Lapvona took hold of me immediately and would not let go. The narrative drives and compels.
The characters are richly developed, deeply flawed, wholly sympathetic. The world of the story is fully realized, even when things veer unnatural. And Moshfegh juggles and manipulates language like a magician. Moshfegh convinced me of the unbelievable, made the unpleasant delicious, made me want to read more and more.
“Lapvona flips all the conventions of familial and parental relations, putting hatred where love should be or a negotiation where grief should be . . . Through a mix of witchery, deception, murder, abuse, grand delusion, ludicrous conversations, and cringeworthy moments of bodily disgust, Moshfegh creates a world that you definitely don’t want to live in, but from which you can’t look away.” —The Atlantic
In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of…
I started writing urban fantasy because that’s what I wanted to read more of, and at the time there wasn’t much on offer. I started the Kit Melbourne series with the aim of creating a world in which magic was real, but most people don’t believe in it. I aim for believable, realistic characters with plausible relationships. I’m not a fan of prophets, noble bloodlines, or destiny; magic in my worlds are much more egalitarian. Vampires are not sexy superheroes. Faeries are more like aliens than pinup girls. My inspirations are mystery, true crime, anthropology, psychology, history, natural sciences, ecology, and neo-Paganism—and books like those on this list!
Molly Tanzer came up with one of the cleverest “magic” tropes ever and I wish I’d thought of it myself. Her Victorian London “diabolists” engage with demons in a way that felt so logical that it seemed 100% plausible. It involves specific plants, for example, ginger. These demons are more like sentient aliens that enter into a (permanent) symbiotic relationship with a human host, upon which they confer benefits.
It made me go, “I mean, getting into devil worship like this may not be my thing, but yeah, I get why people could be into it.” It’s not all gushing balls and gaslit concerts either, since our protagonists are much more middle class. There’s danger here, because not all of these diabolists are harmless. I craved ginger for months after this book.
Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siecle wonders ... and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she's sent to London to chaperone her younger sister, aspiring art critic Dorina. Unfortunately for Evadne, she soon learns too much about all of it when Dorina meets their uncle's friend, Lady Henrietta "Henry" Wotton. A semi-respectable aristocrat in public, in private she is secretly in the thrall of a demon obsessed with beauty and pleasure. When Lady Henry and Dorina immediately hit it…
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Scarlett R. Algee’s debut collection is an exemplar of concision, comprised of stories that have been sanded down to their unsettling essences for maximally chilling impact. Bleedthrough deftly navigates the space where beauty and horror intermingle, often boldly upending genre conventions in the process. These pieces are vivid and absorbing, drawing fully realized worlds before exposing the terrible things that lurk on the peripheries.
A virtual-reality getaway stirs up latent malice. A lingering illness hides a truly monstrous malady. A young girl realizes her new stepmother is something other than human, while a dying man’s last wish bestows his ghoulish lover with the most intimate of gifts. A solitary occultist wakes to find his summoning ritual gone horribly awry, a mother’s grief leads her into a resort’s troubled past, and a teenage girl’s growing pains mark the beginning of an otherworldly change.
These and other stories await in Bleedthrough and Other Small Horrors, the debut collection of dark short fiction…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
Last Days is such a powerful
horror novel. It scared me. Fascinated me. And it kept me turning the pages.After reading an abundance of
horror, I should be immune to fictional scares. But this story about Kyle
Freeman, a down-on-his-luck filmmaker commissioned by a mysterious
individual to make a documentary about a sinister cult known as The Temple of
Last Days, is electrifying.
The plot serves as the adroit vessel that contains Nevill’s beautiful yet terrifying symphony of eerie images that would make my
hair (if I had any) stand on end. Very few can write scary scenes like Nevill. It reminded me of when I created
and co-hosted a ghost-hunting TV series for BBC Look North. Thankfully, unlike Kyle,
the ghosts never followed me home…
Last Days (winner of the British Fantasy Award for Best Horror Novel of the Year) by Adam Nevill is a Blair Witch style novel in which a documentary film-maker undertakes the investigation of a dangerous cult―with creepy consequences
When guerrilla documentary maker, Kyle Freeman, is asked to shoot a film on the notorious cult known as the Temple of the Last Days, it appears his prayers have been answered. The cult became a worldwide phenomenon in 1975 when there was a massacre including the death of its infamous leader, Sister Katherine. Kyle's brief is to explore the paranormal myths surrounding…
I’ve been a fan of the Cthulhu Mythos and detective fiction since childhood, cutting my teeth on Sir Arthur Conan Doyle, Raymond Chandler, and Dashiell Hammett at an early age. A voracious reader of both horror and mystery, I read and reread these tales and began crafting my own to the point where many years later, as an award-winning writer with over 200 fiction publications under my belt, I feel these genres go together like they were always destined to cross. I write daily, and have a Bachelor’s Degree in Crime Scene Science. You could say crime and horror are always on my mind!
