The best classic science fiction books

This might be the ultimate post-apocalyptic road trip. I enjoyed the fast pacing and irreverent humor. The urgency of the task at hand is there from start to finish. I liked the plot and the pacing. This story made me appreciate the lighter side of the genre. Even though the world has gone to pot, people are still people, and fun is part of the human experience.

Like many of you I have enjoyed the movie and tv versions of some of Dick’s stories such as Blade Runner, The Man in the High Castle, and Total Recall. I have also read his thousand-page plus Exegesis, a rambling and chaotic attempt to make sense of his life. He was a deeply disturbed and troubled genius. This book is one of the best examples of that genius. The writing is clear, the ideas are deep. The religious symbolism and concepts are everywhere as Dick takes the reader from competing drug dealers through layer upon layer of hallucinations or alternate realities to direct interaction with God or a god or a devil or...?

Have you ever read a sequel that was better than the first novel?

The Subtle Knife is that book for me.

While it falls in the middle of the complete trilogy known as His Dark Materials, The Subtle Knife takes the story in a new direction by centering it on a knife with the power to cut a path between worlds.

The series follows young Lyra, her daemon Pantalaimon, and Will, a boy she meets who happens to be from a parallel universe. The worldbuilding of this series is some of the best I’ve ever seen, and it truly sets these books apart.

The concept revolves around how Lyra and Pantalaimon are connected. They are two creatures who share a soul. Lyra’s a person, and Pantalaimon is her daemon (think “soul made manifest”) with the power to transform into a fox, hawk, lizard—or any animal he so chooses. At… show more.

When you read the opening pages of Anthem, you don’t realize what’s missing from the narration. Neither does the main character, Equality 7-2521. More than anything, he wants to be assigned to the Home of the Scholars and study science. When he is assigned to be a Street Sweeper, he is crushingly disappointed. But he is unable to keep his thoughts strictly collective. When he meets Liberty 5-3000, his desire for her equals his yearning to learn and achieve as an individual.

Anthem is the only book my brother ever read cover to cover in one sitting. Dystopian stories push boundaries to see just how much the characters will endure. This collective society downgrades the worth and the desires of the individual, and as an individual, I find that extraordinarily distressing. 

Literally one of the most ‘apocalyptic’ stories ever penned, this unusual tale follows the main character of a priest as he navigates a hostile secular culture and investigates what might finally be the arrival of the long-predicted Antichrist. The story is prescient in its predictions about technology, as well as political and cultural trends. The un-ironic steampunk vibes (which would have been cutting edge at the time of writing), are a fun plus.

In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span. 

My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.

Sci-fi has always been my favorite genre for the simple reason that every other genre can be explored under the blanket of science fiction.

End of Eternity is a fine example of this, in that it is both a love story and a thriller. Like modern-day sci-fi writers such as Andy Weir (Computer Programmer), Alister Reynolds (PhD in Astrophysics), and Liu Cixin (Computer Engineer), Asimov always leans on his scientific knowledge as a biochemist when writing.

Although End of Eternity does involve much biochemistry like some of Asimov’s other books, it does try to explain and navigate the complexities of time travel, which sometimes requires the mechanics of scientific thinking. I find time travel is always fun to read, and when there’s jealousy and love involved, it’s a recipe for a great story.

Jack London is by far my favorite writer of youth-accessible literature, and White Fang is one of his best. My senses came alive as I read about a wolf’s struggle to survive and adapt to changes in its environment. Reading his description of a world through the experience of an animal was transformative. The Klondike became a real and deadly place, vibrant and alive.

Reading the first pages of Brave New World is like falling down an elevator shaft. Once you begin, you cannot stop.

The people readers meet in Brave New World are, so to speak, content, fat, and happy. Enter John, someone who grew up outside the dystopian utopia and is not happy. Instead, he is disturbed by the swarm of narcissists that surrounds him. He feels loss. Loss of nature. Loss of simple kindness.

Like all the movie adaptions of this great work, he sees prolific vacuousness. Huxley uses John to illuminate the dark places of a future that uses technological advances to shape a culture that has extracted everything that is human from the souls of those who invite him into their world.     

With an equal mix of strangeness and enigmatic philosophies, this short novel barely sold a hundred copies when it was first published in 1920, but has since been recognized as a unique work by noted critic Colin Wilson. Once you’ve read it, you’ll find it both hard to categorize and understand, but it sticks to you like the remnants of a drugged-out fever dream. 

The story of a mysterious man named Maskull, who travels to a planet called Tormance, a world both wondrous and strange. Even though it’s written as a travelogue, the sheer originality invokes an atmosphere of hidden, yet unattainable knowledge for both the protagonist and the reader. The abrupt ending itself neither answers anything nor brings the story to a conclusion, and it’s an experience you won’t soon forget.

Without a doubt, Neuromancer is the most recognizable, well-known, and highly regarded cyberpunk novel—and rightfully so. 

Published in 1984, Neuromancer was directly inspired by City Come A-Walkin’ and then surpassed it, deepening the technical elements, exploring the ever-more-important aspects of computer networks and hacking (Gibson having coined the phrase, “cyberspace”), and solidifying the literary style of cyberpunk. 

For me, though, the fact that Gibson was responding to Shirley enriches both novels. I love the concept of one artist responding to another’s work; from Horace to Shakespeare, to Dryden to Pope, to Hammett to Chandler, the best art is inspired by art, and the same is true in cyberpunk. It’s a microcosm of the human condition and, come to think of it, so is Neuromancer.

