I am a practicing clinical psychologist, often at odds with the mainstream of my mental health profession. I have a strong interest in how society, culture, politics, philosophy, and psychology intersect, and my previous books about depression, activism, and anti-authoritarianism reflect that. The late historian Howard Zinn described me this way: “It is always refreshing to find someone who stands at the edge of his profession and dissects its failures with a critical eye, refusing to be deceived by its pretensions. Bruce Levine condemns the cold, technological approach to mental health and, to our benefit, looks for deeper solutions.”
I found Rethinking Madness to be a highly original book. Clinical psychologist Paris Williams interviewed individuals who had been diagnosed with schizophrenia and other psychoses, and he integrated this research with prominent alternative explanations for madness.In contrast to the gloomy picture painted by establishment psychiatry, Williams describes how full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common, and that many people who recover from these psychotic disorders do not merely return to their pre-psychotic condition, but often undergo a profound positive transformation with far more lasting benefits than harms.
As the recovery research continues to accumulate, we find that the mainstream understanding of schizophrenia and psychosis has lost nearly all credibility:
* After over 100 years and billions of dollars spent on research looking for schizophrenia and other related psychotic disorders in the brain, we still have not found any substantial evidence that these disorders are actually caused by a brain disease. * We have learned that full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common. * We've discovered that those diagnosed in the United States and other "developed" nations are…
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
It took me a long time to figure out what Deleuze and Guattari were up to in this book, but it was well worth it: this book presents the most compelling interweaving ever of the thought of the 3 great materialists of the 19th century: Freud, Marx, and Nietzsche.
I have always been somewhat skeptical of psychoanalysis, but I really like the way the co-authors use Marx to historicize both Freud’s psychoanalysis of the family and Lacan’s psychoanalysis of language and then use Nietzsche to add a condemnation of ressentiment and ethics of joy to the Marxian critique.
An "introduction to the nonfascist life" (Michel Foucault, from the Preface)
When it first appeared in France, Anti-Oedipus was hailed as a masterpiece by some and "a work of heretical madness" by others. In it, Gilles Deleuze and Félix Guattari set forth the following theory: Western society's innate herd instinct has allowed the government, the media, and even the principles of economics to take advantage of each person's unwillingness to be cut off from the group. What's more, those who suffer from mental disorders may not be insane, but could be individuals in the purest sense, because they are by…
When my older sister died, I felt a pressing need to tell her story. Rachel was a strong, courageous woman, who endured decades in a psychiatric system that failed her. She was a survivor, but the stigma of severe mental illness made her an outcast from most of society. Even so, her enduring passion for poetry inspired me to write about her. I sought out other people’s stories. I enrolled in workshops and therapy. I devoured books and blogs by survivors, advocates, and family members. Everything I read pointed to a troubling rift between the dominant medical model and more humane, less damaging ones. This list represents a slice of my learning.
When Steven Lopez spotted a homeless Black violinist playing classical music on Skid Row he saw material for his column in the L.A. Times.
He succeeded in making Nathaniel Ayers, a Julliard dropout with schizophrenia, a cause célèbre—and a friend for life. Lopez was determined to find answers. Couldn’t Nathaniel be forced into a facility that would help him? From, counselors with experience on Skid Row, and from Nathaniel himself, he learned why not: coercion destroys trust and the ability to provide any assistance.
Since Lopez’s encounter in 2005, two overlapping crises have only intensified: homelessness for those down on their luck and a lack of care for those with serious mental illness. Controversial measures to forcibly hospitalize and medicate homeless people who seem mentally ill are being adopted across the U.S..
The issues Lopez faced eighteen years ago are more relevant than ever.
The New York Times bestselling true story that inspired the major motion picture—an “unforgettable tale of hope, heart and humanity”(People).
Journalist Steve Lopez discovered of Nathaniel Ayers, a former classical bass student at Julliard, playing his heart out on a two-string violin on Los Angeles’s Skid Row. Deeply affected by the beauty of Ayers’s music, Lopez took it upon himself to change the prodigy's life—only to find that their relationship would have a profound change on his own.
