100 books like Six-Gun Snow White

I chose this for characters and setting. Larry McMurtry was one of the greatest American writers and a chronicler of life in Texas, and he won the Pulitzer Prize for Lonesome Dove, the story of two aging Texas Rangers on a final adventure together.

McMurtry immerses the reader in his world, but more importantly he immerses his characters in that world. The relationships are amazing: between characters who face deeply personal and tragic life-or-death decisions, but also between characters and the novel’s savage, lethal world.

McMurtry’s stories are character-driven slices of life, but authors of plot-driven books can learn from McMurtry when it comes to characters and their world.

Stephen King’s Dark Tower series might be uneven at the end, but the beginning is masterful.

Roland, a dusty old cowboy on the edge of reality, is the prototypical antihero. He doesn’t care much for other people, he’s got a dark past, and I wanted to follow every dusty step of his journey. The broken pieces of Roland are what make The Dark Tower series unique—that and some astral plane travelling shenanigans. With each dark deed or questionable decision, I wanted to know more about Roland and what led him to that point.

It’s difficult to stay grounded in a world with interdimensional travel and monsters, but I always felt like I had one foot planted in humanity through Roland.

White Is for Witching is, on the surface, a story about a gothic haunted house, but it opens with a reference to “Snow White”—“Her throat is blocked with a slice of apple / (to stop her speaking words that may betray her)”—and conjures that tale throughout the novel. Collapsing witching, whiteness, and outright racism, White is for Witching suggests that the same racial superiority undergirds “Snow White,” where the eponymous character is celebrated for her whiteness, implicitly naturalized as beauty when she is identified as “fairest in the land.” White is for Witching, like Oyeyemi’s other fairy-tale novels, rewrites European fairy tale conventions to make strange the familiar and to normalize the unexpected, thereby disrupting genre expectations to expose the European fairy tale's underlying racial logics.

This anthology of dark fairy tales is everything I love in fiction.

As Carter once said herself, she liked to pour new wine into old bottles, giving them a shake and then seeing them explode. This is something I also do in my own writing - taking the themes of myths or fairy tales and weaving their darkness into my Victorian gothic novels. 

Helen Oyeyemi’s Mr. Fox is a complex, enthralling pastiche of a novel. Interweaving adaptations of Bluebeard, Fitcher’s Bird, Mr. Fox, and the ballad of Reynardine, Mr. Fox invites readers into a vertiginous wonderland where Oyeyemi’s adaptations interrogate the workings of gender and race, romance and desire, imperialism and geopolitics. Moving slipstream-style across the twentieth century, Mr. Fox offers a transnational circuit of stories and characters that connect gendered and raced cultural conventions with the misogyny and violence of the Bluebeard tradition, ultimately challenging readers to consider (and reconsider) European literary and artistic traditions as well as their underlying ideological structures.

Bolu Babalola’s Love in Color is, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.

If you are up for a little journey into the Weird West, let Nettie Lonesome be your guide. She is anything but the traditional ‘Cowboy’ being a queer, biracial, young woman. This book is a different kind of coming-of-age story—a tougher one, which really takes the reader on a rollercoaster ride. For me, the biggest appeal of this book is the main character. Nettie is a special breed of Ranger who discovers there is more to this world than heaven and earth. There are monsters hiding in the shadows, and Nettie finds she has a particular talent for dealing with them. When it comes to queens of the Weird West, Nettie belongs to be among them. Even if she does prefer to dress as a man.

Being a really big fan of the TV Show Firefly, I felt a need to mention at least one of the comics that were written after it was canceled. Perhaps not the most conventional recommendation, but I thought Cowboys in Space was a good fit for my list. And where would I ever find more well-rounded strong female characters? Zoe, Inara, Kaylee, and even River all embody different elements of strength in women who try to survive in a futuristic frontier world. These four fierce ladies take us on adventures full of hijinks and shenanigans through space. Serenity: Those Left Behind is a well-written and beautifully illustrated story about a lovable band of intergalactic scoundrels. 

“Margaret Parker and Hattie LaCour never intended to turn outlaw,” but sometimes life just hands you a rough deal. Especially if you are a woman in the Wild West. This novel is an interesting journey of strong women choosing to take fate into their own hands. They don’t want to end up on their backs to make money, and decide they rather take the money they feel the world owes them. Heresy is a classical Wild West tale with a bit of a female twist. A good read for any lover of this genre.

A reimagining of how one decision could change the American landscape… why Thomas Jefferson decided against introducing hippopotamuses to the swamps and marshes of the American South, I’ll never know. But Sarah Gailey gives us a glimpse into this alternative history and it is full of water bearers as fearsome and loyal as any war horse. Reading this in one sitting on a plane ride, I was fascinated by how vastly different—and dangerous—the Mississippi bayous could be when full of a certain shady type of gunslinger creeping through the water with Spanish moss hanging overhead. I suspect if I were alive in this alternative timeline, I might’ve ended up seeking my fortune by holding up a steamboat… especially if I had a hippo as my trusty companion.