Twenty-five years ago, I began to study Nahuatl, the language once spoken by the Aztecs—and still spoken today by more than a million Indigenous people in Mexico. This has opened up to me a world of great excitement. After the Spanish conquest, many Aztecs learned the Roman alphabet. During the day, they used it to study the texts presented to them by the Franciscan friars. But in the evenings, they used it to transcribe old histories recited for them by their parents and grandparents. Today we are beginning to use those writings to learn more about the Aztecs than we ever could before we studied their language.
Many people don’t realize that there were Indigenous people who chose to side with the Spaniards.
If they had reasons of their own to support the powerful outsiders, they sometimes did so. One such man had a great-great-grandson who became a writer in colonial Mexico. He took the family stories and did some research of his own, and then wrote this compelling account of the decisions his ancestor made and the actions he took.
I love his pride! (Warning: you have to like battle scenes to like this one.)
For many years, scholars of the conquest worked to shift focus away from the Spanish perspective and bring attention to the often-ignored voices and viewpoints of the Indians. But recent work that highlights the "Indian conquistadors" has forced scholars to reexamine the simple categories of conqueror and subject and to acknowledge the seemingly contradictory roles assumed by native peoples who chose to fight alongside the Spaniards against other native groups. The Native Conquistador-a translation of the "Thirteenth Relation," written by don Fernando de Alva Ixtlilxochitl in the early seventeenth century-narrates the conquest of Mexico from Hernando Cortes's arrival in 1519…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
To complement the perspectives of historians and art historians, Carballo’s book offers the viewpoint and skills of an archaeologist. But Collision of Worlds is far from being a field report from a dig. Instead, Carballo combines the sources and methods of historians and archaeologists to present a thorough and deep-rooted account of the two civilizations that met in Mexico five hundred years ago, giving the reader a more extensive background on the Iberian and Mesoamerican past than the other books I have selected. Like the other books I have chosen, this is recent work, and thus together these books all represent slightly different takes on the topic.
Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortes joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec Empire. It served as a template for the forging of much of Latin America and initiated the globalized world we inhabit today. The violent clash that culminated in the Aztec-Spanish war of 1519-21 and the new colonial order it created were millennia in the making, entwining the previously independent cultural developments of both sides of the Atlantic.
Keith Foskett has hiked around 15,000 miles on classic hiking trails including the Pacific Crest Trail, El Camino de Santiago, and the Appalachian Trail. He has written four books, and contributes to various outdoor publications. Having once been described as an anomaly (it was apparently a compliment), he now divides his time between walking, cycling, and delving into the merits of woollen underwear.
The first line of the description roused my curiosity with this one: "Richard Grant has never spent more than twenty-two consecutive nights under the same roof." Curious about his own wanderlust, and theorising that America is full of wanderers, he went out to prove it. Delving into the whys of nomads and travellers, I now understand my own nomadic tendencies.
Richard Grant has never spent more than 22 consecutive nights under the same roof. Motivated partly by his own wanderlust and partly by his realisation that America is a land populated by wanderers, he set out to test his theory and this book is the result. Grant follows the trails of the first European to wander across the American West (a failed conquistador); joins a group of rodeo-competing cowboys (and gets thrown by a mechanical bull); tells the story of the vanishing nomadic Indians and links up with 300,000 "gerito gypsies" - old people who live and travel in their…
I became fascinated by westerns when my parents took me on vacation to Deadwood, South Dakota and I came home with a brace of toy six-shooters and a book called The Gunfighters by Lea F McCarty, which featured bios of various notorious westerners, from Billy The Kid to Calamity Jane. I eventually left Clayton Moore and The Cisco Kid behind for Sergio Leone. I had a strong interest in ghost stories, and it was Robert E. Howard that gave me the bug for the weird western genre. I wrote two straight-up western novels, Buff Tea and Coyote’s Trail, but I didn’t find an audience until I started injecting my stories with ghoulies.
Best known for creating Conan The Barbarian, Howard fathered the weird western genre with his seminal 1932 short story "The Horror From The Mound," collected here along with "The Thunder-Rider" and "Old Garfield’s Heart." Reading these early genre mashup stories of conquistador vampires, reincarnation, and Native American magic in high school was like tasting peanut butter and chocolate for the first time. They made new notions bloom like a field in my mind. You could take the gritty frontier of Lonesome Dove and introduce an element of the magical fantastic, and if you respected both genres, come up with something entirely new. I especially appreciated the culture clash of the frontier.