“An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.”—Mark Bowden, author of Black…
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
When I read the novel, I was amazed because it was difficult for me to get my head around the idea that the tale was virtually perfect and that it was created by a mere human being.
The story follows David Fairchild, a young antiquary studying ancient manuscripts at Cambridge. Central to the novel is the obscure Cambridge library, where the mysterious Westchurch manuscripts are preserved and sequestered away from the world at large.
I found this book both wildly entertaining and wildly thought-provoking about the mechanics of the universe, the persistence of spirits, and the drama inherent in cosmic astronomy. Thereafter, I recommended the book for 40 years. This epigraph describes the book perfectly: There was logic and coherence enough in the whole affair to persuade me that what I'd stumbled onto—of all the preposterous perils of scholarship!—was a haunted manuscript.
American scholar and lettered medievalist, David Fairchild, swings a plum sabbatical at Cambridge University, where he is given full access to a rare manuscript written by a mad monk of shameful repute—Geoffrey Gervaise. The Westchurch Manuscript has lain neglected in the University vaults for centuries . . . or has it? A shadowy nefarious cabal has had an interest in the manuscript for a very long time and sharpens its claws anytime anyone probes its secrets. Expecting a pleasant year pursuing his passion for medieval literature, Fairchild quickly finds himself entangled in the centuries old curse that surrounds the manuscript…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
I first encountered Leddy’s work in the New York Times’ Modern Love column. That moving essay about her sister Kait’s disappearance became the basis of her debut The Perfect Other.
In book-length, Leddy has the space to explore not just her own grief but the effect of Kait’s schizophrenia on the family throughout their shared upbringing. The result is a humane look at mental illness and a testament to the bonds of sisterhood, which extend beyond death.
“Shines a light on the stigma surrounding mental health and schizophrenia. This deeply personal memoir will give readers greater empathy and understanding in supporting those who are oftentimes misunderstood.” —Sheryl Sandberg
As a child, all Kait Leddy had ever wanted was a little sister. When Kyleigh was born, she and Kait were inseparable; Kait would protect her, include her, cuddle, and comfort her. To Kyleigh, her big sister was her whole world.
But as Kait entered adolescence, her personality changed. She began lashing out emotionally and physically and sometimes lost touch with reality, behavior that worsened after a traumatic head…
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
This book inspired me as an author and how to write with conviction.
The mental health element of the story was totally relatable, being a former worker in such a setting. I understood the hostility surrounding schizophrenia and the thoughts and feelings of the main character, a young boy who had the condition.
Skewed thinking and phobias can be isolating, where the sufferer can feel truly alone and this is the overwhelming sense throughout.
'A darkly quirky story of love, obsession and fear . . . a beautiful story hung around the enchanting and heartbreaking voice of teenager Greg' Anna James
Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore.
The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad…
I’m a historian of Modern Europe based in Berlin. For the last twenty years or so, I’ve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, I’m now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimenting—and continuing to do so despite failures.
I hardly imagined the Soviet Union, a place of grey and black, with the only sparks of color being red, to be a place for hippie culture to flourish. Juliane Fürst’s book taught me otherwise. It leads into a world of people like Azazello and Ofelia, who look like “angels, creatures from another world, blots of color on a grey canvas, flowers in a concrete desert.”
The book traces how these hippies, against all odds, found ways to distance themselves from the Soviet System, not through open opposition but through dreaming of and living a different life, communally, spiritually, and often on the road. And Fürst’s book does more than merely portray Soviet hippies in a fundamentally sympathetic way: It also reveals what we can learn about a larger society by studying those at the margins. It is an unusual but highly illuminating perspective on the late Soviet Union.
Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization.
