Here are 100 books that Before We Were Free fans have personally recommended if you like
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I wrestled with big questions as a child, particularly concerning gender inequality. I was aware of the issue as young as 7 years old. I didn’t even feel comfortable challenging the way things were until I was a young adult. Thus began my journey of researching, studying, and embracing women’s rights and gender equality. I feel very passionate about presenting those big questions earlier in the lives of girls, so they start feeling comfortable challenging the places where things don’t make sense, or the areas where inequality still exists. There is a need for more books like these in the market, but I hope you enjoy this list!
This one’s a novel in verse written from the perspective of a girl going through puberty in real time.
Celi Rivera is thinking about the way her body’s changing; she’s considering a crush on a boy; and she’s feeling a little apprehension about the “moon ceremony” her mother’s promised when she gets her first period.
I love this one for so many reasons—but mostly because it celebrates becoming a young woman and standing up for herself.
The dazzling story of a girl navigating friendship, family, and growing up, an Are You There God, It's Me Margaret? for the modern day, from debut author Aida Salazar.
****Four starred reviews!****
* "A worthy successor to Are You There God? It's Me, Margaret set in present-day Oakland." -- Kirkus Reviews, starred review
Celi Rivera's life swirls with questions. About her changing body. Her first attraction to a boy. And her best friend's exploration of what it means to be genderfluid.
But most of all, her mother's insistence she have a moon ceremony when her first period arrives. It's an…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
When I think of great novels, I don’t recall plot twists, beautiful language, or exotic settings. I remember the characters. How they met or didn’t meet, the challenges put before them. Great, unforgettable characters create great stories. They take risks, become friends with people society tells them not to, and don’t hide their motivations or fears. They show their humanity. A great character can make walking down a supermarket aisle an exciting adventure. Boring, one-dimensional ones can make a rocket launch seem like you’re reading about paint drying. All the books I discuss hit the character checklist tenfold.
After I heard author Rita Williams-Garcia speak at a NYC book event, I knew I had to read this book, even if it was for kids. After all, in 1968, I was the same age as the main character, Delphine, and from Brooklyn, just like her. That year, the Vietnam War, antiwar protests, and the assassinations of Martin Luther King Jr. and Bobby Kenedy punctuated headlines.
Delphine and her younger sisters make a trek to California to visit their estranged mother. Instead of meeting Mickey and friends at Disney, they find Mom works for Huey, Bobby, and the Black Panthers! I was impressed with the way Rita used warmth and humor to chisel out difficult social issues we still face today. I learned a lot reading this family saga.
In this Newbery Honor novel, New York Times bestselling author Rita Williams-Garcia tells the story of three sisters who travel to Oakland, California, in 1968 to meet the mother who abandoned them. Eleven-year-old Delphine is like a mother to her two younger sisters, Vonetta and Fern. She's had to be, ever since their mother, Cecile, left them seven years ago for a radical new life in California. But when the sisters arrive from Brooklyn to spend the summer with their mother, Cecile is nothing like they imagined. While the girls hope to go to Disneyland and meet Tinker Bell, their…
I have always loved realistic fiction that shows characters navigating tricky real-world situations and reaching inside themselves to be their best – as friends, children, siblings, etc. As a writer of stories for children, I write the kinds of books I love to read, the ones that make readers ask themselves, what would I do if I were in that situation? I think it’s important to show all our stories, past and present, from different places and viewpoints, so that we can learn from one another and become our best selves.
I was moved by this book about an eleven-year-old girl whose mother has been deported. Gaby is kind and genuine, and her friends are great too. She wants nothing more than to get her mother back and to save an abandoned cat from the shelter where she volunteers. I love how real her feelings and her actions are, and how she grows in the story. And, of course, reading about all the cute dogs and cats at the shelter made me feel warm and fuzzy!
Gaby comes to the WISH line! Wanted: One amazing forever home for one amazing sixth grader.
"My name is Gaby, and I'm looking for a home. Having the nicest clothes or cell phone isn't important, but I'd like to have a cat that I can talk to when I'm home alone." When Gaby Ramirez Howard starts volunteering at the local animal shelter, she takes special pride in writing adoption advertisements. Her flyers help the cats and dogs there find their forever homes: places where they'll be loved and cared for, no matter what. Gaby is in need of a forever…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
Another way to ease yourself into historical fiction is to start with books for young readers—like this gorgeous, compelling read set during the Communist regime’s fall in Romania in 1989.
Our heroine is a young girl named Ileana who loves stories, even though stories can be dangerous (like the one that got her uncle arrested for criticizing the government). Afraid for her life, her parents send her to live with grandparents she’s never met—and still she gets caught up in the independence.