This far-reaching story of the future of civilization has fascinated me since I first picked it up. The invention of a scientific discipline, psychohistory, upon which to design and plan for the rise and fall of civilizations across thousands of years. As a writer, this blew me away just from a planning and plotting perspective – aligning all these pieces to line up and fall into place has been a shining example to me of what can be accomplished by a superior mind.

I know, I know. You say it’s not for kids, and it’s not magic. But as for the first: I read it when I was fourteen, and I loved it.

It opened my eyes to the possibilities of science fiction as real, thoughtful world-building - creating an ecology for a world (though maybe I couldn’t have put that to words). It was meticulous in a way that fascinated and intrigued me. And as for the magic: Spice lets them see the future. The Voice lets you control other people’s minds. It’s magic.

And so is this book! There's a reason it's still getting movie adaptations almost 60 years after it was published...

Shifting gears into the adult space, Parable of the Sower is a dystopian Afrofuturist novel of survival and resistance that is, at its heart, about embracing a world of change.

Originally published in the early nineties, it’s a disturbingly prescient novel that tells the story of Lauren Olamina, a teen coming of age in a world of extreme societal unrest, inequality, and environmental catastrophe, where the wealthy live in protected compounds while everyone else lives in a destitute world of addiction, starvation, and fear.

The novel follows Olamina as she leaves the protection of her walled-in enclave, discovers her abilities as a hyper-empath, and founds the religion of Earthseed. It’s a novel of ideas that is, without a doubt, a classic in the genre.

Mervyn Peake was a writer, artist, and poet. His masterpiece is the Gormenghast trilogy (Titus Groan; Gormenghast; Titus Alone). Talk about world-building! Good lord, it’s wonderful. 

A friend of mine read them over a summer holiday in blazing hot Greece, and all he could remember about it was the rain and cold and floods and clouds of Gormenghast. Peake was very ill when writing the third book, which is less satisfactory than the earlier volumes. He was too weak to give it the work that he knew it needed. Perhaps not laugh-out-loud humour, but plenty of sly, dark, often grotesque comedy.

Sir Gawaine is one of the most interesting knights of the Round Table because of how imperfect he is. He’s not the strongest knight in the world -- that’s Lancelot -- and he’s definitely not the most virtuous -- that’s Galahad, who sucks -- he’s a working-class joe who routinely gets in over his head because he loves to swing swords more than he likes thinking about consequences. Sir Gawaine and the Green knight is a story of one of the knight’s most famous capers, and it does not disappoint. The original story was written in Old English, which is barely even English to be honest, so you’re going to need a translation to read it, and who better to translate such a story than J.R.R. Tolkien himself. Yes, that Tolkien. When he wasn’t making elves and humans kiss each other, he was a prolific philologist and translator, and The… show more.

This book seems a bit strange at first, when the story begins with Moon-Watcher, the leader of a tribe of early ape-man, who struggles for survival during the brutal Pleistocene ice age. After an alien monolith appears, it seems to advance the way he thinks, leading him to develop crude weapons. When the same monolith is discovered in the future, we seem fated to find the answers behind the eerie structure. Skipping to a team of astronauts who travel aboard a ship to further investigate, things take an unexpected turn when the ship’s A.I. called HAL-9000, gets very confused about keeping secrets. Something about the way it remains so polite while it deceives the crew, is enough to give anyone a nightmare.

For an absolute classic, I would be amiss if I did not include Yevgeny Zamyatin’s We in this list, as it’s been credited for inspiring both Orwell and Rand in their dystopian journeys. This is a classic dystopian novel set in something called ‘OneState’- a city enclosed in glass under the totalitarian rule of the ‘Benefactor'. In ways similar to Fahrenheit 451, I love We for its exploration of what happens when free thought collapses and is replaced by government-enforced conformity.

The main protagonist (simply named D-503) lives a life void of all passion and creativity. The most precious things like love, family, and reproduction are all closely monitored – with rebellion viciously condemned. All it takes is one person- I-330, one of the few left with a free, courageous spirit to inspire D-503 to break free from the system and decide that ultimately, life is worth living for… show more.

No one explores the idea of A.I. better than Isaac Asimov, so when robotics experts Powell and Donovan build an advanced robot called QT-1 or “Cutie” for short, “be careful what you wish for,” comes to mind. Cutie isn’t so bad, except he seems to doubt everything he’s told after he’s created, including the fact that humans built him. When Powell asks Cutie why he doesn’t believe it, Cutie claims it’s intuition. When Powell tries to explain to Cutie about the stars, planets, and space, Cutie disagrees with him and decides to “reason” out things on his own. Unfortunately, this robot is so far advanced, it has the ability to form opinions and ideas, that don’t necessarily equate to logic—a primary lesson about intelligence which is learned early on in the story.

I would say I came late to Bradbury’s work, but it’s never too late to discover a brilliant author.

This was my first foray into Bradbury’s oeuvre and I was captivated by his electric prose. You can always tell when an author had fun writing something, and Bradbury’s excitement bled through the page as to be outright infectious. The story itself is a straightforward good vs evil tale: a sinister carnival (and its proprietor Mr. Dark) that comes into the town, bringing death and corruption with it; the townspeople battle against the forces of evil.

Highly atmospheric and chockful of early 20th-century circus nostalgia, it is also replete with tender and philosophical moments. But regardless of the darkness, Bradbury, like Gaiman, allows room for hope. Hope in the face of overwhelming darkness, hope found in simple things; in the community and relationships, be they familial or other. I enjoyed every… show more.