Flowers through Concrete is based on over a hundred…
While I love reading horror and mystery fiction, I also love nonfiction about the social sciences. I majored in psychology, and this book revived jargon and other details from my classes. It’s a biography and case study of the Galvin family, half of whose twelve children displayed schizophrenia during their lifetimes.
Kolker shares the family's struggles to help the symptomatic siblings cope with their illness while the remaining children feared becoming the next to succumb. Their story unfolds during the mid-20th century when stereotypes and prejudices defined schizophrenia, treatments were often ineffective, and mental illnesses were something shameful to be hidden.
Apart from refreshing my memories of college, the book taught me more about recent discoveries about schizophrenia’s biological underpinnings. This moving story is just as thrilling as any mystery.
#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • ONE OF GQ's TOP 50 BOOKS OF LITERARY JOURNALISM IN THE 21st CENTURY • The heartrending story of a midcentury American family with twelve children, six of them diagnosed with schizophrenia, that became science's great hope in the quest to understand the disease.
"Reads like a medical detective journey and sheds light on a topic so many of us face: mental illness." —Oprah Winfrey
Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the Air Force brought them to Colorado,…
According to my mother, my first words were, “what’s that?” and I believe that’s indicative of the level of curiosity with which I try to approach life. That curiosity led me to write books about how we can better love ourselves and each other when depression is gumming up the works. Talking about mental illness is hard, and I aim to make it easier. I’m not a doctor or therapist. I am best described as a “sex writer with a theatre degree” and I like to say my work focuses on sex, mental health, and how none of us are broken.
It can be incredibly frustrating to try to talk about how broken the mental healthcare system is (especially in the United States). Most people have no frame of reference for it.
Similarly the impact mental illness can have on family and loved ones is, for many, uncharted territory. Enter No One Care About Crazy People.
Powers expertly weaves the history of mental healthcare in America together with the story of his family’s battles with schizophrenia. The result is a heartbreaking and beautiful and horrifying and eye-opening book that leaves you better equipped to have those frustrating conversations.
I’m not going to lie to you, this is a hard one to read. It hurts. That said, it is one of my all-time favorite books.
"Extraordinary and courageous . . . No doubt if everyone were to read this book, the world would change."---New York Times Book Review
New York Times-bestselling author Ron Powers' critically acclaimed narrative of the social history of mental illness in America paired with the deeply personal story of his two sons' battles with schizophrenia.
From the centuries of torture of "lunatiks" at Bedlam Asylum to the infamous eugenics era to the follies of the anti-psychiatry movement to the current landscape in which too many families struggle alone to manage afflicted love ones, Powers limns our fears and myths about mental…
This is a companion novel to The Passenger, and consists entirely of a nearly 200-page dialogue between Alicia Western, a brilliant (and floridly hallucinating) young mathematician living on the razor's edge of madness, and "Dr. Cohen," the stolid psychiatrist tasked with understanding and treating her in the novel's eponymous psychiatric hospital to which Alicia has voluntarily committed herself. Temporally, the novel takes place before the events of The Passenger begin, and so serves as a kind of prequel to Alicia's brother Bobby's story, although the novels intertwine in a way that suggests they probably began life as a single door-stopper -- a kind of conjoined twin the success of whose cleavage one might debate. In any event, Stella Maris is a case study in sparkling dialogue -- a high-stakes cat-and-mouse game in which the patient's (and therefore the author's) brilliance leaves the doctor, and the reader, delightedly struggling to keep…
'Cormac McCarthy was such a virtuoso, his language was so rich and new . . . McCarthy worked close to some religious impulse, his books were terrifying and absolute. His sentences were astonishing.' - Anne Enright
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'A drought-busting, brain-vexing double act' - Guardian
Alicia Western is the following: Twenty years old. A brilliant mathematician at the University of Chicago. And a paranoid schizophrenic who does not want to talk about her brother, Bobby.
Told entirely through the transcripts of Alicia's psychiatric sessions, Stella Maris is a searching, profoundly moving companion to The Passenger. It is a powerful enquiry that…
