The most recommended books on paranoia

I love Todd’s writing for, in particular, the darkness that flows from his pen.

This short story anthology is separated into three parts, which coincided with the title (Cold | Dark | Infinite), with each having its own sub-theme.

I will say I was most taken by the story “Afterbirth.” The name of the story belies Keisling’s intent to disgust readers, but I was still knocked on my ass by it. Readers who enjoy this collection will undoubtedly enjoy Todd’s other work. 

With each story, Keisling begs to remind us that we are adrift in a sea of causality, and the undertow may take us at any time. Be sure to watch a rom-com after this one and sleep with the lights on for good measure.

Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.

I love Iain Banks’ work and this book seems to encapsulate the best of his early work: epic sci-fi, mental breakdown, and fantastic comedy. Switching between three storylines, one of which contains the best imagery in all SF and fantasy, Walking On Glass mixes reality with insanity and imagination with the every day to superb effect.

A Prayer for the Dying is the only full-length novel I’ve ever read entirely in second-person perspective—which makes for a white-knuckle-grip adventure as the narrator drags the reader along a dark, haunted path, which is also a little bit on fire.

This ghost story full of living people (at first) follows a hard-working and dedicated protagonist who tries to protect his little town of Friendship as it faces disaster after horrible disaster. The narrative of the story unfurls like a tidal wave—terrifying, yet impossible to look away from as it sweeps away everything in its path. This scary story is definitely not for the faint of heart.

Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it?  In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.

My new book features a solitary time traveler in a key supporting role, so I feel well-equipped to say that Man in the Empty Suit is the pièce de resistance of absurdly trippy time travel stories.

A time traveler celebrates his birthday every year at an abandoned hotel in the year 2100 or so, with all his fellow time-traveling past and future selves in attendance – nobody else is ever invited. This year, however, he discovers the murdered corpse of next year’s instance of himself.

This makes him the lead detective in the case of his own murder, which ideally he’d like to prevent; and the only suspects are either younger versions of himself, although you’d expect him to remember committing the crime, or elder versions of himself, who somehow managed to survive the murder of their younger self – for the time being, anyway.

Twisty and mind-bendy goodness.

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from… show more.

Such a peculiar book. The Horned Man is not for those who want answers or resolutions. By the time the final page is turned you'll find yourself with more questions than you had at any other point in the book. It takes the Unreliable Narrator device to the extreme, to the point where you don’t really believe anything from the get-go, a unique way to tell a story, but it works here. This book is dark, smart, uncomfortable, and it is unlike anything you'll ever read. Lasdun’s prose is also exceptional, and I’ve often found myself getting lost in his paragraphs, enjoying how I can stop and really take the time to re-read how the author has crafted his story, and lead you exactly where he wanted to.

Although this is a short story, I have to add this one to my list. Edgar Allan Poe’s witty and crafty way of telling this tale of murder and paranoia is by far chilling and brilliantly crafted. Of course, Poe can do no wrong in my eyes with his cryptic tales. This story was later crafted into a not-so-good movie, but I’m sure true Edgar Allan Poe fans can appreciate the modern visual.

I doubt that there is any American who can look at our country over the past four or five years and conclude that the ship is running smoothly.

Hofstadter, a Pulitzer Prize-winning historian from the 1950s, is the first historian to really put his finger on what makes America tick. He sees a clear relationship between concern over Status (and one could include race), anxiety, paranoia, irrational fear, and the evolution of politics. 

And while the book is not quite as pessimistic as the title might seem, I wonder what he would say about the country’s status today? Are we as a nation really committed to democracy? It would seem that a considerable percentage of people are not. Those same people seem to promote violence.

And has not the massive increase in shootings been a major factor in increasing our anxiety, and paranoia? Such an increase in those concerns has… show more.

Agent Scylla was dead, but they brought him back because someone is holding a contest, a contest to see who can create the deadliest weapon. As Scylla navigates a world he’s been out of touch with for too long, he finds that there’s something on its outskirts, pulling all the wrong strings. A thrilling espionage adventure drenched in paranoia, this was the most fun I ever had being terrified to learn the truth. The only book I ever read that I literally could not put down. Its momentum – the need to find out what the contest was about and where the search would lead Scylla – was so powerful, I could not stop my fingers from turning the pages.  

Ignatius’s most recent novel is in many respects a mashup of books no. 1 and 2 on this list: terrific storytelling and the latest spy recent tech: You’ll conclude that it’s just a matter of time until “bad actors” (spy speak for “bad guys”) can hack your brain. At the same time, you’ll enjoy the story.

My take on a future society in which a shadowy group conducts mass surveillance and is experimenting on turning a musician into a serial killer. 'I see no butterfly wings in the Rorschach test, but a mountain of bones.' So says Dale Helix, who is convinced he is being abducted by a shadowy group of rulers called The Assembly. The novel is set in a dystopian city, and is an exploration of totalitarianism, paranoia, and social engineering in a society where it is impossible to gauge the truth. The aim of the programme is to study the link between serial killers and dictators in order to clone the ideal dictator. And the Assembly is engineering a new gender. Is Dale insane or is his paranoia a key to a hidden truth? This is a novel about surveillance totalitarianism.

From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.

This was the book that had just sold to great acclaim when my own book was looking for a publisher. Like almost all of us, Stevens was desperate for peace, quiet and freedom from distractions so she could write her first novel. But she went further than most of us would dare: an uninhabited island off the Falklands. Yet on Bleaker Island every forward move she tried to make with the novel got tangled up in the impossibility of avoiding her self, her past, and how she got here. Writing does that—and it’s often also absurd, as Stevens knows too. I loved this book.

Truth kicks fiction’s ass, and the truth about the National Security Agency’s technological and espionage capabilities is more terrifying—or, depending on one’s perspective, cool—than any spy novel. Regardless of your perspective, it is astonishing. As a journalist, this book taught me to be daring, as Bamford is. As a novelist, it taught me the secret to writing about classified cutting-edge spy tech: you pretend you are writing sci-fi and imagine the technological possibilities a quarter of a century from now: you will not be far off from what the NSA has today.

As an avid horror fan, not much creeps me out. This book did.

The story follows Merry, a young girl who is certain her teenage sister, Marjorie is possessed. Soon her religious parents believe Marjorie is possessed as well and invite a film crew to document the strange happenings in their home and an attempted exorcism.

The details of this alleged possession are terrifying, especially told from the perspective of a nine-year-old girl.

But just when you think you understand what happened with their family, the last few pages turn the tables on you and cause you to question what Merry has told you, how good of a person she actually is, and ask yourself how responsible could a child be in this horrific circumstance. 

Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.

Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.

Exploding wine bottles, guns constructed out of pipes, bullets made of teeth, aspirin explosives: If these sound like props from a B spy movie, it's because, again, truth > fiction. In the early-1970s, the Central Intelligence Agency spent a great deal of effort developing myriad weapons for sabotage. The results were this seventy-two-page illustrated manual, published in 1977 and distributed to American operatives likely to find themselves in situations requiring such improvisation. The manual is also invaluable for writers.