In writing character-driven space fantasy, heavily influenced by my training as an electromechanical engineer, I’ve realized a love for stories with a heavy emphasis on moral dilemmas and shifts in thinking. How does a character change direction after realizing much of what they always believed was a lie? When well-trained instincts pull them backward instead of propelling them forward? I love these stories, mirroring my own messy self-discovery journey through life. The settings and stakes are more fantastical, but that makes them more appealing. A way to confront my own trials without becoming burdened by them. If the characters can do it, so can I.
I adore the way Glynn Stewart writes about good people in bad situations, and this book remains one of my favorite examples. Captain Annette Bond is an upstanding woman with the unenviable assignment of doing whatever it takes to free Earth from its unexpected conquerors.
There’s no doubt she's the underdog in this fight. I admired her resilience as she fought against unreasonable odds to discover a way to regain Earth’s freedom while maintaining her crew’s morale and morals through the ever-darker options available to her.
By the end, even I wasn’t certain what path she’d take with the knowledge she’d uncovered, and I learned as much about myself as I did about her by the conclusion.
Earth is conquered. Sol is lost. One ship is tasked to free them. One Captain to save them all.
When an alien armada destroys the United Earth Space Force and takes control of the human homeworld, newly reinstated Captain Annette Bond must take her experimental hyperspace cruiser Tornado into exile as Terra's only interstellar privateer.
She has inferior technology, crude maps and no concept of her enemy, but the seedy underbelly of galactic society welcomes her so long as she has prizes to sell and money to spend.
But when your only allies are pirates and slavers, things are never…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
Blending sci-fi, fantasy, and horror, Bradbury’s The Illustrated Man takes readers to places they’ve likely only seen in their dreams or, more likely, their nightmares.
From heartbreaking tales of space disasters (“Kaleidoscope”) to frightening tales of a VR nursery gone wild (“The Veldt”), the strength of Bradbury’s legendary fiction is found in the way he brought humanity to even the wildest, most out-of-this-world premise. In addition, his immaculate prose is as much a joy to appreciate on the word-by-word, sentence-by-sentence levels, as it is on the story level.
The Illustrated Man was one of the first short story collections I ever read. The fact that so many of the tales included within its pages still stick with me to this day is proof of its power and legacy.
A classic collection of stories - all told on the skin of a man - from the author of Fahrenheit 451.
If El Greco had painted miniatures in his prime, no bigger than your hand, infinitely detailed, with his sulphurous colour and exquisite human anatomy, perhaps he might have used this man's body for his art...
Yet the Illustrated Man has tried to burn the illustrations off. He's tried sandpaper, acid, and a knife. Because, as the sun sets, the pictures glow like charcoals, like scattered gems. They quiver and come to life. Tiny pink hands gesture, tiny mouths flicker…
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I was enthralled by this book. If memory serves me correctly, C.J. Cherrryh was awarded the title of Grand Master by an SF organization for this book and it’s obvious why.
The scope of the story universe she has created is mind-boggling. The characters are believable, and the action makes your heart beat faster. There are scenes in the book that make you want to see them in a movie. I can say that this book and her style of writing has had a bigger impact on my own writing than any other author.
If military SF is your thing, you’ll love this book.
The Hugo Award-winning classic sci-fi novel about interstellar war.
The Beyond started with the Stations orbiting the stars nearest Earth. The Great Circle the interstellar freighters traveled was long, but not unmanageable, and the early Stations were emotionally and politically dependent on Mother Earth. The Earth Company which ran this immense operation reaped incalculable profits and influenced the affairs of nations.
Then came Pell, the first station centered around a newly discovered living planet. The discovery of Pell's World forever altered the power balance of the Beyond. Earth was no longer the anchor which kept this vast empire from coming…
It's often said that the movie is not as good as the book it was based on, but All You Need is Kill and Edge of Tomorrow are as good as each other for different reasons. They both share the same premise and a wry and kinetic plot that moves quickly and pulls no punches. Edge of Tomorrow broadens out the world of the book and - as a visual medium - delivers more visceral action scenes, but All You Need is Kill brings us closer to the characters, what made them and what drives them and provides a different story arc and ending - one a Hollywood Tentpole could not and would not attempt - that is at once sad and uplifting and absolutely right.
When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armour and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji's escape, or to his final death?
As an author of young adult fantasy and science fiction, I’ve read many books that fall within that rubric. This list captures the most exciting young adult novels I’ve read over the past few years. All have aspects of storytelling and themes I strive to capture in my writing. One thing I love about the young adult genre is the characters go on an adventure full of excitement and danger. The adventure is a metaphor for growing up. So if reads chock-full of death-defying odds, mystery, wonder, and a sprinkling of romance are your jam, the books in this list are for you.
Scalzi transports us to his ever-exciting Old Man's War universe for a retelling of the novel The Last Colony from a teen's perspective. Aliens, adventure, and young love abound in Zoe's Tale, a story sure to delight Scalzi fans and is an excellent entry point for young adult readers interested in his brand of witty sci-fi.