It’s something I explore a lot in my own work; that disparate peoples meet, mix, and come away changed by the encounter. This is an idea that Howard, who adored research and folklore, represents pretty well in "Old Garfield’s…
Robert E. Howard is celebrated as the founding father of sword-and-sorcery, the creator of Conan of Cimmeria and Kull of Atlantis. The Black Stranger and Other American Tales demonstrates that in some of his most powerful heroic fantasy and horror stories, he also explored a New World older and more haunted than that which we've seen in textbooks or museum exhibits. In Howard's Gothic America, dominion goes hand in hand with damnation and the present never ceases to writhe in the grip of the past. "The Black Stranger" spearheads the collection. Located at the extreme edge of Hyborian geography and…
I'm a historian of gender in colonial Latin America. I'm always looking for surprises in these stories: men's and women's lives in the past were not narrower than ours, and I love to find their strategies for dealing with a system that was often stacked against them. I enjoy learning that my expectations were wrong, and thinking about the past as a living world. As a researcher who is always stumbling on unusual documents that I have to confront with fresh eyes, I really love a book that challenges me to think about how we can even know about the past, especially in terms of race and gender.
We don't know very much about Indigenous women's lives before and during the Spanish conquest. Camilla Townsend let me imagine how Malintzin, an enslaved Indigenous girl who was presented as a gift to the conquistador Hernando Cortés, experienced and made sense of that world.
I was transported to central Mexico and Yucatán through Townsend's careful but lively reading of art, poetry, and historical writings, her lush building of landscapes and lifeways created a space where I could place Malintzin and understand her choices. Those choices were complicated: she transformed herself from a slave into Cortés' most important interpreter and ally, translating Indigenous diplomats and leaders so that Cortés knew whom to trust, speaking back to them as his mouthpiece. I was convinced that Malintzin was both a brilliant strategist and also a woman with few options and not the outright villain or hero that a lot of the literature wishes…
Malintzin was the indigenous woman who translated for Hernando Cortes in his dealings with the Aztec emperor Moctezuma in the days of 1519 to 1521. 'Malintzin', at least, was what the Indians called her. The Spanish called her dona Marina, and she has become known to posterity as La Malinche. As Malinche, she has long been regarded as a traitor to her people, a dangerously sexy, scheming woman who gave Cortes whatever he wanted out of her own self-interest. The life of the real woman, however, was much more complicated. She was sold into slavery as a child, and eventually…
I’m a social and cultural historian of North America and Latin America, specializing in the history of alcohol, food, and identity. When I’m not researching, writing, or teaching about food history, I’m generally cooking, eating or thinking about food, perusing recipe books, or watching cookery programs on TV. I have been especially fascinated by all things Mexico since I read Bernal Díaz’s A True History of the Conquest of New Spainas a teenager, and I think Mexican cuisine is the best in the world.
As an undergraduate student I was lucky enough to take Professor Earle’s class on the history of food in Latin America and this book encapsulates the expansive outlook and conceptual complexity that made that class so mind-bogglingly brilliant and enjoyable. By examining the systems of thought through which European colonizers and Indigenous peoples of the Americas understood different foods, ways of cooking and eating, and the influence of diet on people’s bodies,The Body of the Conquistador helped me to think about the axiom “you are what you eat” in a whole new way.
This fascinating history explores the dynamic relationship between overseas colonisation and the bodily experience of eating. It reveals the importance of food to the colonial project in Spanish America and reconceptualises the role of European colonial expansion in shaping the emergence of ideas of race during the Age of Discovery. Rebecca Earle shows that anxieties about food were fundamental to Spanish understandings of the new environment they inhabited and their interactions with the native populations of the New World. Settlers wondered whether Europeans could eat New World food, whether Indians could eat European food and what would happen to each…
I am the author of 30 books. I live and teach in Mexico. I became interested in the St. Patrick's Battalion story when I moved here in 1990. The only book at the time was Shamrock and Sword, and while I enjoyed the book, I was dismayed that there were no Mexican or Irish sources. I did intensive research in the military archives of both countries and visited every battle site. Spurred on by the fact that one of my ancestors fought in the war, it became a passion. Later, I wrote my book and was a consultant for the film One Man's Hero. The rest, as they say, is history.
