I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
Military doctrine is rarely particularly enthralling reading. However, this manual, published by the University of Chicago Press, was featured on The Daily Show with Jon Stewart. It provided a road map for General Petraeus to follow on the ground in Iraq with its focus on creating an Army that could learn and adapt while protecting the population rather than creating more insurgents with excessive violence. For more than two centuries, the Army’s missions had been “Attack” and “Defend”; this book added “Protect,” making it perhaps the most important Army doctrinal manual since the end of the Cold War.
When the U.S. military invaded Iraq, it lacked a common understanding of the problems inherent in counterinsurgency campaigns. It had neither studied them, nor developed doctrine and tactics to deal with them. It is fair to say that in 2003, most Army officers knew more about the U.S. Civil War than about counterinsurgency. This volume was written to fill that void. The result of unprecedented collaboration among top U.S. military experts, scholars, and practitioners in the field, the manual espouses an approach to combat that emphasizes constant adaptation and learning, the importance of decentralized decision making, the need to understand…
As a teenager in 1991, I watched a coalition of Western powers bombard Iraq into submission. Twelve years later, “regime change” was the agenda. Iraq descended into sectarianism, civil war, and Islamist insurgency. Western depictions had reduced Iraq to an authoritarian state with a megalomaniac leader and no history of its own. These events and the accompanying vilification of Iraq and its people convinced me to study the country’s history. I try to bring nuance and depth to a story so often told superficially. I think history is about giving life to the voices and perspectives of the past. The result, I hope, is an authentic and unbiased portrayal of Iraqi history.
If you want a quick overview of Iraqi history with easily digestible political science takes on the country’s problems, this is your book. Tripp’s study of Iraq has been read by countless undergraduate students—myself included—grappling with trying to understand the course of events that led the United States to declare war on Iraq twice. The book provides lucid arguments in an easily accessible writing style. As a first introduction to Iraqi history, this book is hard to beat.
To understand Iraq, Charles Tripp's history is the book to read. Since its first appearance in 2000, it has become a classic in the field of Middle East studies, read and admired by students, soldiers, policymakers and journalists. The book is now updated to include the recent American invasion, the fall and capture of Saddam Hussein and the subsequent descent into civil strife. What is clear is that much that has happened since 2003 was foreshadowed in the account found in this book. Tripp's thesis is that the history of Iraq throughout the twentieth-century has made it what it is…
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Out of all the war fiction and nonfiction I have read, this is the one book I wish I had read before deploying to Iraq as a soldier.
Lewis captures the post-invasion chaos, as the war-fighting military struggles to define its new mission as an occupying force, the farcical situations that arise through deep cultural misunderstandings between occupier and occupied, and the suffering and resourcefulness of the local population.
He is also an elegant writer who, like many of the best war writers, finds humour and intense tragedy in the extremes between the absurd and the sublime he encounters.
As a young intelligence officer stationed in Naples following its liberation from Nazi forces, Norman Lewis recorded the lives of a proud and vibrant people forced to survive on prostitution, thievery, and a desperate belief in miracles and cures. The most popular of Lewis's twenty-seven books, Naples'44 is a landmark poetic study of the agony of wartime occupation and its ability to bring out the worst, and often the best, in human nature. In prose both heartrending and comic, Lewis describes an era of disillusionment, escapism, and hysteria in which the Allied occupiers mete out justice unfairly and fail to…
In my career as an academic librarian, I was often asked to teach students to think about the credibility of the information they incorporate into their academic, professional, personal, and civic lives. In my teaching and writing, I have struggled to make sense of the complex and nuanced factors that make some information more credible and other information less so. I don’t have all the answers for dealing with problematic information, but I try hard to convince people to think carefully about the information they encounter before accepting any of it as credible or dismissing any of it as non-credible.
I recommend this book because the author, a professor of philosophy, presents a remarkably compelling, highly readable defense of the value of truth without descending into dogmatism. I was most impressed by the systematic, jargon-free way that Lynch addresses common arguments that are used to undermine the pursuit of truth, including extreme cynicism and extreme relativism.
One of my favorite statements is, “Absolute certainty is impractical and probably impossible. But as I’ve argued, this doesn’t have anything to do with the truth. We can acknowledge the frailty of the human condition and still go on pursuing truth.”
Unlike a lot of philosophy books, reading True to Life is not heavy going. And Lynch may even convince you that the impossible quest of pursuing truth is worth the effort.
Why does truth matter when politicians so easily sidestep it and intellectuals scorn it as irrelevant? Why be concerned over an abstract idea like truth when something that isn't true—for example, a report of Iraq's attempting to buy materials for nuclear weapons—gets the desired result: the invasion of Iraq? In this engaging and spirited book, Michael Lynch argues that truth does matter, in both our personal and political lives. Lynch explains that the growing cynicism over truth stems in large part from our confusion over what truth is. "We need to think…
I'm an award-winning and bestselling author who teaches creative writing to veterans as part of a collaboration between the Department of Defense and the National Endowment for the Arts. I’m also an Air Force brat who grew up around military folk. After traumatic events gave me personal experience with post-traumatic stress disorder, I better understood why veterans don’t talk about their time in war. The books on this list are some of my favorites for capturing the terror of battle and the difficulty of reintegrating into a society that gives little thought to the human cost of war.
