I am Professor Emeritus of History at the University of Kansas, where I taught the History of Chemistry, History of Science in the United States, Early-Modern Scientific Revolution, and Great Lives in Science, among other courses. I also have published on late 19th-century physical science (with emphasis on spectroscopy and the work of Sir William Crookes) and the development of 20th-century electronic devices to aid chemical analyses (e.g., the development of handheld x-ray fluorescence spectrometers to measure lead concentration in paint). In addition to my interests in the history of science, I serve as the Technical Editor for an international environmental services company.
Although somewhat dated, this classic work in the history of science remains a readable and dependable rendition of events in astronomy and cosmology in the 16th and 17th centuries.
An appeal of this book is its suitability for discussion together with Kuhn’s Structure of Scientific Revolutions, a general interpretation of the history of science of great influence on historians and philosophers of science for approximately 60 years.
For scientist and layman alike this book provides vivid evidence that the Copernican Revolution has by no means lost its significance today. Few episodes in the development of scientific theory show so clearly how the solution to a highly technical problem can alter our basic thought processes and attitudes. Understanding the processes which underlay the Revolution gives us a perspective, in this scientific age, from which to evaluate our own beliefs more intelligently. With a constant keen awareness of the inseparable mixture of its technical, philosophical, and humanistic elements, Thomas S. Kuhn displays the full scope of the Copernican Revolution…
I’ve loved plants since I was a child – that’s probably why I grew up to become an environmental historian and nature writer! But I longed for stories about plants and nature that didn’t paint them as passive and ours to dominate. And stories that represented the voices of those on the margins of nature writing. I have written three books of nature writing, as well as a nature-themed picture books, and many more shorter essays on the natural world along the way.
I was enthralled with this book from its very premise: a book about looking closely…really closely. Haskell tracks the growth of a square meter of forest over a year, bringing to life the minutiae of life.
It’s a book that made me want to get down on the ground and get to know the unseen details of every patch of land I encountered.
A biologist reveals the secret world hidden in a single square meter of old-growth forest--a finalist for the Pulitzer Prize and the Pen/E.O. Wilson Literary Science Writing Award
Look out for David Haskell's new book, The Songs of Tree: Stories From Nature's Great Connectors, coming in April of 2017
In this wholly original book, biologist David Haskell uses a one- square-meter patch of old-growth Tennessee forest as a window onto the entire natural world. Visiting it almost daily for one year to trace nature's path through the seasons, he brings the forest and its inhabitants to vivid life.
A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
This book is an instant classic. It took me years to finish reading it because I did not want it to end.
Kimmerer’s writing appealed to the dreamer in me while also explaining the science of the natural world in ways that were unforgettable. This beautifully written book connected me to my physical home and the people around me. I will come back to it again and again.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.
A startling finding when I was researching Elizabethan ideas about the mind was how far their attitudes to the imagination differed from ours.
We see it as a creative force to be encouraged and liberated, but for them it was dangerous, deceptive, and unruly, leading towards sinfulness and madness. Roychoudhury explains how early scientific thinking was starting to unsettle this traditional view of the imagination as reprehensible, and traces the effects of this in works including A Midsummer Night’s Dream, The Sonnets, and Macbeth.
I would add that the new commercial playhouses for which Shakespeare wrote became experimental crucibles: these were spaces where the combined imaginations of playwright, actors, and audiences created virtual realities, unleashing an exhilarating and magical sense of the powers of imagination.
Representations of the mind have a central place in Shakespeare's artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind's ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare's portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the…
I am a writer and educator, originally from the British Isles. Perhaps because of this, I am more than usually aware of the distraction and speed of contemporary American life. As a long-time meditator, and the author of World Enough & Time: On Creativity and Slowing Down, I am encouraged and inspired by any book that draws attention to our “hurry sickness” and offers practices or suggestions to help us to slow down.
Earth's Wild Music was published just last year. Kathleen Dean Moore is a naturalist and philosopher, with a keen ear and searching eye. I love the form of this book (a gathering of short essays, or what the poet Ross Gay called “essayettes”) ranging widely across geography and time. It reaches back to my book on slowing down, and forward into my current project, which has to do with the art of listening. The writer Elizabeth Kolbert calls it “a love song to a vanishing world.”
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change.
In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and…
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
I originally read the adult version of this book and quite honestly, it’s a book I’ll never forget. It changed the way I think about the relationship between human beings and the earth. I absolutely loved it. And I was so excited when this young adult version came out, because it’s now so accessible to younger readers and I could share it with my teenage daughter. I love to read books alongside my kids and find ways to broaden and deepen our conversations about the natural world… and this one is top of my list for doing just that.
Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things—from strawberries and witch hazel to water lilies and lichen—provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation.
