My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
McNamara’s wonderful account shows how communities in Oaxaca understood military service as both a duty to their region, to their people, and as a way to connect to the wider national project and specific presidents. Fighting for the National Guard created a different stake in Mexico and in political life, and the ways that Zapotec peasants remembered this gives new insights into participatory political culture.
The period following Mexico's war with the United States in 1847 was characterized by violent conflicts, as liberal and conservative factions battled for control of the national government. In ""Sons of the Sierra"", Patrick McNamara explores events in the Oaxaca district of Ixtlan, where Zapotec Indians supported the liberal cause and sought to exercise influence over statewide and national politics. Two Mexican presidents had direct ties to Ixtlan district: Benito Juarez, who served as Mexico's liberal president from 1858 to 1872, was born in the district, and Porfirio Diaz, president from 1876 to 1911, had led a National Guard battalion…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
I've taught Latin American literature for many years and in many different ways, but there's one thing that has never changed. I always combine our study of literature with relevant works of visual arts, and particularly with paintings and photographs. Don’t we all move naturally among different media—different forms of expression, different ways of seeing—to understand our world? An interdisciplinary approach allows us to explore the many ways that we imagine and represent reality. Photography is a wide-ranging way to know Latin America. For this reason, I recommend that you pay close attention to the rich traditions of Latin American photography. Mix and match media, and you’ll understand the world in new and different ways.
The Mexican Revolution was photographed by many photographers, foreigners as well as Mexicans, whose photographs were collected by news agencies and distributed immediately in newspapers, sometimes even as the fighting was going on. Their photos record defining moments in Mexico’s history, and offer portraits of its participants: soldiers and camp followers (women and children), as well as iconic leaders Pancho Villa and Emiliano Zapata, among others.
I love this book because it is written by a woman who lived her whole life in Mexico, experienced events of the Revolution, and knew many of its participants. Her personal account is accompanied by 184 photos that enhance her text and make events and people come alive.
The importance of this Revolution cannot be exaggerated. It engulfed much of Mexico for at least two decades (1910-1930), and claimed between 2 and 3.5 million lives. Troops advanced on horseback and trains, in dusty fields…
The Mexican Revolution began in 1910 with the overthrow of dictator Porfirio Diaz. The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Diaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregon, to the peaceful social revolution of Cardenas and Mexico's entry into World War II.
I grew up in Mexico listening to my father´s stories about the Mexican revolution. His storytelling abilities drew me in as he described his childhood memories and those of his father, who lived through the revolution. That's why I became a historian writing about the Mexican Revolution with a preference for biographies. As the Latin Americanist historian at St. John's University in New York City, I've written two books: Maximino Avila Camacho and the One Party State, Pancho Villa: A Biography, and edited A Brief History of Mexico by Lynn V. Foster. I hope you enjoy the list of books on significant personalities that shaped the first major social revolution of the twentieth century.
I love this book because it shows the real complexities of the socioeconomic realities that Mexicans experienced leading to the revolution. By focusing on the life of Porfirio Diaz, Paul Garner offers a nuanced narrative challenging six decades of the revolutionary government and most historians consistently condemning Diaz as an unredeemable tyrant. Instead, Garneroffers a more realistic explanation of the achievements and failures of the dictator responsible for simultaneously resurrecting the Mexican economy and producing the biggest social upheaval in Mexican history.
The fall of Porfirio Diaz has traditionally been presented as a watershed between old and new: an old style repressive and conservative government, and the more democratic and representative system that flowered in the wake of the Mexican Revolution. Now this view is being challenged by a new generation of historians, who point out that Diaz originally rose to power in alliance with anti-conservative forces and was a modernising force as well as a dictator. Drawing together the threads of this revisionist reading of the Porfiriato, Garner reassesses a political career that spanned more than forty years, and examines the…
One of the things I love about reading short story collections is that I can read a story, enjoy it, and then put the collection aside and then read another story later.
This was a short story collection I literally could not put down. As soon as I finished one story, I needed to turn the page and see what the next story had to offer. This collection explores the supernatural lore of Mexico while spanning its history and peering into its near future.
