I’ve always loved fairytales, whimsical stories, and mysteries. Plus, I’m passionate about mind-expanding, heart-opening books that offer me new ways to understand myself and the Universe we live in. And I particularly like books that show me ways to have more of what brings me joy and pleasure. When I can get all of this in a novel I’m in heaven.
This is a very original book with deep wisdom delivered through a most unique relationship about a man and the Gorilla who becomes his Guru!
One of the most life-changing concepts I took from the book is that there are two kinds of people in the world: leavers and takers. I recognized that I am essentially a taker, but the book made me realize that to be a better person it was time for me to become a leaver.
One of the most beloved and bestselling novels of spiritual adventure ever published, Ishmael has earned a passionate following. This special twenty-fifth anniversary edition features a new foreword and afterword by the author.
“A thoughtful, fearlessly low-key novel about the role of our species on the planet . . . laid out for us with an originality and a clarity that few would deny.”—The New York Times Book Review
Teacher Seeks Pupil. Must have an earnest desire to save the world. Apply in person.
It was just a three-line ad in the personals section, but it launched the adventure of…
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
When this book first came out, I was just beginning work on my Ph.D. dissertation and it had a big influence on me. Stephanie Dalley writes in a wonderfully accessible style for general readers about the people of the 18th century BCE cities of Mari and Tell al Rimah, and throughout the book she quotes from the personal letters found there. She overcomes a common perception that the ancient world can seem removed and remote, by letting the ancient people speak directly to the reader. All the while, she also makes fascinating observations about what the documents reveal, and also includes discussions of archaeological evidence (such as culinary molds that were used to make fish-shaped bread, in the section on food preparation!).
A study on the social aspects of Mari and Karana, this book provides an account of life in the nineteenth century BCE. Illustrations with photographs and drawings of objects uncovered during excavations provide a lively counterpart to the texts themselves, many of which are quoted in translation.
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
As a specialist in the funerary practices of our earliest ancestors, I avidly awaited the publication of Finkel’s latest, this time deploying his considerable scholarship to the question of how Sumerians, Assyrians, and Babylonians thought of ghosts, spirits, demons, and the underworld.
You don’t need to be a believer to enjoy this intimate picture of the minds of some of the earliest known urbanites and intellectuals at a time when history was just emerging. Out of the fired clay leap stories of underworld journeys such as that of Gilgamesh, of spirits that rise up from below, of exorcisms, omens, and the shadows that lurk in the corners of the house.
To me, this is the most profound statement on early humans at their most imaginative, and if you believe it a useful manual for the prospective ghost hunter.
'It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed
'A fascinating journey' - Yorkshire Post
'The book is a delight to read: each chapter is as academically astute as you would expect from this author, but delivered with a light touch and entertaining writing-style that sweeps the reader through the pages.' - Archaeology Worldwide
In The First Ghosts, he has found the perfect medium for bringing the ancient Mesopotamians back from the dead... Despite the morbid theme and remote cultural milieu, this is not a sombre…
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
Mesopotamian mathematics is a fascinating subject; their numerical system was based on 60, and the ancient thinkers were adept at many types of calculations and word problems. Hundreds of clay tablets reflect their advanced understanding of mathematical principles. Eleanor Robson explains clearly in this book how historians and mathematicians have interpreted the evidence, and she discusses not just specific mathematical texts, how they are understood, and the way ideas were expressed, but she also introduces the scribes who developed and learned it all, and even the buildings in which they worked. The book is a “social history,” as the subtitle notes, and also an intellectual adventure.
This monumental book traces the origins and development of mathematics in the ancient Middle East, from its earliest beginnings in the fourth millennium BCE to the end of indigenous intellectual culture in the second century BCE when cuneiform writing was gradually abandoned. Eleanor Robson offers a history like no other, examining ancient mathematics within its broader social, political, economic, and religious contexts, and showing that mathematics was not just an abstract discipline for elites but a key component in ordering society and understanding the world. The region of modern-day Iraq is uniquely rich in evidence for ancient mathematics because its…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Scholars have disagreed when written records become literature, yet the earliest literary authors known by name are Ptahhotep (who wrote in Egyptian) and Enheduanna (who wrote in Sumerian), dating to around 2400 BC. Enheduanna is the earliest known Female Poet. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sin). She lived in the Sumerian city-state of Ur in Syria. So this would be my 3rd recommendation for all the researchers of Ancient History.
Enheduanna's contributions to Sumerian literature, include the collection of hymns known as the "Sumerian Temple Hymns", 37 tablets to be exact, from 2,700 BC. The temple hymns were the first collection of their kind, the copying of the hymns indicates that they were used long after and held in very high esteem.
