I have always loved realistic fiction that shows characters navigating tricky real-world situations and reaching inside themselves to be their best – as friends, children, siblings, etc. As a writer of stories for children, I write the kinds of books I love to read, the ones that make readers ask themselves, what would I do if I were in that situation? I think it’s important to show all our stories, past and present, from different places and viewpoints, so that we can learn from one another and become our best selves.
I was fascinated by this gripping story about a twelve-year-old girl living in the Dominican Republic in 1960 because, while it is fiction, it is based on a very real and scary time in the history of the DR. My parents grew up in the DR under the dictatorship that was still in place in 1960, and Julia Alvarez does a beautiful job showing readers how young people and their families were impacted by that regime, as well as the bravery and hopefulness of those who fought for their country’s freedom.
PURE BELPRÉ AWARD WINNER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME • AN ALA-YALSA BEST BOOK FOR YOUNG ADULTS
From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free while living in the Dominican Republic under the rule of a dictator.
Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her twelfth birthday in 1960, most of her relatives have immigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her…
Growing up and still today, I read a lot of fantasy, including reading the covers right off my copy of The Lord of the Rings boxed set. I’ve also written two major epic fantasy series each more than a million words in length. So I know a thing or two about what makes compelling epic fantasy stories. And these five books (and the series that follow) go above and beyond any measure. Trust me, you won’t be disappointed, but your REM cycle might suffer!
Melatonin alert! If you start reading this book, you’re going to require a sleep aid to get some shuteye. Sullivan has a way of constructing characters and plotlines that, on their surface, are simple. And yet the more you read, the more complex and three-dimensional they become, until you realize that the characters and their motivations are never what they seem to be until the moment they are revealed, leaving you breathless and satisfied. Losing a little (or a lot) of sleep to read Age of Myth is well worth it!
One of fantasy’s finest next-generation storytellers continues to break new ground.
Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series.
Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans…
In school, science and reading were always my favorite subjects so is it any wonder that I grew up to be a scientist who writes? Before I entered my teens, I entered the realm of science fiction through the stories of Asimov, Bradbury, and Le Guin, and I never willingly left that realm. Back then, the one thing I hungered for but so rarely found was a compelling female character. Avid readers all want to find that character to identify with, don’t we? Fortunately, our sci-fi world is now populated with many great female MCs so I’m sharing five of my favorites here with you. I hope you enjoy them as much as I did.
C.J. Cherryh‘s Hugo-winningDownbelow Station is on a lot of people’s TBR pile but I suspect due to its intimidating size, it never gets any further. Which is a damn shame. Once you get into it, the story is completely absorbing. Cherryh’s world-building is outstanding, presenting a convincing 24th Century society, with just enough enriching detail to draw you in. The politics and tactics of the warring factions are familiar yet not derivative. If you loved Alien’s Ripley as much as I did, then I suspect you will love the character of Captain Signy Mallory. She is presented as a badass in the best possible way: tough, smart, resolute, and unfailingly loyal to her crew. Though this is classic space opera, filled with war, intrigue, and politics, the emphasis is on the people not the pew-pew space battles. If that’s a plus for you like it is for me,…
The Hugo Award-winning classic sci-fi novel about interstellar war.
The Beyond started with the Stations orbiting the stars nearest Earth. The Great Circle the interstellar freighters traveled was long, but not unmanageable, and the early Stations were emotionally and politically dependent on Mother Earth. The Earth Company which ran this immense operation reaped incalculable profits and influenced the affairs of nations.
Then came Pell, the first station centered around a newly discovered living planet. The discovery of Pell's World forever altered the power balance of the Beyond. Earth was no longer the anchor which kept this vast empire from coming…
I’ve always been an avid reader, ever since I was old enough to hold a book upright. Today, I’m a writer of science fiction, fantasy, and thrillers, with credits spanning novels, short fiction, television, comic books, and video games. I’m especially fond of heroic tales that feature female main characters, both in books and on-screen. Several of my nearly 40 novels have featured heroic female main characters, including my newest book, Star Trek: Picard: Firewall, which is a coming-of-age tale about Seven of Nine’s journey to becoming a Fenris Ranger.
Dickinson’s vision of a fantasy world driven by an exceptionally well-thought-out system of economics and social engineering is complex and fascinating, as is his main character, Baru. Her journey—starting with her adolescence on a small island as it’s colonized by force, through her mastery of the colonizers’ education system, and her slow, cunning infiltration of the Masquerade’s hierarchy of power—is tense, and made even more compelling by her need to hide her queerness from the homophobic powers she pretends to serve.
Her learned ruthlessness and the sacrifices she ultimately makes in her quest for power and revenge are heartbreaking and represent the very essence of a tragic Bildungsroman.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
More
than anything, this book put me in the shoes of a young person who has no idea
how to know the difference between truth and lies. He doesn’t know who to
trust. I was fully immersed in this terrifying world.
Šepetys made me feel what
it was like to live during a dictatorship leading
up to the Romanian Revolution in 1989.
I came away feeling profoundly grateful
for my freedom and in awe of those who fought for theirs.
A gut-wrenching, startling historical thriller about communist Romania and the citizen spy network that devastated a nation, from the #1 New York Times bestselling, award-winning author of Salt to the Sea and Between Shades of Gray.
