By far the strangest book I have ever read, gaining points on sheer audacity alone, which isn't to say that it doesn't also earn high marks because the readable parts are beautifully written. Describing a book as having "readable parts" infers that other parts are - something different. The most concise and accurate description of House of Leaves is "something different". It features a layering of narrative points of view built upon other narrative points of view, and the reader is repeatedly snatched from one to another with no apparent pattern, rhyme or reason. One day Will Navidson, a Pulitzer Prize winning photojournalist expert at wielding a still camera as well as a video camera, notices something odd about the dimensions of the new home he and his family have moved into. The interior is a smidgen wider than the exterior. Like Alice in Wonderland, it isn't long before he…
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I have lived in many haunted places, one of them a 1906 Victorian, which I painstakingly restored, so I couldn’t resist acquiring this novel for my collection. Orlando’s gripping style pulled me into the horror and love of living in places that are sometimes scary. Add to this the family mystery, and voila: MAGIC.
It brought me back to the days of straddling the explainable and otherworldly, particularly when my girls were reluctant to go to bed because they were too tired to play with the little girl in the closet. I literally could not stop reading this one. And who needs sleep, anyway?
“Why run from a haunted house when you can stay and ignore the ghosts? Just when you thought you'd seen everything a haunted house novel could do, The September House comes along and delivers an eerie, darkly funny, and emotionally grounded book about the ghosts that haunt houses and marriages."– Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House
A woman is determined to stay in her dream home even after it becomes a haunted nightmare in this compulsively readable, twisty, and layered debut novel.
When Margaret and her husband Hal bought the large Victorian…
Gladys Mitchell is an unjustly neglected “Queen of Crime” who deserves to be mentioned alongside Agatha Christie, Ngaio Marsh, Dorothy L. Sayers, and the rest.
Her detective, Mrs. Bradley, is a brilliantly eccentric character – as was Mitchell herself! When Last I Died is a characteristically unorthodox Golden Age mystery that sees Mrs. Bradley spurred to investigate a haunted house by discovering a suspected murderer’s diary.
Mrs. Bradley has dealt with murderers before, but she has always dealt with them as a professional psychologist--coolly, scientifically, almost flippantly. Now, however, the brilliant old lady is fiercely determined to bring a cruel and ruthless murderer to bay. Various members of the Bradley household play significant roles in a case involving a special school where youthful offenders are sent in hopes of reforming them. First published in 1941.
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plotto people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps.
Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery isjust a fake, a Halloween prank, so…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.
An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.
Thirtysomething Colquitt and Walter Kennedy live in a charming, peaceful suburb of newly bustling Atlanta, Georgia. Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Disappointed by their diminished privacy, Colquitt and Walter soon realize something more is wrong with the house next door. Surely the house can’t be haunted, yet it seems to destroy…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.
Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.
This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.
Fade to Black is the newest hit ghost hunting reality TV show. Led by husband and wife team Matt and Claire Kirklin, it delivers weekly hauntings investigated by a dedicated team of ghost hunting experts.
Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her…
During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
A string of supernatural events occurs when a gay writer moves into a house in the San Diego mountains built by a legendary film star of the 1930s. But the writer is not alone at the house—he has invited his close friends for a housewarming—and they soon discover the deceased actor had some nasty habits and a gruesome behavior. The investigations and resolutions of this absorbing novel unveil some shocking and grisly details, but there is a masterful balance of comedy along with the horror.
Jim Brandon has a new house, and boy, is it a pip. Built high on the side of the San Diego mountains by a legendary B-movie actor of the 1930s, Nigel Letters, the house is not only gorgeous, but supposedly haunted. As a writer of horror novels, Jim couldn't be happier.
But after a string of ghostly events sets Jim’s teeth on edge and scares the bejesus out of his dog, Jim begins to dig into the house’s history. What he finds is enough to creep out anybody. Even Jim. It seems long-dead Nigel Letters had a few nasty habits…
My daughter loved how scary this book was. She often complains to me that books for kids aren’t done right; they’re not very scary.
This book, however, kept her on the edge of her seat. It gave her bad dreams (which, she tells me, she wanted because it’s a sign of a really good book). She thought Jac was a great main character and she liked the friendship between her and her best friend, Hazel.
From the author of Ghost Girl comes another standalone spooky middle grade for fans of Nightbooks and Ghost Squad, about a terrifying house and the girl haunted by her experience with cancer, grief, and healing. Are you brave enough to step inside?
For as long as anyone could remember there wasn’t a house at the dead end of Juniper Drive . . . until one day there was.
When Jac first sees the House, she’s counting down to the five-year anniversary of her cancer diagnosis, when she hopefully will be declared NED, or “no evidence of disease.” But with a…
The past is a powerful thing. It’s what we turn to when confronted with the question “how did we get here?” When I began my journey as an author in earnest, that was the question I was facing, and it was the one I wanted my characters to explore. But one book wasn’t enough to satisfy me, and I went searching for other titles that scratched that same itch of examining and confronting our pasts to work out our future. For me, these books were the ones that struck that cord the hardest.
This is the book that made me want to write fantasy. It is the story of a soldier coming home from war, of a person trying to be better than the worst things they’ve ever done, and of rekindling a sense of purpose when you’ve been lost for too long. I’ve never felt a world more lived-in, prose more decisively punchy, or tiny moments with more perfect poignancy. I re-read this book all the time, and every time, I am as jealous as I am inspired. If you check out nothing else from this list, check out Priest.
For centuries the people of Ollghum Keep relied on the knights of the Green Order to protect them from the horrors of the haunted wood. Now, as before, a monstrous army marches on their small town. But this time, the Green Order is nowhere to be found.
The Bishop sends the priest Heden into the wood, to find out why. Arriving at their secret priory, Heden discovers their commander is dead, the remaining knights paralyzed with despair. They will not act, they will not tell him what happened, and with each hour the monstrous army gets closer to Ollghum Keep.…
