Here are 99 books that The Horned Man fans have personally recommended if you like
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How do we decide what is true and untrue, what is real and what isn’t? It’s something I’ve tried to understand since I was a child. In each book I chose, a character has to face a universe completely unlike what they’d believed—in some cases, what they’d spent their entire lives devoted to. How someone would react in such a situation is deeply fascinating to me, and each of these books has not only stayed with me for years but has profoundly influenced my own writing and worldview.
I love books that explore how ordinary people might react in extraordinary circumstances, and this one takes that to another level.
The main characters, Tengo and Aomame, see that the world has changed—the most obvious clue being that there are now two moons in the sky—and it is fascinating to watch how these two very different people cope with living in a new and mysterious context. Murakami has a knack for making the surreal seem believable, and in this book, he is at the top of his game.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
When I start a new book, my aim is to write something completely different from what I’ve written before. It’s challenging, but also important to keep things fresh. To me, a blank slate before each story is thrilling. To start with nothing, and end with something wholly original. This Never Happened, my third book, began with a feeling we’ve all had before: the feeling of not belonging. I asked myself, “What if I really didn't belong here, but was meant for somewhere else entirely?” From there, I created a character who grows increasingly unsure of his own identity and reality, themes that are also present in my selection of books below.
Mistakenis the tale of two boys (Kevin and Gerald) who are remarkably similar in appearance, though far from similar in affluence and background. The story is set in Dublin and told from the point of view of Kevin, now older and having just attended Gerald’s funeral. It slipstreams through past and present, and at nearly every corner it leaves Kevin questioning his own identity and memories, and wondering if perhaps the boys’ connection had even greater implications than he thought. In my book, there is a fictional novel within the novel, about twins who aren’t twins, and it is loosely inspired by the meeting of Kevin and Gerald in Mistaken.
Neil Jordan is an underrated talent, and his writing is superbly atmospheric here.
Menace both real and imagined haunt two Dubliners in this “unsettling . . . seductive” modern Gothic “that ultimately leaves one gasping” (Irish Times).
“Vampires, secrets, the mysteries of identity: the obsessions that run through the director Neil Jordan’s films are at the center of his beautifully enigmatic novel . . . of two look-alike men who feed off each other’s souls all their crisscrossed lives” (The New York Times).
Kevin Thunder and Gerald Spain have grown up on opposite sides of the Dublin economic divide. Kevin’s father is a bookie and his mother takes in lodgers on the city’s…
When I start a new book, my aim is to write something completely different from what I’ve written before. It’s challenging, but also important to keep things fresh. To me, a blank slate before each story is thrilling. To start with nothing, and end with something wholly original. This Never Happened, my third book, began with a feeling we’ve all had before: the feeling of not belonging. I asked myself, “What if I really didn't belong here, but was meant for somewhere else entirely?” From there, I created a character who grows increasingly unsure of his own identity and reality, themes that are also present in my selection of books below.
A man is driving to some oceanside cliffs to end his life. On the way, he stops for a night at a B&B in a small fishing village. He meets a girl, who has disappeared in the morning, and the man thinks, “What the heck. I’ll just stick around here and pretend I’m the girl’s boyfriend (who no one in the village has met before) and wait until she returns.” The villagers grow increasingly suspicious (about everything, it seems) and the man is soon caught in an uncontrollable deception of his own making.
This is a really odd, really well-written Gothic tale by an author I’d never heard of (who doesn’t seem to have written anything before or since), but I picked it up because its vagueness intrigued me. It’s the interplay of the main character trying his best to pretend he’s someone he’s not, for reasons even he’s…
A gothic tale of dark longings and fragile fantasies 'I used to look across the street from my window through the windows of others, but none faced me directly so I could never see more than thin slices of rooms. People appeared from time to time, like pearl divers, briefly coming back to the surface for a breath of air...I was in love with life after dinner, beyond windows that weren't mine, of people I didn't know' As a young man drives hard through the night to reach the sea, he is stopped by the harsh wind and by a…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
History and legend: The actual past and all the myths and stories that ride along with it. I have an M.A. in history and have always been interested in old folklore and myth. So I write fantasy novels set in the 19th century. The flair is steampunk-ish, the setting strictly historical – except for the fact that magic and mythical creatures exist. Magic is taught in Arcane Lodges, mythical beings can be pretty much anything: vampire, body-snatcher, werewolf, dryad, nymph, etc. My first novel Obsidian Secrets (Das Obsidianherz) won the Deutscher Phantastik Preis. Wings of Stone of the same series won the SERAPH as the "Best Fantasy Novel" at Leipzig Book Fair.
