Here are 100 books that The Turn of the Screw fans have personally recommended if you like
The Turn of the Screw.
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I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.
The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.
In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable…
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
As a huge fan of Ian McEwan’s early novels with their dark drama, especially The Innocent, I initially gave up on this book after the first 70 pages—but then, thankfully, resumed a while later.
What seemed a genteel novel about manners transforms into something much more sinister and dramatic. I loved the tense atmosphere of it, with much of the story condensed into one hot pre-war summer’s day and then the later serious repercussions from what, at the time, seem fairly harmless childish actions.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
After a “massacre” of a herd of elk on a protected reservation forest—a scene which spoke more of frenzied bloodlust than hunting for sustenance—four Blackfoot men become the prey of a creature bent on revenge.
Jones’s narrative satisfied my thirst for wholly original horror while exploring the clash of Native American traditional and contemporary culture. The story touches on the characters’ drive to assimilate, guilt and sense of identity, and the need to move beyond resentments to create a life worth living.
I loved the originality of the beast, the slice of reservation life, and the endearing, flawed characters, all rendered with gorgeous precision.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.
Stage’s wonderfully sinister novel documents the early years of a child who seems to have been born bad. The thrill in this one is the ever-escalating war between a precocious and seemingly sweet child and her anguished mother, who knows she’s being manipulated by her daughter, while the father remains oblivious to the horror. It’s unusual, and fun, to read a book in which we get to see things from the child’s perspective as she tries to drive her mother insane.
“Unnerving and unputdownable, Baby Teeth will get under your skin and keep you trapped in its chilling grip until the shocking conclusion.”―New York Times bestselling author Lisa Scottoline
One of Entertainment Weekly’s Must-Read Books for July | People Magazine's Book of the Week | One of Bustle's "Fifteen Books With Chilling Protagonists That Will Keep You Guessing" | One of PopSugar's "25 Must-Read Books That Will Make July Fly By!" | One of the "Biggest Thrillers of the Summer"―SheReads | "New & Noteworthy" ―USA Today | "Summer 2018 Must-Read"―Bookish | "One of 11 Crime Novels You Should Read in July"―Crime…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
Really, what could be more uncanny than dozens of golden-eyed children conceived while an entire town was unconscious? To say nothing of the not-so-subtle complications of nature versus nurture as their mothers attempt—or avoid—bonding with their strange, unwanted progeny.
From the mid-century English setting to the focus on male narrative perspectives, Wyndham contrasts what’s normal and abnormal, human and “other,” with a simple tale that spawns (pun intended) a fear of perfect, emotionally disconnected children who cannot—or will not—be loved. A classic, through and through.
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, Slate
What if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers?
As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.
Hugely influential since its publication in the 1970s, Tryon’s deliciously twisted book about a pair of identical twins who happen to have different birthdays and are left to their own (unusual) devices after their father dies, has often been imitated, but never equaled. Shocking upon its initial release, jaded readers may see the ending coming now, but that doesn’t detract from the sheer ingenuity of the horror leading up to it. A masterpiece of psychological terror.
Holland and Niles Perry are identical thirteen-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud. The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This book had the greatest influence on my desire to write my own ghost story.
I liked the stalwart Brit characters, Roderick and Pamela, even though they were a bit slow putting together the clues. I figured out the secret before they did, which only added to the fun. The writing style is old-fashioned enough to add to the atmosphere, and the story is beautifully told.
A gothic, bone-chilling Irish ghost story first published in 1941 and now brought back into print. The title benefits from an introduction by well-known academic Professor Luke Gibbons and Martin Scorsese and various critics, including William K. Everson and Leonard Maltin, regard The Uninvited as one of the best ghost stories ever filmed.
Shahrazad’s Gift is a collection of linked short stories set in contemporary Cairo — magical, absurd, and humorous.
The author focuses on the off-beat, little-known stories, far from CNN news: a Swedish belly dancer who taps into the Oriental fantasies of her clientele; a Japanese woman studying Arabic, driven mad…
I’m an October baby born during a full moon, into a small New England town notorious for their connection to the Salem Witch Trials. My house was for sure haunted growing up, I’ve had a lot of nightmares over the years, and I found solace in the horror genre. Though my true background is in comedy having studied with Second City Chicago, the experience afforded me the opportunity to explore the more pained and shadowed sides of myself as a tool to write relevant material. I learned to focus those explorations into narratives and create stories with a lot of heart that highlight my own quest to uncover inner peace.
A fellow New Englander, Tremblay took me by complete surprise with this novel. In the past, I saw horror defined by slashers, gore, and jump scares. This novel helped me understand that modern horror is a bit savvier and more nuanced, with a stronger focus on emotional suffering.
I really connected with the struggling working-class family and sympathized with their decision to let a documentary film crew create a series about their clearly struggling daughter. The film crew intended to market the girl as possessed by a demon, which the family signs off on in order to collect a desperately needed financial boost.
It expertly explores the hardships of the middle class, sibling love, and the societal hush-hush of mental illness. Plus, it’s got some twists and turns to that made my blood run absolutely cold.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
