Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
Blending sci-fi, fantasy, and horror, Bradbury’s The Illustrated Man takes readers to places they’ve likely only seen in their dreams or, more likely, their nightmares.
From heartbreaking tales of space disasters (“Kaleidoscope”) to frightening tales of a VR nursery gone wild (“The Veldt”), the strength of Bradbury’s legendary fiction is found in the way he brought humanity to even the wildest, most out-of-this-world premise. In addition, his immaculate prose is as much a joy to appreciate on the word-by-word, sentence-by-sentence levels, as it is on the story level.
The Illustrated Man was one of the first short story collections I ever read. The fact that so many of the tales included within its pages still stick with me to this day is proof of its power and legacy.
A classic collection of stories - all told on the skin of a man - from the author of Fahrenheit 451.
If El Greco had painted miniatures in his prime, no bigger than your hand, infinitely detailed, with his sulphurous colour and exquisite human anatomy, perhaps he might have used this man's body for his art...
Yet the Illustrated Man has tried to burn the illustrations off. He's tried sandpaper, acid, and a knife. Because, as the sun sets, the pictures glow like charcoals, like scattered gems. They quiver and come to life. Tiny pink hands gesture, tiny mouths flicker…
As a kid growing up in Southern California during the 1960s – what some now call “Golden Age of Trick or Treating” – I always loved Halloween, but I didn’t develop a real obsession with it until I wrote The Halloween Encyclopedia (first published in 2003). Since then, Halloween – once almost exclusively an American celebration – has achieved global popularity, and has created an entire cottage industry in haunted attractions. I remain fascinated by Halloween’s continuous expansion and evolution.
A wonderful, beautiful book, written in Bradbury’s inimitable style. Not only is The Halloween Tree (first published in 1972) entertaining and superbly written, it also provides a crash course in Halloween history. It also served as the basis for a charming 1993 animated television movie. There are editions available from different illustrators, including Gris Grimly and Bradbury's longtime collaborator Joseph Mugnaini, but the gorgeous story will always be what's front and center here.
Make storytime a little spookier with fantasy master Ray Bradbury as he takes readers on a riveting trip though space and time to discover the true origins of Halloween.
Join the shadowy Carapace Clavicle Moundshroud as he takes eight trick-or-treaters on an unforgettable journey to find their missing friend, Pip. Travel through space and time, from the tombs of ancient Egypt to the gargoyles of Notre-Dame Cathedral, all the way to the cemeteries of Mexico on el Día de Los Muertos, the Day of the Dead. Is Pip still alive? And if so, can his friends save him from a…
I’m a law professor who has been teaching and writing in the area of intellectual property for 20 years. As my career went along, I came to realize how important it is to not just mechanically apply the legal rules but to think about why they are there. Intellectual property law—a 7 trillion-dollar legal regime governing one-third of the U.S. economy—continually guesses as to how the minds of artists and audiences work. The more I read about neuroscientific advances, the more I realized that these guesses are often wrong and need to be updated for a new technological age.
Sure, this book was written way back in 1956, but its dark tale of “mind reading” police is still just as captivating and relevant today. In Dick’s imagined future, three mutants are able to foresee crime before it occurs, allowing the cops to stop crime before it gets started. Like the mutants, today’s neural imaging machines are heralded as ways to see what people are thinking, revealing what they can’t or won’t voluntarily describe. The novel explores questions about expectations of privacy, the dangers of authoritarian regimes controlling invasive technologies, and the nature of free will—all issues that society will need to wrestle with as our understanding of the brain advances.
Imagine a future where crimes can be detected before they are committed, and criminals are convicted and sentenced for crimes before committing them. This is the scenario of Philip K. Dick's classic story, now filmed by Steven Spielberg, starring Tom Cruise.
In addition to MINORITY REPORT this exclusive collection includes nine other outstanding short stories by the twentieth century's outstanding SF master, three of which have been made into feature films.
My passion for small islands began as a child. I spent my summer holidays on the Isles of Scilly, where everyone knew each other, and the sea wiped the landscape clean, leaving it pristine each morning. Since then, I’ve visited dozens of islands, keen to understand the islanders’ survivalist mindset. I worked as an English teacher before becoming a writer. It allowed me to share my love of storytelling, but the tales that linger with me still take place on small islands where the consequences of our actions are never forgotten. I hope you enjoy exploring the ones on my list as much as I did!
I loved this book because it was so gripping. It made me long to be a writer. Although it was written over a hundred years ago, the dark story spoke directly to me.
I read it at the darkest time in my life. I was fourteen, and my alcoholic father had become a terrifying force in our home, just like Dr. Moreau, who rules his island with vicious power. I had never dreamed that a crazed leader could break an entire population, but the idea seems shockingly prescient now.
