I have been an avid reader from an early age and painting has been my life's work since attending art school from the age of sixteen. Having painted the largest mural in a private house in the 20th century, over a period of fourteen years since 1968, it has been a great privilege to live as part of the families in so many diverse and beautiful houses in Britain, Europe, The Middle East, and The Americas. Many of the interesting people that I have met along the way have greatly enriched my being and I am particularly intrigued by the way that chance encounter shapes one's life. Serendipity is all!
The best of biography and a passionate and enthralling account by Selina Hastings of the life of her bohemian father Jack, who escaped his ultra-conservative family to pursue a career as a painter.
With his beautiful Italian wife Cristina, the daughter of the legendary Marchesa Casati famed for her outrageously ornate masked balls, he left Europe for the New World.
They firstly settled in Australia then on the Island of Moorea in the South Pacific, eventually reaching California where Hastings met the great Mexican muralist Diego Rivera and his wife Frida Kahlo.
After persuading Rivera to take him on as his painting assistant, he and Cristina spent four years in Mexico City before returning to England. He later taught fresco painting at the Central School of Arts and Crafts in the 1950s - just a few years before I became a student at the Southampton Row establishment and in due…
In The Red Earl Selina Hastings tells the extraordinary story of her father, Jack Hastings, 16th Earl of Huntingdon. In 1925, Hastings infuriated his ultra-conservative parents by turning his back on centuries of tradition to make a scandalous run-away marriage. With his beautiful Italian wife he then left England for the other side of the world, further enraging his family by determining on a career as a painter.
The couple settled first in Australia, then on the island of Moorea in the South Pacific. Here, they led an idyllic existence until a bizarre accident forced them to leave the tropics…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and…
I've been writing and drawing children’s books and comic books for kids for over 23 years. I've always loved the comic book format and visual storytelling. Reading pictures is actually very stimulating for kids and adults alike. I’m also a parent to three daughters and teach art at an elementary school locally, so I work with children and see what captures their imaginations and inspires them. As someone who’s written and illustrated numerous graphic novels for kids, moderates a children’s book review group, and reads so many of the newest books available, I selected these graphic novels as some of the best I’ve read in the different genres that have been released recently.
Mexica is an Aztec Princess faced with her greatest challenge. She must pass her initiation test to be crowned the ruler of her people.
Set in the time of the Aztecs in what is now Mexico City, Mexica sets off to solve the three riddles with her (huge) cat, Elote, when unbeknownst to her the enemy of her people, the Tlaxcala, have launched an attack. Quickly they team up with a helpful Axolotl salamander who helps them find food and confuse the enemy… though not on purpose and make great strides in the initiation.
The twists and turns in this really wonderful story are quite a ride for the reader. The art is excellent and adds to the story and the atmosphere and is easy to follow for the young audience. What I particularly like about this book and this whole series, is that it features a princess character from…
Mexica's princess initiation has begun. She's given three riddles by the Royal Council and must return with the respective prizes in order to be crowned.
Mexica ventures out of Aztlán with her pet ocelot, Elote, to find the prizes. Unbeknownst to her, the neighboring tribe, the Tlaxcala, is on the warpath. Mexica innocently thinks they're apart of the princess initiation and foils their plans amongst every turn; unknowingly saving the kingdom and ultimately returning as Aztlán's crowned princess.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
Growing up Jewish, third-generation in Latin America has given me a strong identity and a unique lens living as a double-minority. My entire life, I’ve been fascinated by life’s deep questions, the arts, and metaphysics. When no college major was clicking, I decided to pursue a B.A. in philosophy and comparative religion to better get to know my own faith and search for a universal truth across all world religions and cultures. It was in my college poetry class, where I first started writing as an outlet for my thoughts and many of the poems in my book were written then and reworked over the next two decades.
The first science fiction book I ever read was A Wrinkle in Time by Madeleine L’Engle. This book began my lifelong passion for watching sci-fi movies and reading books. It wasn’t until the end of high school that I would discover The Law of Love by Laura Esquivel, an epic novel that combines romance, spirituality, and science fiction.
The story weaves eternal themes of love, destiny, reincarnation, and human interconnectedness juxtaposed against a futuristic society where time and space travel, telepathy, and access to the mystical Akashic records (every person’s thoughts, emotions, experiences, and actions) are accessible to all.
While the author’s book Like Water for Chocolate received widespread attention and a Hollywood movie adaptation, it was The Law of Love that to this day shapes my romantic ideals and titillates my sci-fi and philosophical curiosities.
