Frequent visits to my parents’ Maltese homeland from the time I was very young piqued my interest in the island’s opulent history. Life under the rule of the Knights of St John fascinated me most. The Maltese Islands lend themselves very well to literary descriptions—gifted with four compass points of natural beauty, the smell of the sea constant no matter how far inland one might venture, ancient temples that predate the pyramids of Egypt. It was during a pre-college trip to Malta in July 2000 that the idea to write a novel based on the Siege of 1565 took root, thanks to a visit to the Malta Experience in Valletta.
This powerful graphic novel illustrates—literally and figuratively—the many casualties of religious conflict. Set in Baghdad in 2003 and told from the perspective of a pride of lions, this book captures the struggle for survival, the loss of innocence, and the collateral damage inflicted by war. A clear allegory, this book has proven an excellent teaching tool. The Pride of Baghdad raises important questions about clashing viewpoints, loyalty, sectarian violence, the true price of war, and who, ultimately, pays it. Although narrated by four lions, the story offers a heartbreakingly realistic glimpse into Iraq during the US-led invasion, the consequences of which reverberate still. As I watch the terrible events playing out daily in Ukraine, my mind drifts back to this book, and I am reminded that past is prologue. We are witnesses right now. And may we all be on the right side of history.
Written by Brian K. Vaughn Art by Niko Henrichon In the spring of 2003, a pride of lions escapes from the Baghdad Zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation - can it be given, or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live in captivity?
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
Never in my life have I read a book that so closely echoed my heart and mind as an Iraq War veteran, unsettled wayfarer, and conscientious objector. It was a true reflection of my soul as I was searching for meaning within my own life and a fractured America.
"Baron Wormser has done something important with TOM O' VIETNAM in the way that he has identified and precisely embraced a stunningly particular historical moment we casually refer to as 'Viet Nam,' as if the name was not a country but a dark shroud of moral collapse that hangs over us still. More remarkably, he has constructed this narrative from the point of view of a combat soldier, fighting in the American War in Viet Nam. Somehow there is a deep legitimacy to this soldier's story because Wormser has been excruciatingly precise in his consideration and use of details—what Hemingway…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false.
"Essential . . . one for the ages . . . a must read for all who care about presidential power." -The Washington Post
"Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today." -LA Times
One of BookPage's Best Books of 2020
To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naivete, craven groupthink, and a set of actors with idees fixes who gamed the process relentlessly. Everything was believed;…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
The life of a homeless teen is pretty dark. But for Paul Reid, his life is nothing compared to his death. After being taken out by an untimely accident, Paul finds himself caught in a war between the forces of light and dark. Unfortunately, the forces of darkness are winning, and light doesn't seem to care.
This is a horrifying vision of an afterlife run by a faceless bureaucracy, where a newly dead young man will have to defeat all the forces of evil, just for a chance to rest in peace.
Winner: Illinois Library Association's 2015 Soon to be Famous Illinois Author Project
"Paul Reid died in the snow at seventeen. The day of his death, he told a lie—and for the rest of his life, he wondered if that was what killed him."
And so begins the battle for the afterlife, known as The Commons. It's been taken over by a corporate raider who uses the energy of its souls to maintain his brutal control. The result is an imaginary landscape of a broken America—stuck in time and overrun by the heroes, monsters, dreams, and nightmares of the imprisoned dead.…
I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.
This is the book that first sparked my enduring fascination with the women who were recruited into the Special Operations Executive in World War ll. Binney draws vivid pictures of the women from many different backgrounds who volunteered for this dangerous work. He made me realise that this was no romantic adventure but an existence where danger lurked round every corner, very often with tragic results. Although entirely factual in content, it reads like a novel. Inspiring and chilling at the same time.
"They flirted with men, and with death." In The Women Who Lived for Danger, acclaimed historian Marcus Binney recounts the story of ten remarkable women -- some famous, some virtually unknown -- recruited to work behind enemy lines as secret agents during WWII. Part of Winston Churchill's Special Operations Executive, formed in 1940 to "set Europe ablaze," the women of the SOE were trained to handle guns and explosives, work undercover, endure interrogation by the Gestapo, and use complex codes. Once in enemy territory, theirs was the most dangerous war of all, leading an apparently normal civilian life but in…
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
I have recommended this novel as it is one of the few to come out of the Iraq war written by an Iraqi writer, telling its story from the point of view of the local Iraqis.
Hadi, an old junk dealer, dismayed by the hasty burials of incomplete bodies after the daily bombings, puts together a body from the parts he finds. This composite body, he calls “Whatsitsname,” becomes possessed with the soul of a bombing victim and sets about killing those responsible for turning Baghdad into a slaughterhouse.
Blending its style between war fiction, horror, and fantasy, this darkly effective satire of the fatal logic of sectarianism follows Whatsitsname as he expands his scope, claiming: “There are no innocents who are completely innocent, and no criminals who are completely criminal.”
"Gripping, darkly humorous . . . profound." -Phil Klay, bestselling author and National Book Award winner for Redeployment
"Extraordinary . . . A devastating but essential read." -Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds
From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi-a scavenger and an oddball fixture at a local cafe-collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial.…
My passion is fixing our diplomacy. Relatively late in my career, I found a new home working with and for some of the Foreign Service’s most talented people. My assignments in Egypt and Saudi Arabia (during the 1990-91 Gulf War) led to my appointment as ambassador in Oman. After retirement I returned to Cairo to set up a regional multilateral development bank (we were unsuccessful) and later rebuild Iraq’s foreign ministry. I experienced the negative and frustrating impact of politicization and militarization on our foreign policy. Knowing we can and must do better motivated me to writeFrom Sadat to Saddam and to commend to you the five books below.