Sīn or Suen (Akkadian: EN.ZU or lord-ess of wisdom) or Nanna was the goddess of the moon in the…
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Stephanie Dalley is another one of those Oxford scholars upon whose shoulders the rest of us Assyriologists stand. Her translations are eminently readable and enjoyable, and her focus on certain selected works of the later Akkadian language period sets her apart from the Sumerian specialist mentioned above. This fascinating era provides us with some of the most compelling stories, including the Atrahasis Epic and the Epic of Gilgamesh.
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.
Recent developments in Akkadian grammar and lexicography mean that this new translation, complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text, will replace…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
There’s no substitute for reading about events by someone who was there. This book is about a largely forgotten incident, when 10,000 Greek mercenaries became involved in an attempt by Cyrus the Great to seize control of the Persian Empire from his brother. When Cyrus’ bid failed, the Greeks found themselves far from home and surrounded by foes; they then marched through Mesopotamia and modern-day Turkey to the Black Sea coast, where they were able to find ships that took them home to Greece.
It’s a tale of adventure and struggle, and sheer determination not to give in. It’s also a great example of how the author of such a work can find themselves faced with the difficult task of describing their own role in events. In the second half of the work, Xenophon gives increasing prominence to his personal leadership and suggestions. Regardless of any elements of self-promotion, it’s…
Widely considered the most famous work of the professional soldier and writer Xenophon, “Anabasis” is a true tale of dangerous adventure in ancient Greece. Though advised not to join the army of 10,000 by his friend Socrates, Xenophon does set out with Cyrus the Great in that man’s attempt to gain the empire of Persia from his brother. When this leader is killed in battle, however, the army loses cause and direction, and the result is a ‘marching republic’ in which the remainder of the army must fight their way home. Through endless miles of hostile territory where their foes…
I studied Mathematics – the art of solving a problem by making it as general as possible, then attacking it with a combination of different techniques. By profession, I am a technologist, but the problem that interested me wasn’t technical – I wanted to know why, when most people are basically well-meaning, the world was in such a mess! Early on in my career, I came to believe that better collaboration was part of the answer. Later, I saw how you also needed the right kind of communities. Along the way, I’ve learned a lot about psychology, biology, systems theory, learning theory, anthropology, history, management, economics, finance, and more. I’m still learning.
I can’t say how much I love this book. It explains everything we know intuitively about economics but find hard to justify. Hudson was one of the few who saw the 2008 crisis coming, and he is still one of the few who know what we must do now. Taking the discussion of David Graeber’s extraordinary 2011 book Debt: The First 5000 Years to the next level, Hudson shows how Bronze Age rulers understood economic instability better than we do. When people get into serious debt, their personal crises not only destroy their own lives but ripple outwards to derail society, by giving their creditors enough power to compete with governments. To avoid society being run into the ground, governments must start cancelling debts – as they did long ago.
In ...and forgive them their debts, renowned economist Michael Hudson – one of the few who could see the 2008 financial crisis coming – takes us on an epic journey through the economies of ancient civilizations and reveals their relevance for us today. For the past 40 years, in conjunction with Harvard’s Peabody Museum, he and his colleagues have documented how interest-bearing debt was invented in Bronze Age Mesopotamia, and then disseminated to the ancient world. What the Bronze Age rulers understood was that avoiding economic instability required regular royal debt cancellations. Professor Hudson documents dozens of these these royal…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
I read it some 15 years ago… yet when I close my eyes I can still see Eskkar and Trella and their small band, smell the heat and dust of Mesopotamia. Surrounded by marauding raiders, they must use their wits and will to survive in order to build the earliest of walled cities. Tense and beautifully immersive, Barone’s ‘Dawn of Empire’ is unique and memorable – perfect escapism!
Three thousand years before the birth of Christ. An epic conflict is about to begin. The price of victory? Civilization. The price of defeat, a return to the dark ages.
The hopes of civilization rest on one man's shoulders: Eskkar, once a barbarian, nowa warrior in charge of defending a small town which lies in the path of a vastbarbarian war party. The last time the invaders came to Orak, they spared no one and the tiny candle of trade and agriculture that had begun there, the first in all of human history, was extinguished.
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
Women were integral to everything in Mesopotamia—politics, religion, economy, society, you name it—for the entire multi-millennium lifetime of the culture. I find this book, which is the catalogue of an exhibit for the Yale Babylonian Collection, to be a particularly interesting study, and it has gorgeous illustrations. The six chapters include two that focus on prominent women, the priestess Enheduanna and Queen Sammu-ramat (Semiramis), as well as discussions of many women who were not well known. The objects that were displayed in the exhibit are illustrated in the second half of the book, each described with a paragraph or two. These really give you a sense of how archaeologists and historians draw their conclusions from ancient evidence, and how individual lives can be reconstructed from objects and texts.
In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men - as mothers, daughters, or wives - giving the impression that a woman's place was in the home. But, as this volume explores, they were also authors and scholars, astute business-women, sources of expressions of eroticism, priestesses with access to major gods and goddesses, and regents who exercised power on behalf of kingdoms, states, and empires. Illustrated in colour and black & white throughout.
