With a long background in international banking and finance I am an advisor, writer, and speaker on behavioural risk, disruptive change & decision making. My primary interest is in understanding the decision making and risk taking processes of people and organisations, and how we can make better decisions and take more profitable risks. In addition, much of my research and work concentrates on how to understand emerging trends in business; and how our own biases and behaviours affect the way we either succeed or fail in new environments.
Ormerod has written an entertaining and informative book on the complexity of systems, organisations, and human behaviour. Using many examples, he shows how even dominant organisations can falter and wither away.
He is particularly interesting about the nature of failure, and whether through small increases in better judgement and decision making, organisations can in fact continue to prosper.
With the same originality and astuteness that marked his widely praised Butterfly Economics, Paul Ormerod now examines the “Iron Law of Failure” as it applies to business and government–and explains what can be done about it.
“Failure is all around us,” asserts Ormerod. For every General Electric–still going strong after more than one hundred years–there are dozens of businesses like Central Leather, which was one of the world’s largest companies in 1912 but was liquidated in 1952. Ormerod debunks conventional economic theory–that the world economy ticks along in perfect equilibrium according to the best-laid plans of business and government–and delves…
MacAskill asks us to think about what we can do today to improve the chances of a good life for sentient beings (humans, animals, and whatever else there might be) in the untold aeons to come.
I found this long-termist perspective truly breathtaking, while also feeling securely grounded in the wealth of empirical research and the careful step-by-step development of arguments he presents.
By no means uncontroversial, this tour-de-force offers actual practical guidelines. In doing so, it builds on previous works on "effective altruism" (by MacAskill himself and by Peter Singer), works that changed my life, not least by inspiring me to make substantial donations to charities, including the ones founded by MacAskill and Singer.
“This book will change your sense of how grand the sweep of human history could be, where you fit into it, and how much you could do to change it for the better. It's as simple, and as ambitious, as that.” —Ezra Klein
An Oxford philosopher makes the case for “longtermism” — that positively influencing the long-term future is a key moral priority of our time.
The fate of the world is in our hands. Humanity’s written history spans only five thousand years. Our yet-unwritten future could last for millions more — or it could…
I’ve been writing poems since an inspirational period of study in Stirling in my twenties, when I did a lot of hill walking in the Scottish Highlands. For me, poetry that doesn’t move you, that doesn’t make you feel, is just words on a page. I love poems that make you shiver as they incongruously bear the full load of life’s mystery. I like all kinds of poetry but have a special place reserved for nature poems, poems that find the heart and soul in the landscape, rivers, and wildlife.
What makes Scottish poet Barbara Lennox so special is her ability to draw on her scientific background, striking an exquisite balance between a mechanistic view of nature and a more mysterious, creative approach. I love poems about birds and flight and her poems about an owl ("ears inhale every sound"), hawk ("she’s light/ ready for the off/ half-poised for flight"), and the extinct Archaeopteryx, "smeared to a layer of limestone" are some of the finest written. On top of that, Lennox writes astonishing poems about the Scottish Highlands, where I’ve spent some of my happiest times.
Poems of Love, Loss, Life and Death The poetry of Barbara Lennox has been inspired by the natural world, history and mythology, scientific ideas and the many facets of the human condition, from love to loss, and from life to death and everything in between. The poems are thoughtful, quirky, questioning and lyrical. A skilful use of metaphor and language throws a fresh light on topics as diverse as a fossil bird, a mythical tree, the inheritance pattern of comb shape in chickens, and the final journey we all have to make.
I have loved insects and other wildlife for all of my life. I am now a professor of Biology at the University of Sussex, UK, specializing in bee ecology. I have published more than 400 scientific articles on the ecology and conservation of bumblebees and other insects, plus seven books, including the Sunday Times bestsellers A Sting in the Tale (2013), The Garden Jungle (2019), and Silent Earth (2021). They’ve been translated into 20 languages and sold over half a million copies. I also founded the Bumblebee Conservation Trust in 2006, a charity that has grown to 12,000 members.
This is a wonderfully imaginative book. It examines how Britain, a nation of nature lovers with over 1 million members of the Royal Society for the Protection of Birds, has become one of the most damaged and denuded countries on the planet. Although depressing in parts when looking at the depths of our global biodiversity crisis, this book explains how we can turn this around, heal our land, bring back wildlife, and ensure vibrant rural communities.
Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize
'splendid' -Guardian
'visionary' -New Statesman
Britain has all the space it needs for an epic return of its wildlife. Only six percent of our country is built upon. Contrary to popular myth, large areas of our countryside are not productively farmed but remain deserts of opportunity for both wildlife and jobs. It is time to turn things around. Praised as 'visionary' by conservationists and landowners alike, Rebirding sets out a compelling manifesto for restoring Britain's wildlife, rewilding its species and restoring rural jobs - to the benefit…
I am a painter who specializes mostly in sleazy sports (boxing, snooker, etc. – nothing really healthy!) who happens to have written and designed 18 books. Obviously, producing books has become something of a habit. These books are about curiosities of natural history and also about art – but they have little to do with my paintings. Anyone who is interested in either the books or the paintings can see them on my website. I suppose the book that I’m best known for is Drawn from Paradise, a book that I did with David Attenborough on one of our two mutual obsessions – birds of paradise.
Apart from books and paintings, my life is fairly humdrum; in fact, there isn’t a lot of time for much else, although I’ve been married more than once and have children. I’ve now reached an age when I should start slowing down but I’ve no intention of stopping what I do until either bad health or death finish me off!
This book is an encyclopedia of recently extinct birds, and anyone who is interested in this subject should get it. My own book on this matter (also titled Extinct Birds) is a romantic ramble through the subject – accurate and informative in its own way, but serving a rather different purpose to the volume under consideration here.
Julian Hume’s book contains everything that you might wish to know about any recently extinct avian species; indeed it contains virtually everything significant that is actually known! Sometimes the accounts are lengthy, sometimes they are more meagre but in this latter case, it is simply because so little is known about the bird in question.
Extinct Birds was the first comprehensive review of the hundreds of the bird species and subspecies that have become extinct over the last 1,000 years of habitat degradation, over-hunting and rat introduction. It has become the standard text on this subject, covering both familiar icons of extinction as well as more obscure birds, some known from just one specimen or from travellers' tales. This second edition is expanded to include dozens of new species, as more are constantly added to the list, either through extinction or through new subfossil discoveries.
Extinct Birds is the result of decades of research into…
Born in England but living now in America’s mountain west, I am sucker for landscapes that dance with unusual plants and animals. I have been a commercial fisherman, a tool librarian, and a back-country park ranger. These days, I’m an award-winning public philosopher and author. I have written books and articles about powerful emerging technologies. However, I realized a few years ago that wild animals are an antidote to the technological and commercial forces that can flatten our world. From art painted on cave walls millennia ago to the toys we still give to our children, animals are an important part of human identity. I celebrate this in my work.
We are such a visual species that it is easy to forget how the other senses contribute to the colorful world we share. Moore’s elegant account of the sounds that rumple the aether through which we move opened my eyes (and especially my ears).
Moore is known for her ability to wrap beautiful words around important concepts. Like me, she is trained as a philosopher. Her blend of poetry and insightfulness is fully displayed in this rare homily for nature’s sounds.
Moore worries about their loss as the noise of industry drowns out nature’s own voice. But I would read a chapter before bed each day and drift off to sleep accompanied by lullabies sung by the remarkable kin who share our world.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change.
In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and…
I am a tropical ecologist turned writer and editor focused on biodiversity, climate change, forests, and the people who depend on them. I did my doctoral research in rainforests in Borneo and Papua New Guinea and have since worked for media organizations and research institutes, and as a mentor to journalists around the world who report on environmental issues. Ecology taught me that everything is connected. Rainforests taught me that nature can leave a person awe-struck with its beauty, complexity, or sheer magnificence. I try to share my passion for these subjects through my writing.
I happened to be at a conference of scientists trying to conserve endangered species when I first heard about Daniel Hudon’s book. It struck a chord. It is a beautiful little collection of one hundred eulogies for lost animal species. Some are brief—just a few lines long. Others are more expansive, taking in literature and reportage. But all are poignant reminders of the permanence of extinction. Hudon’s aim is simply to acknowledge that these species existed, to recognize them and make them better known. It is a beautiful and unique collection, stunning in the cumulative force of his poetic words. A perfect gift, Hudon’s tales are both tragic and inspirational.