The greatly anticipated new work from the author of the international bestseller Like Water for Chocolate tells a cosmic love story, a Mexican Midsummer Night's Dream that stretches from the fall of Montezuma's Mexico to the 23rd century. By including the music that so perfectly accompanies the story, this audio weaves and enchanting and enveloping spell that will absorb listeners in ways no novel ever has before. Simultaneous hardcover release from Crown. 4 cassettes.
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
This book borrows its title from a short story coauthored by H.P. Lovecraft, and it starts out like a classic Lovecraft tale, with an escaped psychiatric patient sending his wife a message from beyond the grave.
But just when you think you know what kind of book you’re reading, author La Farge throws in a twist—and then he does it again and again. It’s a unique and amazing novel that defies categorization.
From the award-winning author and New Yorker contributor, a riveting novel about secrets and scandals, psychiatry and pulp fiction, inspired by the lives of H.P. Lovecraft and his circle.
Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's…
I am a historian of early America and I teach at George Mason University.What got me interested in disaster history was Superstorm Sandy, which ravaged the Jersey Shore (and New York City) in 2012. Sandy destroyed places I cared about—my childhood rollercoaster plunged into the ocean! As I watched the news obsessively, I saw a pattern that was familiar to me from Katrina and from other recent disasters. Quantitative information—how many lives and dollars lost—and insights from hurricane science came first, followed by human-interest stories, uplifting news of relief and resilience, and (eventually) post-disaster investigations and recriminations. I wanted to understand the roots of this pattern—this "culture of calamity." When did it originate? Where did it come from?
I am a historian of early America, including the American Revolution, though I'm not a huge reader (or writer) of conventional military history. Published in 2001, Elizabeth Fenn's book was in many ways ahead of its time in emphasizing how military outcomes—and strategies—were often contingent on other seemingly unrelated factors. In this case, she argues that smallpox was a decisive force in the American War for Independence. The continental scope of her study, moreover, provides a link between that war and the ultimately successful military offensives that the independent United States inflicted on disease-weakened Native American peoples in the post-revolutionary era.
The astonishing, hitherto unknown truths about a disease that transformed the United States at its birth
A horrifying epidemic of smallpox was sweeping across the Americas when the American Revolution began, and yet we know almost nothing about it. Elizabeth A. Fenn is the first historian to reveal how deeply variola affected the outcome of the war in every colony and the lives of everyone in North America.
By 1776, when military action and political ferment increased the movement of people and microbes, the epidemic worsened. Fenn's remarkable research shows us how smallpox devastated the American troops at Québec and…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortes and his followers conquered the city. Cortes boasted to…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
This is one of those books that I started and couldn’t stop until I finished reading.
It’s a charming, romantic, jet-setting story about two strangers who win a radio contest for a trip around the world. The only problem? The two couldn’t be more different.
With all the favorite elements of a second chance (and forced proximity) romance story, set against the international and every-changing backdrops (from Sydney to Mexico City to Mumbai and more!), readers fall head-over-heels for Dylan and Jack’s relationship.
Heartfelt and deeply moving, Wanderlust made me yearn for a chance to travel the world (and maybe start entering more radio contests!).
People We Meet on Vacation meets The Unhoneymooners in this sparkling debut romantic comedy about two near strangers—and complete opposites—who win a radio contest for a trip around the world.
Love's about to take flight.
Feeling stuck at work and tired of London’s dreary weather, magazine writer Dylan Coughlan impulsively rings a radio station one day only to win a once-in-a-lifetime trip around the world. The catch? Her travel partner must be a contact randomly selected on her phone. And of course this stressful game of contact roulette lands on a number listed only as Jack the Posho, an uptight,…
A grieving mother cuts out a piece of her dead 11-year-old son’s lung and, with the force of her grief, grows it into a carnivorous humanoid—who, in turn, grows up and tries to be a man. From the very moment I read the description of the book, I knew I had to read it, and it absolutely did not disappoint.
This is an absolutely gorgeous book in so many respects. The language. The plotting. Its dissertation on grief and family and Otherness. I love how it uses the horror genre to tell a disturbing and surreal story while also pulling from other literary forms and integrating humor and folklore.
There’s another reason it appealed to me, though: I love to travel, and Monstrilio is set in Mexico City, Brooklyn, Berlin, and Manhattan—and the setting is especially important here. Córdova does an incredible job of imbuing each setting with a unique…
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