This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.
We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.
A complete, accessible, and nonacademic history of Mexico for general readers, this volume is a solidly researched introduction to a surprisingly multicultural, multifaceted nation. Presenting Mexico as it is and often with a refreshing wit and humor, this history puts flesh and bones on the dusty figures of the past while shedding light on the common humanity of the uncommon humans who created this unique country and its culture. From Mayans and Spanish conquistadors to guerillas and tourist invasions, the full thread of Mexican history is told here in a fresh, lively, uncompromising narrative for scholars, general readers, and generations…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
After reading one or more of my other recommendations, you might be ready for some primary sources. But the obvious, well-known sources written in the 16th century—such as those by Hernando Cortés and Bernal Díaz—are very long and tend to be misleadingly presented as straight-forward eye-witness accounts. In fact, conquistador accounts are full of inventions and distortions. Victors and Vanquished offers excerpts from such sources (Cortés and Díaz included), but with helpful introductions, carefully selected and juxtaposed with textual—and even some visual—sources by Aztecs and other Nahuas (the Indigenous peoples of Central Mexico). This is intended for the classroom, as the basis for discussion, so it might not be an engaging read the same way that the other books are. But there is no better way to access such a variety of primary sources in translation, presented in an informed, intelligent, and manageable way.
Focusing on the major events and personalities during the fall of the Mexica empire, Victors and Vanquished helps you go deeper into this historical episode by revealing changing attitudes toward European expansionism.
I’m an archaeologist at Boston University with a transatlantic family that spans Spain and Latin America. My research has primarily focused on Mesoamerica, and prehispanic central Mexico more specifically, but the deep roots of these transatlantic entanglements have always fascinated me personally and as a historically minded scholar.
A vivid account of life in the Aztec world and the tragic Aztec-Spanish War told by Indigenous scribes writing in Nahuatl during the decades following these events and the transformation to colonial New Spain. Mexican authors began publishing translations of Native-author sources in the late eighteenth century; yet, together with his former advisor, Ángel María Garibay, León-Portilla did more than any other twentieth-century scholar to elevate the voices and perspectives of Nahua peoples, the descendants of the prehispanic Aztecs. The Broken Spears was first published in Spanish in 1959 and translated to English in 1962. It has been translated into many other languages and revised versions since. Its key sixteenth-century texts include portions of Book 12 of the Florentine Codex, compiled by the Franciscan friar Bernardino de Sahagún, and sections of the Annals of Tlatelolco. Within these composite sources, readers can sense the multivalence of the Native authors…
For hundreds of years, the history of the conquest of Mexico and the defeat of the Aztecs has been told in the words of the Spanish victors. Miguel León-Portilla has long been at the forefront of expanding that history to include the voices of indigenous peoples. In this new and updated edition of his classic The Broken Spears, León-Portilla has included accounts from native Aztec descendants across the centuries. These texts bear witness to the extraordinary vitality of an oral tradition that preserves the viewpoints of the vanquished instead of the victors. León-Portilla's new Postscript reflects upon the critical importance…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
I love Oxford’s Very Short Introductions series (I have co-authored two books in the series, on The Conquistadors and on The Maya), and this is one of my favorite volumes in the series. It is a book I often use in the classroom and as a reference. Carrasco writes with clarity and wit, managing both to introduce readers to the Aztecs as well as to take us more deeply into various aspects of their history and culture. He has written a great deal on the Aztecs, particularly on their religion, and his depth of knowledge shows—but is not showy. His interpretation of Aztec culture is different from Townsend’s (and, to some extent, mine), but not confusingly so; in other words, you could read both this book and her Fifth Sun, get a sense of how scholars grapple with the tricky evidence that has survived, with both authors helping…
This Very Short Introduction employs the disciplines of history, religious studies, and anthropology as it illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare. David Carrasco looks beyond Spanish accounts that have colored much of the Western narrative to let Aztec voices speak about their origin stories, the cosmic significance of their capital city, their methods of child rearing, and the contributions women made to daily life and the empire. Carrasco…
