The most recommended haunted house books

Bullies beware! Bad Girls Don’t Die features a vengeful poltergeist that possesses the little sister of protagonist Alexis Warren.

Alexis is a lonely misfit teenager on the fringes of her high-school social scene. Her home life isn’t much better as her mother’s desire for corporate success leads to regular dinner table conflict. The sisters find comfort in each other, but that’s when Alexis notices a change in her sibling Kasey. Subtle at first, Kasey’s transformation into a malicious psychopath sends Alexis into an investigation that reveals a small-town secret of a fatal bullying incident. 

Bad Girl’s Don’t Die is a story of sisterly bonds, secret pasts, and the sacrifices that are sometimes made to protect loved ones.

Most Masterton recommendations start with The Manitou, which is a good choice, but to really get that 'B-horror in book form' rush, Prey is where to turn. What happens when you throw a recently divorced man and his young son into a haunted house in a quaint, seaside village? Did you guess inter-dimensional monsters? Don't turn out the lights, and don't go into the attic when reading this one.

Psychological fiction at its best; this book enthralled me and kept me guessing till the last minute. It led me down a twisty and winding path until I realized everything I thought I knew was not what it had seemed.

The pre-war England setting really hit on my love of historical pieces soaked in atmosphere and tension. It definitely influenced me as a writer. I loved this book because it delivered the creepiness of a haunting so well that it kept me up at night. What I liked best, however, is that it validated my sense that the past is never truly behind us.

I found this book gripping and suspenseful; in short, I couldn’t put it down!

It begins with a séance in a haunted house. What a great way to start a murder mystery! The folks in this tight-knit community have interesting quirks and fascinating backgrounds, providing a host of possible perpetrators.

This is a masterful look into how people find reasons to grow suspicious of each other, and to treat each other less-than-kindly. Chief Inspector Gamache is having devastating problems of his own: someone in the organization is out to destroy his life.

Who can he trust? How can he solve this murder while watching his own back? My first Louise Penny book will not be my last. (I’ve already bought two more.)

Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plot to people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps. 

The only book I've listed which claims to be a true story. My father owned several volumes written by Harry Price and by far the most interesting to me as a boy was the story of Borley Rectory. Though I now view Price’s narrative through more skeptical eyes, it still sends a chill down my spine when I read his claims of ghostly writing and sightings of the mysterious nun walking on the moonlit grounds. Alas that the building has long disappeared…I'm certain that I would have been drawn to it. Thinking about it, perhaps it is better that it has gone…I may be a cynical observer, but irrational fear of the unknown lives just as actively in the sceptic as it does in the convinced. 

Published in February, 2022, this is the most modern of my five choices. An impressive debut by an author who lives in a one-hundred-and-fourteen-year-old haunted house, The Hitman’s Daughter embodies modern Gothic, with its atmospheric setting in a haunted, historic, past-its-prime hotel/chateau, a gruesome murder, a whiff of the supernatural, and a kick-ass heroine (Mave) plagued by her past (and daddy issues.) Thanks to a massive New Year’s Eve blizzard that traps Mave and the chateau’s high-society guests at the scene of a crime, this felt like a twisted, claustrophobic game of Clue.

This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.

This is actually a short story rather than a novel, but there’s enough plot and character for a full novel. The story opens with this announcement: ‘I didn’t stop giving hand jobs because I wasn’t good at it. I stopped giving hand jobs because I was the best at it. For three years, I gave the best hand job in the tristate area.’ How can you not read on? The unnamed narrator is damaged, cynical, funny, and extremely unreliable. 

This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.

The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)