My favorite stories were “Bed of Scorpions” about a brother and sister running a con and “Cemetery Man” about a mad scientist during the Mexican Revolution resurrecting soldiers.
Spanning a variety of genres-fantasy, science fiction, horror-and time periods, Silvia Moreno-Garcia's exceptional debut collection features short stories infused with Mexican folklore yet firmly rooted in a reality that transforms as the fantastic erodes the rational. This speculative fiction compilation, lyrical and tender, quirky and cutting, weaves the fantastic and the horrific alongside the touchingly human. Perplexing and absorbing, the stories lift the veil of reality to expose the realms of what lies beyond with creatures that shed their skin and roam the night, vampires in Mexico City that struggle with disenchantment, an apocalypse with giant penguins, legends of magic…
I grew up in Mexico listening to my father´s stories about the Mexican revolution. His storytelling abilities drew me in as he described his childhood memories and those of his father, who lived through the revolution. That's why I became a historian writing about the Mexican Revolution with a preference for biographies. As the Latin Americanist historian at St. John's University in New York City, I've written two books: Maximino Avila Camacho and the One Party State, Pancho Villa: A Biography, and edited A Brief History of Mexico by Lynn V. Foster. I hope you enjoy the list of books on significant personalities that shaped the first major social revolution of the twentieth century.
For me, history is the richest when it is explored from different perspectives. The Worm in the Wheat explores a perspective seldom feature in the narratives of the revolution. It focuses on the struggles of Rosalie Evans to defend her hacienda against the revolution. The story itself is a fascinating narrative enveloped in tension and drama. It is full of political intrigue and shifting alliances shaped by the violence of the social revolution.
The Worm in the Wheat is a compelling tale of political intrigue, violence, shifting allegiances, extreme poverty, and the recalcitrance of one woman. Above all, it is a multileveled interpretation of the Mexican revolution and the ultimate failure of agrarian reform. Timothy J. Henderson recounts the story of Rosalie Evans, a woman who lost her life defending her Mexican hacienda in defiance of confiscation decrees. This dramatic narrative is populated with many diverse actors: Mexican, British, and American officials, soldiers, rebel leaders, bureaucrats, peasants, vigilantes, and the unforgettable figure of Evans herself. In a world where power and wealth are…
By Jorge Aguilar Mora, Josefa Salmón, and Barbara C. Ewell
Author
Why are we passionate about this?
As professors of Latin American Studies, with more than 35 years of teaching experience on these topics, and as Latin Americanists who have lived experiences in our countries of origin, we can connect to themes of social justice as well as the wonders that indigenous cultures can offer globally in the fight against climate change as well as social and racial injustices. When we were students in the US, these texts gave us ways to reconnect to our roots; as professors, they offered us ways to connect with today’s students searching for global justice and service to others. These books help us to realize that there are other ways of looking at the world.
Subcomandante Marcos’ weapon, as the title of the book indicates, are his words, coming from his experience as a member and spokesman of the Zapatista Army of National Liberation (EZLN). As a writer myself, I admire the clarity and fluidity of Marcos’ writing, which links the political and moral, the moral and the racial, racial issues with social concerns, social problems with economic ones. The result is a complex and multidimensional image of Mexican reality. The Zapatista revolt is the culmination of a history of rebellions such as the ones by Emiliano Zapata and Pancho Villa and the student revolts of 1968. I recommend this book because it also touches me personally, both as a participant in the student revolt of 1968 in Mexico, which later became known as the Tlatelolco Massacre, and as an author writing about the Mexican Revolution, Una muerte sencilla justa eterna. Cultura y guerra durante…
Today?s Zapatista revolution in Mexico is lead by the fair-skinned, urban, university educated poet-warrior-spokesman, Subcomandante Marcos. Marcos has created a unique fusion between ?the two Mexicos?: the one white / mestizo and western, the other traditional. For the first time, a bridge has been built between both sides, a bridge so powerful that it now seems possible for the indigenous peoples to achieve rights for indigenous peoples and democracy, justice and liberty for all. This book is the first collection of Marcos?s writings to appear in book form. In it he sets out the social and political situation in Mexico,…
I've taught Latin American literature for many years and in many different ways, but there's one thing that has never changed. I always combine our study of literature with relevant works of visual arts, and particularly with paintings and photographs. Don’t we all move naturally among different media—different forms of expression, different ways of seeing—to understand our world? An interdisciplinary approach allows us to explore the many ways that we imagine and represent reality. Photography is a wide-ranging way to know Latin America. For this reason, I recommend that you pay close attention to the rich traditions of Latin American photography. Mix and match media, and you’ll understand the world in new and different ways.