Although Stephen Coll’s Ghost Wars and Lawrence Wright’s The Looming Tower deserved the attention they got, Circle in the Sand, in my opinion, did the best job of connecting the dots between our decision to deploy 500,000 troops in Saudi Arabia in 1990 and the 9/11 attack and our invasions of Iraq and Afghanistan.Alfonsi highlights the misgivings of Chas Freeman, U.S. ambassador to Saudi Arabia and my boss from 1989-92, about our continued military presence and the growing Islamic opposition to the Saudi royal family. Our reporting from Riyadh attracted little interest in Washington. Chas Freeman was the last career professional to serve as ambassador to Saudi Arabia until 2022. The influence of career professionals on U.S. policy toward the Middle East continued to diminish during the Clinton years.
An important, massively researched and revelation-filled work of history that uncovers how decisions made by the first Bush White House preordained the current administration’s decision to invade Iraq.
“Is this a one-time thing, or should we foreshadow more to come?”
This was the prophetic question posed by National Security Adviser Brent Scowcroft in a secret April 1991 memorandum about the postwar management of Iraq, two months after the United States had defeated Iraqi forces in Operation Desert Storm—but left Saddam Hussein securely in power. Circle in the Sand challenges the widely held notion that Saddam’s survival was the result of…
“The truth is exactly the opposite of the words” - I just noticed on my door, I still have an old sticker that bears those words. I guess, I’ve tended to find that common-sense assumptions about major things – politics, religion, war, love, good and evil, relationships, and so on – are simply not accurate and more the results of lazy thinking, ignorance, politics, or ideology. I did a PhD in propaganda, which led me to an eclectic freelance career investigating conspiracy theories, making documentaries, writing novels, doing stand-up comedy, and suchlike – so I have a background in engaging big and crazy ideas.
Saddam Hussein – the dictator of Iraq – was the West’s defining turn-of-the-century uber-villain, an image which this book overturns on a deeply personal level. While Saddam is shown to be a monster (he casually laments how his sadistic sons took it a bit far), he nonetheless somehow wins the compassion of his American captors who fall to blubbering pieces as he proceeds to the gallows.
The Prisoner in His Palace is an evocative and thought-provoking account of how the lives of twelve young American soldiers deployed to Iraq are upended when they're asked to guard the most 'high-value detainee' of all, the notorious dictator Saddam Hussein. What the self-dubbed 'Super Twelve' experience in the autumn of 2006 is cognitive dissonance at its most extreme. Expecting to engage with the enemy 'outside the wire', they're suddenly tasked with guarding and protecting a notorious dictator until he can be hanged. Watching over Saddam in a former palace the soldiers dub 'The Rock' and regularly transporting their prisoner…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is a book about deep listening. It follows two childhood friends – a journalist and a former American soldier – on a kind of road trip through Turkey, Syria and Iraq in the close aftermath of the U.S. war there.
We watch them wrestle over the meaning of the conflict and their places in it. It’s reportage – the author is a third friend, following along, chronicling their conversation and laying out their arguments, blind spots and occasionally questionable reasoning as they try and deal with something almost too big and complicated to get a handle on.
The characters are not generals, or presidents, or militia leaders, they are just two old friends, trying to reckon with a war on a very human scale. Also the watercolored art is gorgeous.
Cartoonist Sarah Glidden follows up her acclaimed debut, How to Understand Israel in 60 Days or Less, with Rolling Black- outs, which details her two-month long journey through Turkey, Iraq, and Syria. Glidden accompanies her two friends reporters and founders of the journalistic non-profit the Seattle Globalist as they research stories on the Iraq War s effect on the Middle East and, specifically, the war s refugees. Joining them is a former Marine and childhood friend of one of the journalists whose deployment to Iraq in 2007 adds an unexpected and sometimes unwelcome viewpoint, both to the people they come…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Finkel, of The Washington Post, surpassed most Iraq reportage with his account of his time in Baghdad in 2007 with 2nd Battalion, 16th Infantry Regiment, 4th Infantry Brigade Combat Team, 1st Infantry Division – the 2-16 Rangers for short.
Embedded with soldiers on the shifting front lines of a savage war, what he showed was neither good nor bad: it just was.
Finkel’s title echoes The Good Soldier Svejk, Jaroslav Hašek’s first world war satire. There’s satire in Finkel, about American notions of Iraq and war that deepened with a home-front sequel, Thank You For Your Service. But there is also simple acceptance of these soldiers as human beings, placed in savage extremis. I carried Finkel’s example into every conversation about the West Point players’ experiences, losses, and lives.
In January 2007, the young and optimistic soldiers of the 2-16, the American infantry battalion known as the Rangers, were sent to Iraq as part of the surge. Their job would be to patrol one of the most dangerous areas of Baghdad.
For fifteen months, Pulitzer Prize-winning reporter David Finkel was with them, following them almost every grueling step of the way. The resulting account of that time, The Good Soldiers, is a searing, shattering portrait of the face of modern war. In telling the story of these soldiers, both the heroes and the ruined, David Finkel has also written…
