Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This is high-caliber space fantasy in the realm of Star Wars or Dune. It brings together a grizzled holy warrior having doubts about his faith with a naïve and sheltered princess in a brutal world ruled by absolutely vile overlords. The perspective switches between the two of them. The warrior – Drin – grapples with whether the church’s mission to fight evil brings it to use methods too similar to the evil it fights. Meanwhile the princess – Anais – has to come to terms very quickly with the reality of life outside the palace when slavers invade her home and abduct her off-world.
After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.
For the first time in Drin's life, he has no backup, no support, none of his brothers.
He stands alone against evil.
Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous…
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.
David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.
Liam was orphaned at the age of two by a group of giant carnivorous insects called the chitin. Taken in by High Councilor Marcus and his wife, Lidia, Liam was raised with their older son, Randolf in New Olympia, the last remaining city on the planet Etrusci.
I’ve been a Star Trek fan and storyteller all my life. The first stories I wrote at school, the first Star Trek episodes I watched as The Next Generation debuted on German TV. Many years have gone by since then. I watched hundreds of Star Trek episodes and professionally penned dozens of fantasy and science fiction novels for children and adults, like Drachengasse 13 (“Dragon’s Alley 13”, not translated) or Der Drachenjaeger (“Black Leviathan,” Tor Books). The culmination of both being a fan and a writer came in 2016 when, with Star Trek: Prometheus, I was allowed to add my own small part to the ever-growing Star Trek literary universe.
Honestly, I couldn’t put this book down. I read Rogue Elements during a summer vacation on a lovely North Sea island and I had to force myself to have a break and go out for some bicycling and beach fun.
John Jackson Miller just had me hooked with his tale of dashing (but also sad and often drunken) ex-Starfleet officer Cristóbal Rios – introduced in Star Trek: Picard – living through a hilarious adventure while at the same time trying to find a new purpose in life after being cashiered out of his career because of some fishy diplomatic affair.
Grumpy gangsters, a dangerous woman, strange new crew members, and the hunt for a secret treasure keep Rios on the run throughout the whole novel.
A thrilling untold adventure based on the acclaimed Star Trek: Picard TV series!
Starfleet was everything for Cristobal Rios-until one horrible, inexplicable day when it all went wrong. Aimless and adrift, he grasps at a chance for a future as an independent freighter captain in an area betrayed by the Federation, the border region with the former Romulan Empire. His greatest desire: to be left alone.
But solitude isn't in the cards for the captain of La Sirena, who falls into debt to a roving gang of hoodlums from a planet whose society is based on Prohibition-era Earth. Teamed against…
I love sci-fi because it’s so optimistic about humanity’s future. I’m fascinated by new worlds and technologies and the vision of mankind spreading through the stars. But my favorite part about sci-fi is the freedom authors have to develop intriguing characters and let the story revolve around them and their decisions. I love it when a writer takes an imperfect person (someone I could see myself in) and shows them growing in unexpected ways and doing incredible things. That’s the theme of all my writing: no matter what we’ve done or had done to us, we can pick ourselves up, brush ourselves off, and do some good!
Ender Wiggin is such a fascinating and deep character. Those who read only Ender’s Game miss out on so much! I was floored when I read this second book in the series. The main character, Ender Wiggins, goes from a boy soldier trained to destroy the enemy to a grown man desperate to prevent another genocide.
I also love the idea of using relativistic travel to stay alive for millennia and witness humanity's development. Card does an excellent job of writing a deep set of characters, making us feel like we could step into their shoes if called upon.
'There aren't too many recent sf novels we can confidently call truly moral works, but Speaker for the Dead is one. It's a completely gripping story.' - The Toronto Star
'Achieves and delivers more than almost anything else within the science fiction genre, Ender's Game is a contemporary classic' - New York Times on Ender's Game
A FALLEN HERO - HAUNTED BY HIS PAST, BUT CAN HE CHANGE THE FUTURE?
Ender Wiggin was once considered a great military leader, a saviour for mankind. But now history judges his destruction of an alien race as monstrous rather than heroic.
I grew up on a trail mix-style melange of 80’s action movies, Stephen King and The Lord of the Rings (with a special melancholy fondness also for The Once and Future King). High and low brow and everything in between that turned into a fascination for science fiction crossed with military adventure and doomed–or at least long-suffering–heroes. War is getting increasingly technological, detached, and even surreal, with drones, satellites, and hackers now increasingly on the front. But even as tactics and weapons change, the carnage doesn’t. From The Iliad to today, wars and the people who fight and die in them make for stories worth telling.
All the good war stories capture the absurd alongside the epic, and what I love about this book is that both themes are core to this story. The soldiers can only find and fight their alien enemies by traveling thousands of light years almost instantly via “collapsars.”
However, the time dilation caused by each jump means dozens or even hundreds of years elapse on Earth between each fight. So, after each battle, they return to a home that’s increasingly alien to them. As much as I cheered for the heroes, in the end, I think I pitied them more than anything. Some wars just end up being more trouble than they’re worth.