Set in an alternate history environment in England, the Lord Darcy stories superbly combine the flair of an – albeit non-historical – “dark romantic” age with the classic whodunnit framework in a parallel world where magic is possible and can be used to solve crimes.
The archetypal characters of the highly intelligent detective and his brainy sidekick here give the reader a ‘prince-detective’ with a ‘mage-assistant’. The book is not new, but good reads do not go stale.
As a lover of both D. Sayers’ Lord Peter Wimsey detective novels and magic wielded in bygone ages, I fell in love with these stories right away.
Welcome to a world where the Plantagenet kings survived, the laws of magic were discovered and the physical sciences never pursued. In the resulting Anglo-French Empire, a detective like Lord Darcy needs more than a keen mind and an observant eye. Luckily, Darcy can call on the aid of Master Sean O'Lochlainn, forensic sorcerer.
This omnibus contains all of the Lord Darcy stories as well as the only Lord Darcy novel, TOO MANY MAGICIANS, and has a new introduction by Michael Dirda.
I am a lyrical writer and have a passion for quiet, thoughtful books. I wrote A Home Again when I became an empty nester. When my husband and I were discussing downsizing our home, I was surprised by the reactions of my grown children. They absolutely did not want us to sell their family home. That led me to think about how our house would feel if we left. A new book was born. My friends, a gay couple, had just bought a new home and I thought it would be wonderful to make the second family in the story two dads. We need to show children there is a diverse array of families in the world—but what connects them all is love.
Errol and Thomas (his teddy bear), are best friends. But Errol starts noticing that Thomas doesn’t seem to enjoy all the things they do together and seems to be sad. Eventually, Thomas admits to Errol that they had always felt like a girl bear and would like to be called Tilly. Errol doesn’t care about the bear’s gender—just that they are best friends. It’s a lovely story about unconditional love and acceptance.
Errol and his teddy, Thomas, are best friends who do everything together. Whether it's riding a bike, playing in the tree house, having a tea party or all of the above, every day holds something fun to do together.
One sunny day, Errol finds that Thomas the Teddy is sad, and Errol can't figure out why. Then Thomas the Teddy finally tells Errol what Teddy has been afraid to say: 'In my heart, I've always known that I'm a girl teddy, not a boy teddy. I wish my name was Tilly.' And Errol says, 'I don't care if you're a…
Since my childhood, I understood quite well that "gender" is a troubled water. Women were not allowed access to education, were domesticated, and were not allowed to vote for the longest time in history. Yet I did not quite know how to articulate how it should be! While broadly "gender" still remains a concern, growing as an academic (currently as an Assistant Professor of Social Sciences at National Law School of India University), I started asking how best we can reconcile gender and culture, and even if we do, what does it mean for my country, India and the discipline of International Relations?
As a graduate student, I picked up this book on gender and international relations, and there was no turning back; I now knew my domain!
I realized where I stood in the male-dominated discipline of international relations, where concerns of "Man, State, and the War" dominate. The often-overlooked frivolousness of domesticity is also a matter of international relations. This book asks: "Where are women?" as it explores the gendered aspects of everyday life, as often we women tend to ask, navigating through the alleys of personal and professional spaces.
Making feminist sense of international politics requires genuine curiosity about multi-layered women's lives: air hostesses, base women, diplomatic wives, factory and domestic workers, and more. After all, power takes a myriad of avatars; power, taste, attraction, and desire are not mutually exclusive.
The author says it best when remapping the boundaries of international and political, "We are not just acted upon;…
In this brand new radical analysis of globalization, Cynthia Enloe examines recent events - Bangladeshi garment factory deaths, domestic workers in the Persian Gulf, Chinese global tourists, and the UN gender politics of guns - to reveal the crucial role of women in international politics today. With all new and updated chapters, Enloe describes how many women's seemingly personal strategies - in their marriages, in their housework, in their coping with ideals of beauty - are, in reality, the stuff of global politics. Enloe offers a feminist gender analysis of the global politics of both masculinities and femininities, dismantles an…
I coined the term “slut-bashing,” the precursor to “slut-shaming,” and am passionate about exploring the ways that girls and young women behave and cope in a culture of slut-shaming. I also am curious about how they face other unique challenges—such as the risk of harassment and assault, the pressures to achieve an impossible beauty ideal, and others. All girls and women experience sexism, while many girls of color— and lesbian, queer, and trans girls— face numerous intersecting pressures. The works I recommend here are aching, powerful, and unforgettable.