Romania, 1989. Communist regimes are crumbling across Europe. Seventeen-year-old Cristian Florescu dreams of becoming a writer, but Romanians aren’t free to dream; they are bound by rules and force.
Amidst the tyrannical dictatorship of Nicolae Ceaușescu in a country governed by isolation and fear, Cristian is blackmailed by the secret police to become an informer. He’s…
During the 1820s, Portugal, Spain, Piedmont, Naples, and Greece exploded into revolution.
These events are sorely neglected in the
anglosphere, and it is much to Maurizio Isabelle’s credit to rescue them from
obscurity and place them in their proper post-Napoleonic context.
His work is
comparative history at its finest, and he moves deftly across the Mediterranean, wearing his immense learning lightly. What emerged were military pronunciamentos
that became constitutional revolutions which sought to limit the powers of the
Southern European monarchies.
The cast of characters, including Napoleonic
veterans, adventurers, and Greek pirates, is worthy of a Dumas novel. With
magisterial fairness, Isabella assesses the ultimate failure and legacy of these revolutions, showing how they were a vital checkpoint on the road to
defining representative government and our democratic practices.
An examination of revolutions in the Iberian and Italian peninsulas, Sicily and Greece in the 1820s that reveals a popular constitutional culture in the South
After the turbulent years of the Napoleonic Wars and the Congress of Vienna's attempt to guarantee peace and stability across Europe, a new revolutionary movement emerged in the southern peripheries of the continent. In this groundbreaking study, Maurizio Isabella examines the historical moment in the 1820s when a series of simultaneous uprisings took the quest for constitutional government to Portugal, Spain, the Italian peninsula, Sicily and Greece. Isabella places these events in a broader global…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
Another way to ease yourself into historical fiction is to start with books for young readers—like this gorgeous, compelling read set during the Communist regime’s fall in Romania in 1989.
Our heroine is a young girl named Ileana who loves stories, even though stories can be dangerous (like the one that got her uncle arrested for criticizing the government). Afraid for her life, her parents send her to live with grandparents she’s never met—and still she gets caught up in the independence.
I adored this book as an adult reader and—bonus!—it would be the perfect thing to co-read with a middle schooler or young teen if you’ve got one in your life.
“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review)
A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.
Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This is high-caliber space fantasy in the realm of Star Wars or Dune. It brings together a grizzled holy warrior having doubts about his faith with a naïve and sheltered princess in a brutal world ruled by absolutely vile overlords. The perspective switches between the two of them. The warrior – Drin – grapples with whether the church’s mission to fight evil brings it to use methods too similar to the evil it fights. Meanwhile the princess – Anais – has to come to terms very quickly with the reality of life outside the palace when slavers invade her home and abduct her off-world.
After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.
For the first time in Drin's life, he has no backup, no support, none of his brothers.
He stands alone against evil.
Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous…
Tamim Ansary is the son of an Afghan father and an American mother. As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance. Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.
Culture is how we group ourselves. Culture is how we see. To make ourselves understood by people of other cultures, we have to lend them our eyes. That’s hard, but Yu Hua meets that challenge for me. His book China in Ten Words offers ten essays about China, each with a one-word title: Revolution. Reading. Copycat. Words like that. Each essay surrounds its title-word with content until one understands what the word means, not to oneself, but to Hua. The essays work like a fusion of memoir and history. They draw the reader into one man’s experience; and at the same time they illuminate a broad patch of history—Maoist and post-Maoist China.
People. Leader. Reading. Writing. Revolution. Grassroots. Through these and other common vernacular words and phrases, Yu Hua - widely regarded as one of China's greatest living writers - frames powerful personal stories of the Chinese experience from the Cultural Revolution to the 2010s. With wit, insight and courage, he presents a refreshingly candid vision of the 'Chinese miracle' and its consequences, and reveals a unique perspective on the world's most populous yet misunderstood nation.
I have always loved the Stoics, from the first time I read Seneca. I appreciate that they seek to speak to a wider audience than most philosophers, on issues that concern many: happiness, anxiety, pain, loss. The Stoics were wonderful writers, whose influence has been manifest throughout western philosophy. And they extended their expertise beyond the academy, and were very involved in politics. Seneca was the advisor to the emperor Nero; Cicero, who dabbled in Stoicism, was perhaps the most famous senator of Rome. Marcus Aurelius was emperor.
John Gray is an exceptional writer. In that respect alone, he is already reminiscent of the Stoics, who are some of the best writers among philosophers. Black Mass deals with the pitfalls of anger and ideology, when it comes to politics. The Stoics were famously skeptical of both, and urge practitioners to resist becoming too impassioned in political affairs—which reliably roil the soul.
A prophetic warning against the foolishness of crusades, John Gray's Black Mass challenges our belief in human progress.
Our conventional view of history is wrong. It is founded on a pernicious myth of an achievable utopia that in the last century alone caused the murder of tens of millions.
In Black Mass John Gray tears down the religious, political and secular beliefs that we insist are fundamental to the human project, examines the interaction of terrorism, declining world resources, environmental change, human myths of redemption and a flawed belief in Western democracy, and shows us how a misplaced faith in…