The monumental Hugo and Nebula award winning SF classic-- Featuring a new introduction by John Scalzi
The Earth's leaders have drawn a line in the interstellar sand--despite the fact that the fierce alien enemy they would oppose is inscrutable, unconquerable, and very far away. A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties and do whatever it takes to survive the ordeal and return home. But "home" may be even more terrifying than battle, because, thanks to the time…
The Blackcollar is a military science-fiction story set in a universe where the human race was defeated by an alien race. The older, human special forces (the Blackcollars) put together a hail Mary attempt at overthrowing their alien rulers. It's fun and futuristic while still feeling entirely relatable. I liked how original the technology is in this book, but what what I loved the most was that this story has a really clear concept and plenty of intrigue. It really shows how hard it would be to be a resistance under the rule of an advanced society. The levels of double-crossing and spying are pretty wild as are some of the battle scenes. Oh, and the aliens are weird and super tough. What's not to love?
Allen Caine was too young to remember when the Earth had not been a conquered planet, one of many such in the huge and sprawling Rygril empire. But he knew of the legendary black collars, guerrilla warriors trained to the limit of human speed and skill, then turned into nearly superhuman combatants by use of the now-lost backlash drug. Eanh and its former colony worlds had been overwhelmed, but sparks of rebellion still smouldered, and the rebel underground on Eanh had sent Caine on an undercover mission to the former Eanh colony of Plinry, where there was a faint hope…
Captain Heron finds himself embroiled in a conflict that threatens to bring down the world order he is sworn to defend when a secretive Consortium seeks to undermine the World Treaty Organisation and the democracies it represents as he oversees the building and commissioning of a new starship.
This book is
just as gorgeously and intelligently written as the first installment in the
Teixcalaanli space empire.
It picks up the series’ examination
of colonialism, otherness, and language’s complicity in conquest while
bringing in new, alien elements that force the protagonists to grapple with the
concept of personhood.
We follow disillusioned Mahit Dzmare as she struggles to
adjust to life after the events of the first book, her will-they-won’t-they
relationship with her former imperial liaison, and an all-new threat to
Teixcalaan that challenges loyalties and the social and personal mechanisms on
which empire grinds.
Readers who know the sting of being othered, who enjoy
smart drama and political machinations, or who like messy first-contact stories
that demand the most from their characters will love this sequel too.
A Desolation Called Peace is the spectacular space opera sequel to A Memory Called Empire by Arkady Martine, winner of the 2020 Hugo Award for Best Novel.
An alien terror could spell our end.
An alien threat lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is supposed to win a war against it.
In a desperate attempt to find a diplomatic solution, the fleet captain has sent for an envoy to contact the mysterious invaders. Now Mahit Dzmare and Three Seagrass - both still reeling…
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
This book’s charming combination of sentient spaceships, quirky and interesting alien races, a touch of horror, and a rag-tag group of main characters thrust into a do-or-die situation apparently way beyond their respective abilities pushed a lot of my buttons in all the right ways.
Thus, this series has become another fast favorite of mine. I often recommend it to new science-fiction readers as I feel it’s a near-perfect introduction to the “space opera” sub-genre.
From BSFA Award winning author Gareth L. Powell comes the first in a new epic sci-fi trilogy exploring the legacies of war The sentient warship Trouble Dog was built for violence, yet following a brutal war, she is disgusted by her role in a genocide. Stripped of her weaponry and seeking to atone, she joins the House of Reclamation, an organisation dedicated to rescuing ships in distress. When a civilian ship goes missing in a disputed system, Trouble Dog and her new crew of loners, captained by Sal Konstanz, are sent on a rescue mission.
Writing science fiction was the natural result of a lifetime of reading it for pleasure and studying whenever I could as part of my English Lit course at University. When I started writing, it was really important to me as a woman (especially a gay woman) to write female characters that weren’t just strong and likable; I wanted them to be interesting, unpalatable, and tough. Above all, not easy to dismiss. All of the women in the books I’ve listed fulfill at least some of these categories, which is the core of why these novels hold such a special place in my heart.
This was a book that really surprised me. A very no-nonsense macho family member recommended it to me on a holiday, and I remember raising my eyebrows reading the back cover and finding out it heavily featured an interspecies romance.
The minute I started reading, I got so wrapped up in the adrenaline and action that I actually went on to recommend it to my sci-fi-loving dad, who read it in a day and went on to borrow the rest of the series. The heroine, a power armor-wearing mercenary, is incredibly competent and badass but avoids falling into either Mary Sue or Damsel in Distress territory as the plot proceeds.
Additionally, while I kept going for the action-romance, the worldbuilding was surprisingly interesting and in-depth. Whenever I’m reluctantly charmed by something, I find it hard not to gush about it; it’s just such a fun experience as a reader to…
A promising young mercenary's future gets thrown into jeopardy after a fateful encounter with an alien in the start to a propulsive space opera series perfect for fans of Firefly and Killjoys.
"Devi is hands-down one of the best sci-fi heroines I've read in a long time." RT Book Reviews Devi Morris isn't your average mercenary. She has plans. Big ones. And a ton of ambition. It's a combination that's going to get her killed one day -- but not just yet.
That is, until she just gets a job on a tiny trade ship with a nasty reputation for…
