supplementary themes, chapter by chapter. It is also, simply put, a romping good read. If Spitter lives up to even one-tenth of this book’s brilliance, I would die a happy biographer.

Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did. 

This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).

It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want… show more.

Another 1925 gem, Gentlemen Prefer Blondes, was written, Anita Loos said, because she couldn’t get H.L. Mencken’s attention on a cross-country train trip because he was besotted by a blonde starlet-to-be.

One of the savviest, most pointed, and cosmopolitan takes on sex and gender from the period or from any period, really. It is, like the movie adaptation with Marilyn Monroe, pure fun and games at one level and trenchant commentary at another, but the book is that much smarter and more trenchant and therefore, much funnier.

Loos was one of the most successful screenwriters of her day, and she brings those skills to bear, but she has superb dexterity as a prose stylist and an almost uncanny knack for comic timing.

Some Like It Hot, The Apartment, Double Indemnity, Sunset Boulevard… Billy Wilder is my favourite filmmaker. I like the elegance of his storytelling and his bittersweet wit. In Wilder’s final years, Cameron Crowe conducted a series of interviews with the writer-director. From fleeing Nazi Germany to his admiration for Ernest Lubitsch, from the trials of working with Marilyn Monroe or Raymond Chandler to the joys of collaborating with Barbara Stanwyck, Jack Lemmon, and Charles Laughton, from his successes to his failures and on to the secret of what makes a good writing partner, Wilder needs little prodding to tell movie-making tales from Berlin to Paris to Hollywood.

Published on the 50th anniversary of the publication of The Naked and the Dead, the book is an overview of Mailer’s entire writing career up to 1998, by way of introductions to and excepts from his decades of fiction and nonfiction. I make this recommendation as a risk because the book is a nearly 1300-page-long anthology. No one is going to sit down and read cover to cover, however, so I offer it as a way of seeing the sweep of a major author’s career; here you can dip in and out as you wish to see what’s up with a given work or topic at any point in Mailer’s publishing life, up to 1998. You can decide then what you want to read in the offered excerpt or in full, either from an included short work of magazine journalism or a short story, or from a whole… show more.