Having read The Winds that Swept Mexico and seen the amazing photographs in that book, you’ll want to know more about the photographers who risked their lives to accompany Mexican troops in battle and in haphazard camps waiting for something to happen.
This book includes many photographs, but focusses on the history of the Revolution as shown in those photographs, and the processes of photography itself: how photographers worked in the early twentieth century in the midst of war, and how their photographs were collected and published as the Revolution raged on.
John Mraz is an excellent “visual historian.” I admire the way he explains how photographers got their “shots” of mounted revolutionaries and battles and camp followers—the sweethearts and wives and children who followed the troops, cooked for them, and sometimes tended to their wounds.
Mraz also explains how their photographs became instant propaganda for particular leaders and causes—and…
The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and international. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands…
My book club rescued this classic Mexican novel from my TBR pile, where it had languished far too long.
I am grateful because when I finally read it, I found Pedro Páramo bewitching. On her deathbed, a mother commands her son to return to their original village to find his father. Everyone he meets there is dead, and the dead have stories to tell.
When Pedro Páramo was first published in 1955, readers didn’t know what to think of this precursor to magical realism, but then it caught on in a big way. Gabriel García Márquez claimed he could recite the entire novella.
A new movie version starring Tenoch Huerta Mejía from Wakanda Forever will be out soon. You’ll want to read the book before seeing the film.
Winner, Fred Whitehead Award for the Best Design of a Trade Book from Texas Institute of Letters Western Books Exhibition Selection, Rounce & Coffin Club, 2003 Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artists-writer Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Paramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed-Susana San…
I learnt to read at about the age of three or four and have been devouring books ever since. However, it took a few decades for me to begin creating my own stories. I have a passion for writing and whenever I can, I try to help new writers improve their expertise. I’m a strong believer in writing groups, for that reason. My first book, born from a few-hundred-word short story at my writing group, turned into a three-book thriller series. Since then I’ve branched out by publishing a rom/com, a humorous ghost story as well as a standalone thriller.
I’ve selected this title as it’s one of the first Jeeves and Wooster books but, to be honest, you could choose any one; they’re all brilliant.
That goes for pretty much all of Wodehouse’s stories. I realise everyone knows these two characters from the various TV series produced over the years. But they may not have read the books. They should. It’s a great credit to the author that whichever actors portray this pair, and others such as Lord Emsworth of Blandings, the characters are instantly recognisable.
I think PG Wodehouse’s characterisation is superb. I admire his eye for details, not only in appearance but in mannerisms and speech. Wooster – the young gentleman – is wealthy, foppish, dapper, scatterbrained and idle. Jeeves – the gentleman’s gentleman – is someone who “from the collar upwards, stands alone.” That phrase alone tells the reader everything they need to know about the…
As a child, Robin Bayley was enchanted by his grandmother's stories of Mexican adventures: of bandits, wild jungle journeys, hidden bags of silver and a narrow escape from the bloody Mexican Revolution. But Robin sensed there was more to these stories than anyone knew, and so he set out to follow in the footsteps of his great-grandfather.
The Mango Orchard is the story of parallel journeys' a hundred years apart, into the heart of Latin America. Undaunted by the passage of time and a paucity of information, Robin seeks out the places where his great grandfather Arthur 'Arturo' Greenhalgh travelled…
