I’ve been a hiker for a long time, but it wasn’t until COVID-19 that I began to pay attention to the forests I was hiking through. I started with field guides to edible plants, then used Seek and iNaturalist apps to identify more species, and started taking macro photography of what I found. The more I paid attention to the minutiae of the natural world, the more I fell in love with every part of it. I’m worried our current priorities for climate change (preserving our way of life) are misguided. I’m worried about the future of all species. Every insect and every plant I’ve looked at close up is breathtakingly beautiful and worth saving.
David Haskell is a biologist who visits a one-square-meter patch of forest throughout the year and then writes about what he finds there. His writing is gorgeous and evocative—I felt like I was visiting the place with him and observing the non-human life alongside him. At the end of the book, Haskell encourages the reader to try this experiment of observation themselves with whatever natural place is nearby (yards and city parks count!). I did this for a few months myself and discovered my little urban backyard contains a fascinating natural world well worth my time.
The Forest Unseen taught me that ordinary nature is spectacular, and it’s happening all around us. All we need to do is pay attention (though kneeling or lying on the ground also helps). This is a book to be savored.
A biologist reveals the secret world hidden in a single square meter of old-growth forest--a finalist for the Pulitzer Prize and the Pen/E.O. Wilson Literary Science Writing Award
Look out for David Haskell's new book, The Songs of Tree: Stories From Nature's Great Connectors, coming in April of 2017
In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life.
What will happen to the world if most of us—everyone except one or two humans, in fact—disappear?
According to Marlen Haushofer, the world will continue on just fine. I find that idea to be a little shocking, sure, but also comforting: maybe humans aren’t essential to the world’s existence after all. Maybe the world doesn’t need humans for drama, love, heartbreak, or healing.
This is what I would call an anti-post-apocalyptic book, one in which no one is a hero because humanity is beyond saving. Instead, the narrator has deep relationships with several animals—a dog, some cats, and a cow—animals that aren’t anthropomorphized in the slightest but treated with dignity, love, compassion, and complexity. I reread this slow and meditative page-turner every few years. I’m going to keep reading it for the rest of my life.
“I can allow myself to write the truth; all the people for whom I have lied throughout my life are dead…” writes the heroine of Marlen Haushofer’s The Wall, a quite ordinary, unnamed middle-aged woman who awakens to find she is the last living human being. Surmising her solitude is the result of a too successful military experiment, she begins the terrifying work of not only survival, but self-renewal. The Wall is at once a simple and moving talk — of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the…
This collection contains, hands down, my favorite exploration of non-human consciousness: the story “The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics.” The title is a mouthful but I love how this story acknowledges we may never fully understand other species’ communications, that there will always be some matter of uncertainty or mistranslation.
At the same time, this story captures for me the intelligence and creativity of the non-human while making a persuasive argument that we need to at least try to understand forms of life that see and experience the world so differently from us.
Is it worth buying an entire collection for this one story? Totally. But there are a lot of other great gems in Real and the Unreal as well.
Outer Space, Inner Lands includes many of the best known Ursula K. Le Guin nonrealistic stories (such as "The Ones Who Walk Away from Omelas," "Semley’s Necklace," and "She Unnames Them") which have shaped the way many readers see the world. She gives voice to the voiceless, hope to the outsider, and speaks truth to powerall the time maintaining her independence and sense of humor.
Companion volume Where on Earth explores Le Guin's satirical, risky, political and experimental earthbound stories. Both volumes include new introductions by the author.
As a fan of post-apocalyptic novels, I’ve always wondered what the world would actually look like without us. Weisman provides the answer in this book. He visits places that appear to have successfully moved on from humanity, such as the Białowiea forest, the Korean Demilitarized Zone, and the Chernobyl Exclusion Zone, showing nature thriving without us.
It’s both comforting and sobering, suggesting, yet again, that humans aren’t necessary to the world and, in fact, maybe the world is better off without us. The most jaw-dropping revelation for me was when a paleobiologist calmly stated that humans will go extinct eventually. All species do. But life on Earth will keep going.
Revised Edition with New Afterword from the Author
Time #1 Nonfiction Book of the Year
Finalist for the National Book Critics Circle Award
Over 3 million copies sold in 35 Languages
"On the day after humans disappear, nature takes over and immediately begins cleaning house - or houses, that is. Cleans them right off the face of the earth. They all go."
What if mankind disappeared right now, forever... what would happen to the Earth in a week, a year, a millennium? Could the planet's climate ever recover from human activity? How would nature destroy our huge cities and our…
Like all good books, Reservoir 13 is transformative. It’s made me see the world differently, as a place where swallows and bats and the nettle and a river and ewes and wood pigeons and the weather and townspeople are all interconnected through the cycle of years. McGregor manages to do this through a collage-like structure, where a description of a person moves effortlessly into a description of nature, proving that all living things have seasons, stories, and beauty.
By the end of the book, I always feel kind of god-like as a reader, in the sense that I’ve watched and observed and loved, over 13 years, this human and non-human community. Who wants to let something like that go? It’s often easier to just start at the beginning again. This is another book I find myself rereading whenever I get the chance.
A New York Times Book Review Editors’ Choice Longlisted for the Man Booker Prize
A “fiercely intelligent . . . daring, and very moving” about an English village haunted by one family’s loss—for readers of The Virgin Suicides and Zadie Smith’s NW (George Saunders, The Paris Review Daily).
Midwinter in an English village. A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that…
After World is about humanity's relationship with the planet and who or what in that relationship is most important. It's also about artificial intelligence, climate change, extinction, and the future.
Due to worsening global environmental collapse, an AI determines that the planet would be better off without the presence of humans. After a virus that sterilizes the entire human population is released, humanity must reckon with how they leave this world before the data of their lives is uploaded to the virtual reality called Maia. The novel is narrated by an AI storyworker who is tasked with telling the life story of a young woman named Sen, who was tasked herself with witnessing the natural world on the eve of humanity’s departure.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway.
Beyond enduring the Arctic winter’s twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold, as well as Astrid’s unexpected pregnancy.
The Last Whaler is an elegiac meditation on the will to survive under extreme conditions. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway. Beyond enduring the Arctic winter's twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold as well as Astrid's unexpected pregnancy. The Last Whaler concerns the impact of…