With Zoe's Tale, Scalzi demonstrates one key to a compelling story is a fantastic protagonist. Zoe is just that. She is engaging, stubborn, snarky, a true friend, an angsty teen, and brave. Readers who enjoy Scalzi's clever prose will find the fact Zoe's Tale is a retelling of The Last Colony immaterial. That's how captivating a character Zoe is.
Hard-core, fast paced science fiction, John Scalzi's Zoe's Tale is the fourth in The Old Man's War series.
She won't go down without a fight.
It's not every day you up sticks and move to another world. But then, Zoe Boutin-Perry's life has never been ordinary. She's the adopted teenage daughter of two former super-soldiers. She's also a holy icon to a race of alien warriors who track her every move. So she's used to the quirks of being a human in space.
However, this time something's different. Betrayed by the authorities, Zoe - along with her parents and fellow…
In writing character-driven space fantasy, heavily influenced by my training as an electromechanical engineer, I’ve realized a love for stories with a heavy emphasis on moral dilemmas and shifts in thinking. How does a character change direction after realizing much of what they always believed was a lie? When well-trained instincts pull them backward instead of propelling them forward? I love these stories, mirroring my own messy self-discovery journey through life. The settings and stakes are more fantastical, but that makes them more appealing. A way to confront my own trials without becoming burdened by them. If the characters can do it, so can I.
I’m a sucker for unique worldbuilding, and this book's combination of military traditions and the age of sail with magic space travel scratches that itch nicely. Dianne Morrison tells a heartfelt and deeply emotional tale that is at once both a coming-of-age story following a young elf’s pursuit of dreams as a star-pilot and a gritty cautionary tale on the horrors of war.
I felt for Shaundar and friends as they struggled through their own challenges to pursue their dreams, their patriotism as they snuck away to join the new war effort, and their horror as those dreams fell apart and survival became paramount. Check the content warnings on this one, as the narrative leans heavily beyond heroes and into the dark sides of war.
Toy Soldier: A derogatory slang term for an elven marine.Battles great and terrible, small and bitter, raged across Known Space as the wars of Elves and Orcs played out their legacy of hatred across the stars themselves. Epics would be written, songs would be sung; but wars are fought by real people with loves and families and homes.
All Shaundar Sunfall ever wanted to be was a Star-Pilot. Raised on his father's ship, he has found an affinity for the stars -- although as a mixed-race elf and a bit of troublemaker, he often runs afoul of his commanding officers.…
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
The story is set in the Warhammer 40’000 universe, but anyone can read it without feeling lost. I love the way the author subverts the reader’s expectation from a story of “military squad Vs. monster” to “military squad Vs. everything-on-the-planet.”
A fantastic blend of (John Carpenter’s) The Thing and Predator. An enjoyable and easy-to-read tale of claustrophobic, slow-burning tension and Hollywood 80s action hero. I loved the ever-increasing sense of paranoia they endure by gradually discovering that absolutely everything wants to kill them.
A squad of Catachan Jungle Fighters is sent to the deathworld of Rogar III in response to an ork incursion. But, as well as dealing with the orks, they must do battle the planet itself ¿ not to the mention the mysterious figures that stalk them across the deadly terrain.
I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.
This book is a little heavy on the tech and military strategy. A lot of authors lose their audience when they over-describe the nuts and bolts of their sci-fi universe or develop a tactical situation that is too complex for the reader to follow without a map and star chart. But Mr. Wehr keeps a nice balance between the details of the ships and AIs with the characters and their personal interactions. There is just enough of a personal perspective to keep the sci-fi from becoming dry. The story was inventive and became more interesting as it progressed.
This four part series is now available on Amazon both individually and as an omnibus edition, which is available in Kindle Unlimited. Be aware that Part 1 has a cliffhanger ending. After almost a century of peaceful exploration and colonization of space, the United Earth Space Force stumbles across a shockingly xenophobic alien race that has more and better armed ships and refuses all attempts at contact. As the outgunned Space Force is driven back in battle after battle in what appears to be a war of extermination, one officer experiences precognitive visions that help him blunt the enemy onslaught…
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
This lesser-known gem was my favorite book of 2019. You take a World War II-style submarine war but throw in horrifying new supernatural powers, and then pitch it against Cthulu-style interdimensional monsters and you start to have an idea of the gloriously-insane trajectory of this book. That may sound over-the-top at a glance, but I promise this is a grounded read that’s flush with complex interweaving relationships, and an unrelenting pace that constantly throws new, bigger dangers at the characters before they’ve had a chance to catch their breath. This book is far better than it has any right to be.
Naval officer Mila Blackwood is determined to keep her country's most powerful secret - shrouding, the ability to traverse their planet in seconds through an alternate realm - out of enemy hands. But spies are everywhere: her submarine has been infiltrated by a Dhavnak agent, and her teenage brother has been seduced by an enemy soldier. When Blackwood's submarine is attacked by a monster, she and fellow sailor, Holland, are marked with special abilities, whose manifestations could end the war - but in whose favor? Forced to submit to military scientists in her paranoid and war-torn home, Blackwood soon learns…