C.J. Henderson is recognized as the father of modern-day occult detective fiction. He wrote his protagonists' encounters with the Cthulhu Mythos in beautifully effective prose. Sadly, C.J. passed away in 2014 and his passing is a great loss to the literary world and fans old and new.
This book was written as a tribute to C.J.’s finest occult detectives, twelve authors being chosen to contribute to this hard-boiled, tentacle-smacking anthology. All earnings from this book go to support C.J.’s family. An added bonus for fans of weird hardboiled fiction is the never-before published novella by C.J. Henderson, The Temporal Deception.
I love this collection for it expands on both the Cthulhu Mythos and C.J.’s own creations.
I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.
An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.
I first encountered Spare in my early teens, when I was reading books about the occult, and then forgot about him for a few years. As time went by, I grew more interested in surrealism, psychoanalysis, and Buddhism, but I never quite abandoned magic, and I came to see it’s really the same area. I used to think it was funny that the Dewey library classification system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about exploring the mind and inner experience. And Austin Osman Spare, like Crowley and the surrealists, is among its most interesting figures.
This is an unreliable but very readable book from occult writer Kenneth Grant. I used to find the title mysterious; it really means images and oracular worlds, and I remember seeing great heaps of this book remaindered in the 1980s, little knowing it would go on to fetch £300 a copy. Fortunately, Fulgur have since produced an affordable edition.
Grant’s depiction of Spare is heavily influenced by his reading of popular fiction writers like Arthur Machen, Sax Rohmer, and H.P. Lovecraft, and he gives us Spare, the black magician seduced in childhood by an elderly witch, who launches “an amphibious owl with the wings of a bat” into a conflict between magical groups. This is really the book that started the “Spare Mythos.”
Images and Oracles remains one of the most influential works on esoteric magick and mystical art produced in the last thirty years. Part One discusses Spare's life and biographical anecdotes while Part Two provides Kenneth Grant' important analysis and co
I’m an Indonesian writer who loves the idea of supernatural fantasy. I’ve always liked daydreaming. It started when a story suddenly kept playing inside my head like a movie. And that story now became my first fantasy book, Royal Arcanum. Never I imagined I’ll be a full-time writer now. I feel blessed that my family supported my writing career.
Hey, this non-fiction book I’ve read has a lot to offer. Great study for those who wants to understand more about metaphysical world!
This is his fourth book that I’ve read besides Reincarnation, The Secret Teaching of All Ages, and The Wisdom of the Knowing Ones. I love his books, because can I learn a lot of mystical things which is related to the fantasy series that I’ve been working on. And it has a great impact on my writing for the first book in my series.
It taught me that we are not alone in this world. There are a lot that we don’t know about spiritual dimension that can’t be seen with our mundane eyes. As within, so without. Our inner wisdom creates the reflection of our reality. I feel contented with the knowledge shared in this book. It helped me to enlighten my perspective…
Complete in itself, this volume originated as a commentary and expansion of Manly P. Hall's masterpiece of symbolic philosophy, The Secret Teachings of All Ages. In Lectures on Ancient Philosophy, Manly P. Hall expands on the philosophical, metaphysical, and cosmological themes introduced in his classic work, The Secret Teachings of All Ages. Hall wrote this volume as a reader's companion to his earlier work, intending it for those wishing to delve more deeply into the esoteric philosophies and ideas that undergird the Secret Teachings. Particular attention is paid to Neoplatonism, ancient Christianity, Rosicrucian and Freemasonic traditions, ancient mysteries, pagan rites…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
These collected graphic novels set the benchmark for Occult Detectives in comic form. Constantine shows up as a fully realized character from the off, and having him as a rough-and-tumble Brit is a stroke of genius. His adventures tie together modern comic sensibilities with pulp themes to great effect and having 'names' as the writers and artists ensures a high standard of storytelling throughout. This collection is the perfect place to start to follow his journeys.
The very first Hellblazer collection is back in a new edition that includes John Constantine's early appearances in SWAMP THING #76-77 along with HELLBLAZER #1-9. This is the first of a series of new HELLBLAZER collections that put all his adventures in reading order, capturing Constantine at his youthful, anarchic best.
