91 books like What It Is Like to Go to War

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.  

Singlehandedly one of the greatest fictional books about war, Tim finds clever ways of imbuing readers with captivating characters.

Each short story gives insight into a war still misunderstood to this day.

As a veteran, I identify with the curious war stories and the unique character attributes displayed throughout them.

While cynical and the fictitious content questioned, The Things They Carried carries the weight of war and its lasting effects. 

I read this book shortly after returning home from Iraq and remained haunted for months. Despite the novel being a work of fiction, it details the modern veteran's struggle to find his place in society and his unadulterated embrace of violence and camaraderie that permeates each corner of his life. Powers’ explanation of combat is similar to the suspended moment before a car crash is told in prose that sings, and probably why he won the PEN/Hemingway Award for this work of art. 

This collection of poems by an Iraq war veteran opens a door into the crazy, horrifying world of America’s time in Iraq. I used this book while teaching a section on poetry to combat veterans at the local university. For some of these men and women, the poems offered their first glimpse into the power of verse. Turner showed my students how, through the searing beauty of words made into images, it was possible to capture—and thus contain—the horrors of war. As Turner writes:

This is a language made of blood.
It is made of sand and time.
To be spoken, it must be earned.

During America’s recent wars, Americans who felt they had few career prospects enlisted. Some were looking for a steady paycheck. Others for adventure and a chance to see the world. Many signed up out of a sense of patriotic duty after the events of 9/11. Goodell volunteered for Mortuary Affairs. She and her peers processed the bodies of those killed in combat. The title comes from instructions given by her commanding officer to members of his unit who are sketching the bodies as they arrive: when a body part is missing, “shade it black.” Harrowing and poignant, Shade it Black reminds us of the innocence of those we send to war.

Our recent wars, waged under the spotlight of journalists’ cameras and highlighted on social media, exposed American audiences to the dark underbelly of what it means to wage war. We saw not only the horrors of combat, but also the fallout from our treatment of the enemy. Eric Fair worked as an interrogator in Iraq, where Abu Ghraib became synonymous with everything America did wrong in a foreign country. His memoir reveals the ethical consequence of our quest for intelligence, and how those who participated in “enhanced interrogation” against foreign soldiers and civilians will forever carry the dark memories of their actions.

For Morris, war was a siren call, “exalting” work that allowed him to “challenge death.” But once redeployed to the safety of America, he realized that months and years of waiting for the next bomb to explode had taught his body to react to potential threats in the environment that his mind rightfully ignored. A sack of trash at the side of the road. A car backfiring. A restless crowd. For the combat veteran, these everyday triggers can generate a crippling flashback or a spiraling panic, the body shooting up flares of alarm before the mind has time to recognize that in America, a bag of trash is just trash. The Evil Hours is a brilliant, evocative, and often poetic portrayal of one man’s quest to leave the war behind.

Brown is the author of the New York Times bestselling Red Rising saga, and Dark Age is his fifth novel in the series. Set in a dystopian world where humans have been genetically enhanced and conquered the solar system, the fifth book takes you through the joys of battle to the crushing agony of losing friends on the battlefield. To punctuate just how little time there is to grieve while in battle, he kills beloved characters with a stroke of the pen and almost an afterthought, focusing more on the effort than people. Many veterans found the devastation of losing a friend in combat only to have to return to battle moments later within the pages of this book, and Brown specifically interviewed combat veterans to ensure his depiction was accurate. The result? A gripping page-turner that has you riding high on adrenaline, only to be crushed under the weight… show more.

As American veterans and academics, both authors personally and professionally know the subject of modern warfare, stress disorders, and military mental health. This book examines the invisible injuries of psychiatric casualties from combat. The authors scrutinize what they call the dark side of military mental health and, in considerable detail, expose this darkness, which they show to be systemic and multifaceted in how it inflicts wounds on military personnel. The book ends with options for changing military mental healthcare and moving toward a resilient and mentally healthy military.  I appreciate this book because it demonstrates from the perspective of insiders how military culture and practices continue to harm those veterans with invisible wounds.   

Jung proposed many fascinating ideas about the inner workings of the mind. His concept of the archetypes and of the collective unconscious are two of his best-known contributions, and both are intimately tied to his conceptualization of dreams. The idea that dreams not only emanate from our personal unconscious, but also from our collective unconscious (a deep stratum of the unconscious common to all humankind) and contain universal patterns, images, and dispositions, has helped countless people develop a deeper understanding of their dreams.

What’s more, this book exposes Jung’s view of dreaming as a wholesome, natural process that can give rise to creative—even transcendent—experiences featuring personal challenges, unmapped potentials, and elements of one’s personality. Not always the easiest of reads, but highly rewarding.