This play, inspired by the experiences of a racially diverse group of New York City teenage girls, explores the intersection of slut-shaming and sexual violence. At its core, the play questions the wisdom of girls embracing the “slut” label for themselves. “Slut” may seem like a carefree term of endearment, and it is—until the moment Joey, a member of her school’s dance team, informally known as the Slut Squad, is sexually assaulted by two boys from school. She brings charges against them, and every sexually provocative thing she previously has done is used as evidence that she is lying. If you want to understand the pressures teenage girls face today, this play breaks it down for you.
SLUT: The Play offers communities and individuals the real-life insight into rape and bullying culture necessary to inspire change in the attitudes and practices surrounding girls and sexuality. The story and the performance creates much-needed space to discuss—openly and honestly—experiences with shaming, sex, and violence, thus providing a crucial antidote to slut-shaming culture.
I’ve been pondering philosophical questions and trying to understand my queer sexuality since childhood. While checking out The Portable Nietzsche in my high school library, the librarian warned me the philosopher was “a bad man.” Then I had to read the book, which not only taught me to become critical of all forms of authority, but also, perhaps paradoxically, empowered me to embrace my queerness. As a college and graduate student, I studied many of the American academic movements based in Continental philosophy grouped under the rubric, “theory.” When queer theory emerged in the early 1990s’, I found a place for myself. I'm convinced that we should never stop putting our identities under critique.
Paul B. Preciado’s Testo Junkie, originally published in Spanish in 2008 and republished in English translation in 2013, is lusty, hyperbolic, and explosive.
It’s part postqueer, trans-feminist manifesto, part record of a cis-female’s illicit experimentation with testosterone, and part explicit fucking. A much more enjoyable book than Judith Butler’s groundbreaking Gender Trouble and Bodies that Matter, and it has the advantage of updating Butler’s Foucault-based theory with the twenty-first-century concerns.
Preciado argues that today’s “pharmacopornographic” regime utilizes drugs and erotic imagery—hormone shots and money shots—to control our subjectivity and gender, instating a system of knowledge and power in which the body “no longer inhabits disciplinary spaces but is inhabited by them.”
This visionary book on gender and sexuality weaves together high theory and intimate memoir, with "spectacular" results—"and the gendered body will never be the same again" (Jack Halberstam).
What constitutes a "real" man or woman in the twenty-first century? Since birth control pills, erectile dysfunction remedies, and factory-made testosterone and estrogen were developed, biology is definitely no longer destiny.
In this penetrating analysis of gender, Paul B. Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the…
My interest in ignorance and uncertainty was sparked when I was an undergraduate mathematics student. I was taking my first courses in probability and then reading about Gödel’s incompleteness theorem, realizing that even mathematics contains untamed unknowns. Later, as a PhD student in sociology I read theories about how knowledge is socially constructed, the foundation of the “sociology of knowledge”. I wondered why there wasn’t also a “sociology of ignorance”. That ignited my interest, and the social construction of ignorance became my life-long research topic. I have since seen it grow from my solo efforts in the 1980s to a flourishing multidisciplinary topic of research and public debate.
Ignorance studies arrived full-blown with the first edition of this Handbook in 2015, and the second edition is even better, both in breadth and in depth.
As the editors point out, ignorance has become increasingly politically relevant recently, and the book’s chapters reflect this. It’s arranged in five parts, starting with new philosophical insights and perspectives on the study of ignorance, and moving to the manifestations and uses of ignorance in science and technology, politics and law, inter-group relations, and political economy.
An impressive variety of disciplines and domains is represented, including the arts, social sciences, law, philosophy, and physical and biological sciences. If you desire a deep dive into ignorance then this book is for you, and it’s available as an ebook at a very reasonable price.
Once treated as the absence of knowledge, ignorance has now become a highly influential and rapidly growing topic in its own right. This new edition of the seminal text in the field is fully revised and includes new and expanded chapters on religion; domestic law and jurisprudence; sexuality and gender studies; memory studies; international relations; psychology; decision-theory; and colonial history.
The study of ignorance has attracted growing attention across the natural and social sciences where a wide range of scholars explore the social life and political issues involved in the distribution and strategic use of not knowing. This handbook reflects…
