100 books like Consequence

This collection of poems by an Iraq war veteran opens a door into the crazy, horrifying world of America’s time in Iraq. I used this book while teaching a section on poetry to combat veterans at the local university. For some of these men and women, the poems offered their first glimpse into the power of verse. Turner showed my students how, through the searing beauty of words made into images, it was possible to capture—and thus contain—the horrors of war. As Turner writes:

This is a language made of blood.
It is made of sand and time.
To be spoken, it must be earned.

I was still a child when the Vietnam War ended, but for some reason, I always felt it was my war. It’s what I read about; it filed the movies I watched in high school. It was the war we trained for when I joined the Marines.

Marlantes arrived in Vietnam about the time I was born. Like the three preceding it, his memoir was written with a great deal of time for reflection. I feel that this interval between the action and the recounting of it adds a level of complexity to remembrances of a very harrowing time.

During America’s recent wars, Americans who felt they had few career prospects enlisted. Some were looking for a steady paycheck. Others for adventure and a chance to see the world. Many signed up out of a sense of patriotic duty after the events of 9/11. Goodell volunteered for Mortuary Affairs. She and her peers processed the bodies of those killed in combat. The title comes from instructions given by her commanding officer to members of his unit who are sketching the bodies as they arrive: when a body part is missing, “shade it black.” Harrowing and poignant, Shade it Black reminds us of the innocence of those we send to war.

For Morris, war was a siren call, “exalting” work that allowed him to “challenge death.” But once redeployed to the safety of America, he realized that months and years of waiting for the next bomb to explode had taught his body to react to potential threats in the environment that his mind rightfully ignored. A sack of trash at the side of the road. A car backfiring. A restless crowd. For the combat veteran, these everyday triggers can generate a crippling flashback or a spiraling panic, the body shooting up flares of alarm before the mind has time to recognize that in America, a bag of trash is just trash. The Evil Hours is a brilliant, evocative, and often poetic portrayal of one man’s quest to leave the war behind.

In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false. 

Though published long ago, this book does what it says on the tin: it provides a straightforward narrative of Iraq’s political, social, and economic history in the first half of the twentieth century. It may not be everyone’s cup of tea. Longrigg was an administrator during the British mandate in Iraq and later joined the Iraq Petroleum Company. He was not an unbiased, detached academic analyst, but if you can look past some of his outdated views, you will find an astute observer of Iraqi affairs as they appeared to the British at the time. 

Majid Khadduri is one of very few Iraqi academics to write about Iraq in English. Born in Mosul to a Jewish family, he had a long and successful career as an educator both in Iraq and the United States. He wrote several books on Iraq’s political history, this book being the best and least biased. It provides a clear and lucid narrative from a reasonably detached perspective of Iraq’s political history from the end of the British mandate in 1932 until the 14 July Revolution in 1958, which overthrew the monarchy. 

The late Peter Sluglett devoted his life to studying Iraq and had a deep knowledge of the country’s history. This book was re-issued in 2007 but was originally published in the mid-1970s. It is based on Sluglett’s doctoral research on the British League of Nations mandate in Iraq. Perhaps this tells to some extent as the book is data-heavy and does not have the most free-flowing narrative style. Nevertheless, it is unsurpassed in terms of insights and analyses of the British period indirectly governing Iraq between 1920 and 1932. If you want to understand British attempts to shape a country to suit its imperial interests, this is the book for you.

Occupational Hazards provides a glimpse into the challenges of rebuilding countries after war. In mid-2003 Rory Stewart joined the British government effort to rebuild Iraq. His time overlapped with my early days but regrettably, operating in different areas, our paths never crossed. While I was focusing on humanitarian assistance and community development, Rory was navigating the politics of Maysan province. Rory is an accomplished writer who turns the prosaic work of governance, such as ensuring local salaries are paid, into an exciting and insightful narrative of the mechanics of running an occupation. Luckily for the reader, Rory isn’t the desk-bound type and as a result, we are taken to the streets of Amara, the reed houses of the Marsh Arabs, and the delicate negotiations between competing factions who are seemingly always only one step away from civil war.

I’ve just returned from a research trip to Iraq (one of many settings for my next book: stay tuned). I took along two Iraqi novels, The President's Gardens and Daughter of the Tigris (they’re really just one; the first literally ends with the words to be continued) and I was as stirred by reading them as by what I saw there. While we protest Russia’s outrageous rape of Ukraine, we forget the hideous mess that America’s unjustifiable invasion left in Iraq. Even under Saddam Hussein, Iraq was considered the flower of Arab culture, a land overflowing with poetry, music, and art. Today much of it is rubble. Masterfully, Al-Ramli describes the latter with all the breathtaking beauty of the former. This ranks among my most moving reading experiences ever.