100 books like Slut

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.  

There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).

Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.

I probably re-read it once a year.

This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.

I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.

I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.

Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason. 

As a graduate student, I picked up this book on gender and international relations, and there was no turning back; I now knew my domain!

I realized where I stood in the male-dominated discipline of international relations, where concerns of "Man, State, and the War" dominate. The often-overlooked frivolousness of domesticity is also a matter of international relations. This book asks: "Where are women?" as it explores the gendered aspects of everyday life, as often we women tend to ask, navigating through the alleys of personal and professional spaces.

Making feminist sense of international politics requires genuine curiosity about multi-layered women's lives: air hostesses, base women, diplomatic wives, factory and domestic workers, and more. After all, power takes a myriad of avatars; power, taste, attraction, and desire are not mutually exclusive.

The author says it best when remapping the boundaries of international and political, "We are not just acted upon;… show more.

Errol and Thomas (his teddy bear), are best friends. But Errol starts noticing that Thomas doesn’t seem to enjoy all the things they do together and seems to be sad. Eventually, Thomas admits to Errol that they had always felt like a girl bear and would like to be called Tilly. Errol doesn’t care about the bear’s gender—just that they are best friends. It’s a lovely story about unconditional love and acceptance.

Such a peculiar book. The Horned Man is not for those who want answers or resolutions. By the time the final page is turned you'll find yourself with more questions than you had at any other point in the book. It takes the Unreliable Narrator device to the extreme, to the point where you don’t really believe anything from the get-go, a unique way to tell a story, but it works here. This book is dark, smart, uncomfortable, and it is unlike anything you'll ever read. Lasdun’s prose is also exceptional, and I’ve often found myself getting lost in his paragraphs, enjoying how I can stop and really take the time to re-read how the author has crafted his story, and lead you exactly where he wanted to.

Paul B. Preciado’s Testo Junkie, originally published in Spanish in 2008 and republished in English translation in 2013, is lusty, hyperbolic, and explosive.

It’s part postqueer, trans-feminist manifesto, part record of a cis-female’s illicit experimentation with testosterone, and part explicit fucking. A much more enjoyable book than Judith Butler’s groundbreaking Gender Trouble and Bodies that Matter, and it has the advantage of updating Butler’s Foucault-based theory with the twenty-first-century concerns.

Preciado argues that today’s “pharmacopornographic” regime utilizes drugs and erotic imagery—hormone shots and money shots—to control our subjectivity and gender, instating a system of knowledge and power in which the body “no longer inhabits disciplinary spaces but is inhabited by them.”

Ignorance studies arrived full-blown with the first edition of this Handbook in 2015, and the second edition is even better, both in breadth and in depth. 

As the editors point out, ignorance has become increasingly politically relevant recently, and the book’s chapters reflect this. It’s arranged in five parts, starting with new philosophical insights and perspectives on the study of ignorance, and moving to the manifestations and uses of ignorance in science and technology, politics and law, inter-group relations, and political economy. 

An impressive variety of disciplines and domains is represented, including the arts, social sciences, law, philosophy, and physical and biological sciences. If you desire a deep dive into ignorance then this book is for you, and it’s available as an ebook at a very reasonable price. 

For the past 25 years, romantic comedy has largely been considered a failed genre, out of sync with a new climate of uncertainty about intimacy and couplehood.

This book challenges that oversimplified view and shows how romance narratives are shape-shifting in the 21st century. Even in an era of heteropessimism, romantic comedy continues to be an important form, and the contributors here track its increasing openness to racial and sexual minorities it traditionally overlooked.