I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Not all Jews are white. Again, there are a number of wonderful books by African American Jews that remind us of this fact, and how often we use the word “Jewish” to refer only to Jews of European descent. Azoulay insists on confronting this unthinking racism head-on by reflecting on her experiences as a Black woman who struggled to feel at home in the Jewish community. Too often “Black-Jewish relations” as a phrase defines two discrete communities. This book reminds us that this distortion of the truth both erases Jews of color and lets white Jews avoid taking responsibility for challenging social systems that privilege whiteness.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.
That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.
But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.
* AN INSTANT NEW YORK TIMES BESTSELLER * INDIE BESTSELLER * JUNIOR LIBRARY GUILD SELECTION * KIDS' INDIE NEXT LIST PICK * NPR BEST PICK * KIRKUS BEST BOOK OF THE YEAR *
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America's history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents-at least the ones still alive-are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
Annette Gordon-Reed’s book introduces readers to the enslaved family of a Founding Father, Thomas Jefferson.
What I love about this book is that it upends the traditional picture of Jefferson while neither vilifying nor excusing him. It’s a full picture of a complicated man and the fascinating people who were part of his life. After all, the historian’s task is not to make heroes or villains but to show the full complexity of human beings.
At the center of the story is Sally Hemings, the half-sister of Jefferson’s wife and the mother of some of Jefferson’s children. The book also shows how a careful historian can interpret and evaluate different kinds of evidence, including documents, oral history, and DNA.
This epic work-named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the San Francisco Chronicle, and a notable book by the New York Times-tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family's dispersal after Jefferson's death in 1826.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
Thrillers! At a time when the world feels so perilous, what could be more satisfying than a high-stakes story that’s fully resolved by the last page? Only one that’s also a triumphant revenge fantasy.
Delilah is sick of feeling scared. When she retaliates against her tyrannical stepfather and he winds up dead, it would be the perfect crime–if not for a hidden camera planted by her creepy classmate. Logan believes he and Delilah are meant to be together, and he’s not above using blackmail to keep her around. Told in dual POV between Delilah and the eerily calm Logan, The Obsessionis fast-paced, riveting, and, if you’re new to the thriller world, an A+ introduction to the genre.
A fast-paced teen revenge-thriller from the author of Dial A for Aunties, The Obsession will keep readers on the edge of their seats until the very end. Boy Meets Girl. Boy Stalks Girl. Girl Gets Revenge. Logan thinks he and Delilah are meant to be. Delilah doesn't know who Logan is. Logan believes no one knows Delilah like him. He makes sure of it by learning everything he can by watching her through a hidden camera. Some might call him a stalker. Logan prefers to be called "romantic". Delilah is keeping secrets though, deadly ones. There's so much more to…
This is an unusual “roots” book: Anna, a mixed-race child in England, discovers, after her mother’s death, a journal from her African father, whom she never knew. Library research reveals that he had been president of a small West African country known as “the Crocodile” and was alleged to have been involved in the murder of student activists. She bites, and I, as a reader, bit, too.
Anna goes to Africa to find, meet with, and reconcile with a father she never knew. He is a complex, occasionally scary, occasionally warm man, and we are drawn along her pathway of discovery.
In the end, we are still unsure. Is her decision about whether to remain in Africa hers or her father’s?
A REESE'S BOOK CLUB PICK | AN AMAZON BEST BOOK OF THE YEAR
“A beautiful exploration of the often complex parameters of freedom, prejudice, and individual sense of self. Chibundu Onuzo has written a captivating story about a mixed-race British woman who goes in search of the West African father she never knew . . . [A] beautiful book about a woman brave enough to discover her true identity.” —Reese Witherspoon
“Onuzo’s sneakily breezy, highly entertaining novel leaves the reader rethinking familiar narratives of colonization, inheritance and liberation.” —The New York Times Book Review
According to the eight generations of my family’s oral historians, I am a descendant of an enslaved cook and her enslaver, and half-brother, President James Madison. I am also a writer and a retired pediatrician. My essays, personal narrative, and commentaries have appeared in the Boston Herald, River Teeth, TIME, and the New York Times Magazine.