In this collection of one hundred brief eulogies, science writer and poet Daniel Hudon gives a literary voice to the losses stacking up in our present-day age of extinction. Natural history, poetic prose, reportage, and eulogy blend to form a tally of degraded habitats, and empty burrows, and of the songs of birds never to be heard again.
I have an idea. A conviction, let's call it, that humanity is not doomed. The Mad Max scenario where civilization collapses, thrusting us into an anarchic hellscape in which the living envy the dead, is totally unrealistic and not likely to happen. So let's imagine a post-apocalyptic scenario in which people come together to help each other, to save what knowledge they can, to build something new and useful. To learn the lessons from the destruction that came before. This is what I tried to imagine in my novel Bannerless, and this is why this topic interests me so much.
When you study the long arc of history you begin to suspect that apocalypses aren't just inevitable, they're common. And so is survival, which is a really heartening thought. Human beings are crazily adaptable, and our ability to come together in communities (ideally, when we're at our best, which granted isn't always and is hard to see sometimes) will aid our survival. Annalee Newitz tells us how this is has happened before, and how it can happen again.
A Los Angeles Times Book Prize Finalist in Science & Technology
In its 4.5 billion-year history, life on Earth has been almost erased at least half a dozen times: shattered by asteroid impacts, entombed in ice, smothered by methane, and torn apart by unfathomably powerful megavolcanoes. And we know that another global disaster is eventually headed our way. Can we survive it? How? In this brilliantly speculative work of popular science, Annalee Newitz, editor of io9.com, explains that although global disaster is all but inevitable, our chances of long-term species survival are better than ever. Scatter, Adapt, and Remember explores…
A visit to the American Museum of Natural History when I was seven years old hooked me on dinosaurs and geology in general. I have maintained that passion to uncover the history of the earth with fieldwork on all seven continents, cutting-edge research, and teaching undergraduates to appreciate the implications of our tenancy on the planet, and our place within the solar system, the galaxy, and the wider universe.
Randall, a noted astrophysicist, explains how the extinction of the dinosaurs could be related to galactic astronomy and the distribution of dark matter in the galaxy. Her fascinating idea involves disturbances of our myriad Oort Cloud comets at the very edge of the solar system by encounters with clouds of exotic dark matter. The collisions with dark matter, the resulting comet storms and mass extinctions occur roughly every 30 million years as we cycle through the galaxy. Her provocative hypothesis provides a potential remarkable consilience of astronomy, geology, and the history of life.
The most thrilling, genre-busting, unlikely science book you'll ever read, from the world-renowned, multi-award-winning, superstar physicist Lisa Randal.
66 million years ago, a ten-mile-wide object from outer space hurtled into the Earth at incredible speed. The impact annihilated the dinosaurs, along with three-quarters of the other species on the planet. But what if this catastrophe was the sign of something greater: an opening vista onto the interconnectedness of the universe itself?
This is the story of the astounding forces that underpin our existence; a horizon-expanding tour of the cosmos that unifies what we know about the universe with new thinking.…
A visit to the American Museum of Natural History when I was seven years old hooked me on dinosaurs and geology in general. I have maintained that passion to uncover the history of the earth with fieldwork on all seven continents, cutting-edge research, and teaching undergraduates to appreciate the implications of our tenancy on the planet, and our place within the solar system, the galaxy, and the wider universe.
Can continental drift lead to mass extinctions of life? In this book, Wignall expounds his provoking hypothesis that gigantic volcanic eruptions, triggered by the arrangement of the world’s landmasses in a single super-continent, led to eighty million years of episodic environmental crises that devastated life again and again. He describes the latest scientific evidence for this volcano-extinction connection and takes us with him on his own exciting field experiences studying these volcanic events in remote corners of the world.
Two hundred sixty million years ago, life on Earth suffered wave after wave of cataclysmic extinctions, with the worst wiping out nearly every species on the planet. The Worst of Times delves into the mystery behind these extinctions and sheds light on the fateful role the primeval supercontinent, known as Pangea, might have played in causing these global catastrophes. Drawing on the latest discoveries as well as his own firsthand experiences conducting field expeditions to remote corners of the world, Paul Wignall reveals what scientists are only now beginning to understand about the most prolonged and calamitous period of environmental…