I love writing group biographies (I‘ve written four and my next book, Spellbound by Marcel:Duchamp, Love, and Art, will be another). I enjoy the intellectual scope they offer, the way they let you explore a world. I’m less interested in the details of individual lives than in the opportunity biography offers to explore social history, and group biography is particularly suited to that. They’re not easy to do, it’s no good putting down just one damn life after another, but I enjoy the challenge of finding the shape that will let me fit everyone’s personalities and ideas into a coherent story.
John Aubrey’s gossipy Lives allow us to glimpse the unofficial side of his famous contemporaries and near-contemporaries, among them Thomas Hobbes (whom he knew), Shakespeare (who died ten years before he was born), Sir Walter Raleigh, and many others. You can dip in and out, and if you haven’t read them, this is a treat in store.
I am Professor Emeritus of History at the University of Kansas, where I taught the History of Chemistry, History of Science in the United States, Early-Modern Scientific Revolution, and Great Lives in Science, among other courses. I also have published on late 19th-century physical science (with emphasis on spectroscopy and the work of Sir William Crookes) and the development of 20th-century electronic devices to aid chemical analyses (e.g., the development of handheld x-ray fluorescence spectrometers to measure lead concentration in paint). In addition to my interests in the history of science, I serve as the Technical Editor for an international environmental services company.
No better overall treatment of the Scientific Revolution during the 17th century is available for the reader who would encounter this material for the first time.
I used this book as a major text in my survey course on the history of modern science. The author also wrote arguably the leading biography of Isaac Newton.
This introduction to the history of science in the seventeenth century examines the so-called 'scientific revolution' in terms of the interplay between two major themes. The Platonic-Pythagorean tradition looked on nature in geometric terms with the conviction that the cosmos was constructed according to the principles of mathematical order, while the mechanical philosophy conceived of nature as a huge machine and sought to explain the hidden mechanisms behind phenomena. Pursuing different goals, these two movements of thought tended to conflict with each other, and more than the obviously mathematical sciences were affected - the influence spread as far as chemistry…
I am Professor Emeritus of History at the University of Kansas, where I taught the History of Chemistry, History of Science in the United States, Early-Modern Scientific Revolution, and Great Lives in Science, among other courses. I also have published on late 19th-century physical science (with emphasis on spectroscopy and the work of Sir William Crookes) and the development of 20th-century electronic devices to aid chemical analyses (e.g., the development of handheld x-ray fluorescence spectrometers to measure lead concentration in paint). In addition to my interests in the history of science, I serve as the Technical Editor for an international environmental services company.
This survey of ancient and medieval Western science delves into theological, philosophical, social, and institutional aspects of developments in the physical and biological sciences, and in medicine.
Its illustrations are beautiful and apt, and the well-written exposition reflects the knowledge and erudition of one of my favorite teachers during my graduate study at the University of Wisconsin, a leading scholar of medieval science during the latter 20th and early 21st centuries.
When it was first published in 1992, "The Beginnings of Western Science" was lauded as the first successful attempt to present a unified account of both ancient and medieval science in a single volume. Chronicling the development of scientific ideas, practices, and institutions from pre-Socratic Greek philosophy to late-medieval scholasticism, David C. Lindberg surveyed the most important themes in the history of science, including developments in cosmology, astronomy, mechanics, optics, alchemy, natural history, and medicine. In addition, he offered an illuminating account of the transmission of Greek science to medieval Islam and subsequently to medieval Europe."The Beginnings of Western Science"…
I remember, as a very young child, clandestinely sneaking out of the house on humid Houston nights to gather toads. How my parents never caught me in the act, I do not know. I only know holding these amphibians in my hands felt special, magical even. This compulsion toward other creatures speaks to the unfolding of my lifelong learnings, a path that led me to a PhD in Religion and Nature and then to work for the Center for Humans and Nature. I’ve never stopped reflecting on how humans might better care for our earthling kin, and I don’t suspect I’ll ever cease marveling at the earth’s wild generativity.
Hailed as a “new genre of nature writing,” Mueller’s book is species-specific, dwelling upon the lives and deaths of salmon, yet the subject matter could apply to any creature that has become a commodity within late-stage capitalism.Mueller contrasts the Norwegian farmed-salmon industry and the increasing mechanization and reduction of living beings to things with wild salmon populations and Native people’s perspectives from the Pacific Northwest. Critically, he dares to take on the perspective of salmon, sprinkling memorable and moving vignettes throughout the book, helping readers imagine the world from a salmon’s-eye-view. This work of interspecies empathy is a rare and welcome contribution to thinking about personhood through a lens that is other-than-human.
Nautilus Award Silver Medal Winner, Ecology & Environment
In search of a new story for our place on earth
Being Salmon, Being Human examines Western culture's tragic alienation from nature by focusing on the relationship between people and salmon-weaving together key narratives about the Norwegian salmon industry as well as wild salmon in indigenous cultures of the Pacific Northwest.
Mueller uses this lens to articulate a comprehensive critique of human exceptionalism, directly challenging the four-hundred-year-old notion that other animals are nothing but complicated machines without rich inner lives and that Earth is a passive backdrop to human experience. Being fully…