Though not published until 2002, after Harvard University professor Henry Louis Gates, Jr. purchased and authenticated the manuscript, the autobiographical novelThe Bondwoman's Narrative by Hannah Crafts is widely considered the first book known to have been written by a fugitive enslaved woman. Crafts was the author’s pseudonym, and the novel, estimated to have been written in 1858, parallels the life of Hannah Bond, a woman who is documented to have escaped enslavement on a North Carolina plantation and who, like the novel’s protagonist, eventually settled in New Jersey. The preface and introduction of the published book read like a mystery adventure as Professor Gates reveals his multifaceted strategies to identify the real-life author and the real-life characters of her book.
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right.
When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a…
I love a gloriously self-destructive woman protagonist. Maria has, as they say, “everything,” a perfect fiancé, a comfortable Brooklyn life, and an almost-finished dissertation. So why does she become obsessed with a poet she barely knows, to the point of stalking?
While reading this book, I kept saying, “Don’t do it,” while also thinking, “Yes, open the door, yes, get on the train.” Maria’s escalating acts made me gasp. Searing satire about 1990s biracial culture, vivid flashbacks to Stanford, and heartbreaking revelations about the Jonestown massacre only add to this story’s richness.
But what makes it so meaningful to me is how Danzy Senna defies my careless labeling of “self-destructive” and instead shows us one person’s compelling, complicated, very human reasons for pursuing a new life.
Named a BEST BOOK OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, VOGUE, TIME MAGAZINE, NPR and THE ROOT
Named A 2017 BEST SUMMER READ BY
Vogue • Elle • Harper's Bazaar • Glamour • Buzzfeed • In Style • Men's Journal • Bustle • Ms. Magazine • Pop Sugar • Newsday • The Millions • Time Out • Bitch • CNN's The Lead • The Fader
"[A] cutting take on race and class...part dark comedy, part surreal morality tale. Disturbing and delicious." -People
"You’ll gulp Senna’s novel in a single sitting—but then mull over it for days.”…
I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.
As I‘ve said, I love foreign-set thrillers, especially the ones set in England. And this was another book I devoured.
Although the suspense and intrigue of the plot kept me glued to the pages, I had to put it down multiple times as I went through a range of emotions reading about black women and girls being let down, hurt, and preyed upon by the people meant to protect them.
I eagerly followed Eva’s journey, not just to find her birth mother and reclaim her identity, which was literally cut from her, but to expose the chilling truth of why four black women went missing, and the police didn’t look for them.
This book was a sad reminder of how easily black women and girls fall through the cracks unnoticed.
'My book of the year so far...' -Lee Child, #1 New York Times bestselling author
In this chilling thriller from the bestselling authors of Spare Room, one woman just wants the truth about who she really is. But she's not the only one looking...
It's twenty years since Eva, a biracial woman, was adopted as an eight-year-old, and Cherry and Carlton 'Sugar' McNeil have always been the only parents she's wanted or needed. But when she's dealt the double blow of Cherry's death and her own suspension from work, Eva decides it's time to discover who she was before she…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book somehow manages to deal with explosive topics like racism and migration with grace and clarity. It’s difficult to understand the reaction to migration without dealing with the rise of politicians who gain power by stoking fears about migration, and Kaufmann helped me to understand the rise of populism in political life without reducing anyone to a caricature.
Whiteshift: the turbulent journey from a world of racially homogeneous white majorities to one of racially hybrid majorities
This is the century of whiteshift. As Western societies are becoming increasingly mixed-race, demographic change is transforming politics. Over half of American babies are non-white, and by the end of the century, minorities and those of mixed race are projected to form the majority in the UK and other countries. The early stages of this transformation have led to a populist disruption, tearing a path through the usual politics of left and right. Ethnic transformation will continue, but conservative whites are unlikely…
I was completely engrossed in this book from the beginning. Brit Bennett took me on a ride from the 1950s to the 90s, from the Deep South to California, with such an original and thought-provoking plot and fully developed characters. She really made me think about how the past and our histories can shape us and our futures, and can help to explain why people do what they do.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