The book made me realize that I, too, could escape from the trap around me, just like the book’s hero, and learn to use my imagination to tell stories.
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
The frame-tale—also known as a “story within a story”—is one of my favorite fictional devices, and Margaret Atwood’s deft handling of three separate storylines makes this book a truly astonishing read.
Though her characters are fictional, their story is set against a backdrop of major Canadian historical events of the 1930s and 1940s. The exterior tale carries Iris Chase, an unhappily married upper-class woman, from childhood to death, while the real author of the interior story—a novel about a pair of illicit lovers that contains an embedded science fiction tale (the eponymous Blind Assassin)—is one of the story’s biggest mysteries.
This novel is ambitious, engaging, and wholly surprising.
By the author of The Handmaid's Tale and Alias Grace
Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.…
I’m a middle school science teacher, and many of my students are “readers,” the ones that constantly have their heads in books when they aren’t dragged away by classwork. I created this list because they remind me of what I enjoyed about reading when I was their age, the environment. Characters and plots were great, but I wanted a book to take me somewhere I’d never been. Whether it was the Klondike or soaring through clouds, I needed to believe it was real, someplace I might see for myself. Vivid descriptions that provide fuel for imagination make reading more dynamic.
Tarzan of the Apes is one of the first books to completely grab my attention and take me to another place. As a young reader, I lost hours on end exploring Africa with this man separated from all society. Mr. Burroughs has a way of storytelling easily followed and powerfully descriptive. The story is simple but compelling and easily accessible for early teens.
Tarzan of the Apes by Edgar Rice Burroughs
How is this book unique?
Tablet and e-reader formatted
Original & Unabridged Edition
Author Biography included
Illustrated version
Tarzan of the Apes is a novel written by Edgar Rice Burroughs, the first in a series of books about the title character Tarzan. It was first published in the pulp magazine All-Story Magazine in October, 1912. The character was so popular that Burroughs continued the series into the 1940s with two dozen sequels. For the novel's centennial anniversary, Library of America published a hardcover edition based on the original book in April 2012…
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I admit that Huxley’s final novel is a rather difficult one to read. It’s long, it goes on too long in some places, it’s kind of fiction and philosophy together, and it includes a book within a book. However, The Island is a work of genius.
There’s the utopian island of Pala (not dystopian), and all through the book, there’s the threat of the invading Rendang kingdom. It includes some Buddhist ideas with the birds on the island that say karuna (meaning compassion) and "attention" to remind islanders of the now, yet ultimately, in the end, the island is invaded, and the utopia becomes exposed as a fake.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
I absolutely love Daphne du Maurier's writing and I had actually read The House on the Strand on Kindle a couple of years ago. The version of the audiobook on Audible was abridged so I wasn't really sure about trying it - well, this year, I did and I could not stop listening to it! The story is a really great idea, with a scientist inventing an elixir that allows people to travel back to a certain period in medieval history - not their physical body, but they can see and hear everything that's going on. You then have the main story set in the modern day, and another where we get to see what's happening hundreds of years ago. It could have been a mess, or boring, or overdone, but du Maurier managed to get everything just right with plenty of drama and intrigue and the narrator brought everything…
In this haunting tale, Daphne du Maurier takes a fresh approach to time travel. A secret experimental concoction, once imbibed, allows you to return to the fourteenth century. There is only one catch: if you happen to touch anyone while traveling in the past you will be thrust instantaneously to the present. Magnus Lane, a University of London chemical researcher, asks his friend Richard Young and Young's family to stay at Kilmarth, an ancient house set in the wilds near the Cornish coast. Here, Richard drinks a potion created by Magnus and finds himself at the same spot where he…
My dad was a subscriber of “Astounding Stories." If you know the magazine, it is famous not only because it featured the giants of science fiction genre, but also for its colorful and imaginative covers. I didn’t have the right to read those stories until later, when dad thought I could understand them, but I loved the covers and imagined myself stories which started from them or used the scenes as inspiration for a short story which I wrote for myself. The science fiction bug wormed into my brain at that time. Then, I just devoured every novel which landed at home and kept writing.
It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome…
Mankind has conquered space and moved toward the starry heart of the galaxy. Earth is a planet of no importance, riddled with radioactivity by long-forgotten wars.
When assassins target his rooms and news arrives that, many light-years away, his father has been murdered, student Biron Farrill flees for his life.
Stunned, grief-stricken, and outraged, Biron is determined to uncover the reasons behind his father's death, and finds himself entangled in a web of deep-space rebellion, espionage, and political intrigue.
Asimov's Galactic Empire novels are among the earliest stories by one of the twentieth century's greatest visionaries. Filled with ideas and…