I adored this book as an adult reader and—bonus!—it would be the perfect thing to co-read with a middle schooler or young teen if you’ve got one in your life.
“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review)
A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.
Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to…
Found family changed my life, allowing me to find acceptance for the real, messy, complicated me. I believe everyone should have that experience. I’ve struggled with anxiety and panic disorder for my entire life, something that was never understood by my family growing up. As I worked to understand my own mental health struggles, it was the people who came into my life with love and compassion who helped me accept that I was never broken. I want every reader to feel that when they read one of my books. Chasing Eleanor was inspired by all five of these book recommendations, with adventure and found family at its heart.
Sepetys never disappoints, but I Must Betray You grabbed hold of me and didn’t let go. I read this book in twenty-four hours.
Sepetys has a way of character development that never underestimates her readers. This story is raw and haunting, with a hard punch of constant action. I Must Betray You takes us behind the Iron Curtain to 1989 Communist Romania, where high schooler Cristian must become an informer to save his family. What unfolds is a story of bravery, sacrifice, and love.
A gut-wrenching, startling historical thriller about communist Romania and the citizen spy network that devastated a nation, from the #1 New York Times bestselling, award-winning author of Salt to the Sea and Between Shades of Gray.
Romania, 1989. Communist regimes are crumbling across Europe. Seventeen-year-old Cristian Florescu dreams of becoming a writer, but Romanians aren’t free to dream; they are bound by rules and force.
Amidst the tyrannical dictatorship of Nicolae Ceaușescu in a country governed by isolation and fear, Cristian is blackmailed by the secret police to become an informer. He’s…
I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
Sometimes, you just want to retire and have a nice, quiet cup of tea. And world-ending magical plots keep getting in the way. Adoulla Mahmoud, once the best Ghul hunter alive, is just trying to retire. Unfortunately, the world has other plans for him. Alongside the pious warrior Raseed bas Raseed, and the shapeshifting Zamia Badawi, Adoulla faces the greatest threat yet. One that could destroy not just his favorite teahouse, but the world.
While there is some good-natured humor within this book, Saladin Ahmed establishes right away with a torture-scene prologue that Throne of the Crescent Moon will be dark and gory. I love the magic system and the Arabia-inspired world. The only downside to this book is that Ahmed doesn’t seem to be working on the sequel.
Traditional swords & sorcery fantasy with an authentic middle-eastern spin.
The Crescent Moon Kingdoms, land of djenn and ghuls, holy warriors and heretics, Khalifs and killers, is at boiling point. A power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince is reaching its climax. In the midst of this brewing rebellion, a series of brutal supernatural murders strikes at the heart of the Kingdoms. Only a handful of reluctant heroes can learn the truth, and stop the killing.
Doctor Adoulla Makhslood just wants a quiet cup of tea. Three score and more years…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
I have read the six books in Michael J. Sullivan’s First Empire series multiple times, in part because of the sweeping storyline that spans the entire series. Although the main protagonist is male, for me, the real heroes are Persephone and Suri.
As with my other recommendations, these characters respond to extraordinary circumstances by becoming extraordinary themselves.
One of fantasy’s finest next-generation storytellers continues to break new ground.
Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series.
Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I first encountered this book in my senior seminar in college. Little did I know how much Hannah Arendt’s works would figure into my own thinking and writing. In On Revolution, Arendt provides a provocative interpretation of how the American founders looked to Rome, specifically Virgil, for their own understanding of founding. My current book begins with Arendt’s insight but departs substantially from her conclusion.
Tracing the gradual evolution of revolutions, Arendt predicts the changing relationship between war and revolution and the crucial role such combustive movements will play in the future of international relations.
She looks at the principles which underlie all revolutions, starting with the first great examples in America and France, and showing how both the theory and practice of revolution have since developed. Finally, she foresees the changing relationship between war and revolution and the crucial changes in international relations, with revolution becoming the key tactic.
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
At its core, whistleblowing is an act of truth-telling, often in response to official misrepresentation and lies. While not explicitly about whistleblowing, Hannah Arendt’s 1971 essay, “Lying in Politics” is an indispensable read for anyone interested in the subject. Written in the wake of the Pentagon Papers disclosure, it situates the official lies of the Vietnam War within a broader phenomenon of political propaganda. Exploring how propaganda aimed at the public ultimately took hold within senior policymaking circles, it reveals the blurry line between official lies and self-deception. Challenging simple precepts about whistleblowing and public transparency, Arendt explores whether or not and why knowledge of the facts actually makes a difference. Along with the broader collection of essays in Crises of the Republic, this piece offers uncanny insight into post-truth politics and the breakdown of democracy in our day.
A collection of studies in which Arendt, from the standpoint of a political philosopher, views the crises of the 1960s and early 1970s as challenges to the american form of government. Index.
