The most recommended books about plagues

This nonfiction book on tuberculosis, published the same year as my book, begins with the discovery of a skull marked by the scars of tuberculosis. Turns out it belonged to a young man who died over 500,000 years ago from the disease. The authors trace the devastating effects of tuberculosis to modern day when our drugs can no longer fully guarantee treatment. This book tells a fascinating, yet worrisome, story about a most dreaded disease.

I love Diana Norman’s historical novels and she inspires the way I write mine.

Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.

The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.

During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery. 

I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.

For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.

Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.

Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.

Shakespeare has long been a favorite, so I was intrigued with HAMNET, a fictional rendering of young Will Shakespeare and his wife, Anne (called Agnes in the novel).

The story unfolds in alternating periods of the protagonists' lives - from early childhood to their romance/marriage, ending with Shakespeare's success at the Globe production of HAMLET. We get a full picture of mid-1500s England, Shakespeare's troubled youth and growing genius, as well as his traumatic relationship with his wife and family and the tragic death of his son.

O'Ferrell's writing is hypnotically smooth; she manages to convey so much with an economy of words. For example, the scene where a flea infected with the plague escapes from one host to another and finally makes its way to London is a tour d' force in setting, character, plot and theme - all accomplished in two pages.

A hint of magical realism is… show more.

The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough. 

I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.

My first book from Hall's Dorin Toth historical horror series but by no means my last. The world we are plunged into in Promise is grimy, war-ravaged and harsh. Toth is investigating a supernatural affliction on a town whose roads are out of bounds and, soon after his arrival, the evil that resides in this place begins to reveal itself.
The main character, as well as the supporting cast, are fantastic. The sense of place and time are wonderfully, vividly realised. The research which has evidently gone into the story must have been enormous, but the value of that research is clear to see from the very first torchlit pages.

This was pretty much the first true horror book I read.

My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told. 

I like that this chapter book format works for middle-grade readers as well as high-low or ESL readers. The book layout was reader-friendly, and the illustrations were not scary or traumatizing. While I found this book a little less “exciting” compared to History Smashers, it delivered on the facts of the plague.