During America’s recent wars, Americans who felt they had few career prospects enlisted. Some were looking for a steady paycheck. Others for adventure and a chance to see the world. Many signed up out of a sense of patriotic duty after the events of 9/11. Goodell volunteered for Mortuary Affairs. She and her peers processed the bodies of those killed in combat. The title comes from instructions given by her commanding officer to members of his unit who are sketching the bodies as they arrive: when a body part is missing, “shade it black.” Harrowing and poignant, Shade it Black reminds us of the innocence of those we send to war.
In 2008, CBS' Chief Foreign Correspondent, Lara Logan, candidly speculated about the human side of the war in Iraq: "Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does..." Logan's query raised some important yet ignored questions: How do the remains of service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
History, culture, politics, plus the zing of real personalities. This book has it all, presented by a gutsy but sensitive journalist. Bird traveled through the four nations that are home to Kurds -- Iraq, Iran, Syria, and Turkey -- in 2003. Although a lot has changed since then, her book remains the gold standard for nonfiction about these fascinating and little-understood people. You’ll wish you could have stowed away in her backpack.
Though the Kurds played a major military and tactical role in the United States’ recent war with Iraq, most of us know little about this fiercely independent, long-marginalized people. Now acclaimed journalist Christiane Bird, who riveted readers with her tour of Islamic Iran in Neither East Nor West, travels through this volatile part of the world to tell the Kurds’ story, using personal observations and in-depth research to illuminate an astonishing history and vibrant culture.
For the twenty-five to thirty million Kurds, Kurdistan is both an actual and a mythical place: an isolated, largely mountainous homeland that has historically offered…
It is a timely book about a part of the world that is, even today, reaping the chaos sown by decades-old mistakes. John Broich, historian and Professor at Case Western Reserve University, has written the history of the Middle East and Levant, spanning the years from WWI to WWII.
The book is written with both humor and flair, making it eminently readable for the history buff, as well as for anyone interested in the story of that part of the world. The little-known characters with their personal stories, who played a part on that stage, take the book from bare-boned history to intriguingly interesting.
This book is of special interest to me as one of those characters is my father, Capt—SP Dutt, whose picture is in the book.
Spring 1941 was a high point for the Axis war machine. Western Europe
was conquered; southeastern Europe was falling, Great Britain on its
heels; and Rommel's Afrika Korps was freshly arrived to drive on the
all-important Suez Canal.
In Blood, Oil and the Axis, historian John Broich tells the
story of Iraq and the Levant during this most pivotal time of the war.
The browbeaten Allied forces had one last remaining hope for turning the
war in their favor: the Axis running through its fuel supply. But when
the Golden Square-four Iraqi generals allegiant to the Axis cause-staged
a coup…
I’m a nonfiction author whose success owes enormously to fiction. It challenges me to portray real people as vividly as characters in novels, and to use narrative and dialogue to keep readers turning the pages. Reading great novelists has taught me to obsessively seek exactly the right words, to fine-tune the cadence of each sentence, and to heed overall structural rhythm; continually, I return to the fount of fiction for language and inspiration. The astonishing novels I’ve shared here are among the most important books I’ve recently read to help grasp the critical times we’re living in. I’m confident you’ll feel the same.
I’ve just returned from a research trip to Iraq (one of many settings for my next book: stay tuned). I took along two Iraqi novels, The President's Gardens and Daughter of the Tigris (they’re really just one; the first literally ends with the words to be continued) and I was as stirred by reading them as by what I saw there. While we protest Russia’s outrageous rape of Ukraine, we forget the hideous mess that America’s unjustifiable invasion left in Iraq. Even under Saddam Hussein, Iraq was considered the flower of Arab culture, a land overflowing with poetry, music, and art. Today much of it is rubble. Masterfully, Al-Ramli describes the latter with all the breathtaking beauty of the former. This ranks among my most moving reading experiences ever.
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq.
"A contemporary tragedy of epic proportions. No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ.
On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.
One of them belonged to one of the most wanted men in Iraq, known to…
I take great pride in having somehow turned a passion for visiting presidential libraries into an academic career. I’ve now conducted extensive research at eight of them, and have future projects lined up to get me to the rest. This experience means I can and frequently do ruin family gatherings by challenging distant relations to quizzes about obscure details involving presidential pets. But it has also left me well-placed to write a number of articles and books exploring how domestic politics shapes the development and execution of U.S. foreign policy. I’ve done this while affiliated with the University of Oxford and, more recently, at City, University of London.
Unlike the other recommendations on my list, this is a work of political science. But the qualitative components of this text rival that of any work of history.
In fact, it was this author’s first book that provided the model for my own, blending deeply researched case studies with conceptual innovations in the study of foreign policy decision-making. Her latest contribution, The Insiders’ Game, will set the agenda for the next generation of scholarship on the politics of war.
It reminds us that the public is not the only audience that leaders need to worry about when making decisions to initiate, escalate, or conclude a war. Maintaining the support of advisers, legislators, and military officials is also essential. As a result, it is often the bargains struck with these small groups of political elites that determine how democratic leaders wage war.
How elites shape the use of force in American foreign policy
One of the most widely held views of democratic leaders is that they are cautious about using military force because voters can hold them accountable, ultimately making democracies more peaceful. How, then, are leaders able to wage war in the face of popular opposition, or end conflicts when the public still supports them? The Insiders' Game sheds light on this enduring puzzle, arguing that the primary constraints on decisions about war and peace come from elites, not the public.
Elizabeth Saunders focuses on three groups of elites-presidential advisers, legislators,…
