Here are 100 books that Aztec fans have personally recommended if you like
Aztec.
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I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded.
Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).
Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
I remember buying The Long Ships about twenty years ago on Potrero Hill in San Francisco. Generally speaking, 1950s Swedish novels about Vikings are not my thing, but there was an absolutely over-the-top introduction from Michael Chabon.…'best novel ever’ kind of stuff…so I bought it.
Since then, I have recommended it to dozens of people, almost all of whom have, often to their surprise, loved it and recommended it to others. My favorite recommendation was to a pal whose daughter absconded with it and was reading it on a parapet in southern Spain when a guy came by and asked her what she was reading. She showed him the book, he perused it gravely, and then tore out the frontispiece and used it to roll a joint. This is a very satisfying book in every way.
Don’t get it confused with the derivative Norwegian comedy series, Norsemen. The Long Ships…
This saga brings alive the world of the 10th century AD when the Vikings raided the coasts of England.
Acclaimed as one of the best historical novels ever written, this engaging saga of Viking adventure in 10th century northern Europe has a very appealing young hero, Orm Tostesson, whose story we follow from inexperienced youth to adventurous old age, through slavery and adventure to a royal marriage and the search for great treasure. Viking expeditions take him to lands as far apart as England, Moorish Spain, Gaardarike (the country that was to become Russia), and the long road to Miklagard.…
Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.
Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
I fell in love with historical novels as a kid somewhere between reading Johnny Tremain and Ben and Me (from the point of view of a mouse living in Ben Franklin’s hat) in elementary school and Mika Waltari’s The Roman and The Egyptian and Lew Wallace’s Ben-Hur in junior high. And that love led me to write After the Lost War, a historical novel in verse based on the life of the poet Sidney Lanier, who served in the confederate army in the civil war, survived to start a family and died from tuberculous he contracted as a prisoner of war.
Ever wonder how in the world Hannibal got elephants across the alps? Ross Leckie’s violent and graphic account answers that question and more as it plunges the reader into the mind of the Carthaginian general driven to avenge his father’s defeat and this country’s humiliation in the first Punic War. The book revels in the fascinating details of ancient military campaigns and battle tactics. It’s a blood-drenched fever-dream of a novel that’s not for the squeamish, but a compulsive read for the rest of us.
A battle is like lust. The frenzy passes. Consequence remains.
Hannibal is an epic vision of one of history's greatest adventurers, the almost mythical man who most famously led his soldiers on elephants over the Alps. In Ross Leckie's unforgettable re-creation of the Punic wars, it is Hannibal, the Carthaginian general, who narrates the story, and who is carried by his all-consuming ambition through profoundly bloody battles against the great Roman armies of early empire.
In this breathtaking chronicle of love and hate, heroism and cruelty, one of humanity's greatest adventurers is brought to life, who learns through suffering that…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
To complement the perspectives of historians and art historians, Carballo’s book offers the viewpoint and skills of an archaeologist. But Collision of Worlds is far from being a field report from a dig. Instead, Carballo combines the sources and methods of historians and archaeologists to present a thorough and deep-rooted account of the two civilizations that met in Mexico five hundred years ago, giving the reader a more extensive background on the Iberian and Mesoamerican past than the other books I have selected. Like the other books I have chosen, this is recent work, and thus together these books all represent slightly different takes on the topic.
Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortes joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec Empire. It served as a template for the forging of much of Latin America and initiated the globalized world we inhabit today. The violent clash that culminated in the Aztec-Spanish war of 1519-21 and the new colonial order it created were millennia in the making, entwining the previously independent cultural developments of both sides of the Atlantic.
I’m an archaeologist at Boston University with a transatlantic family that spans Spain and Latin America. My research has primarily focused on Mesoamerica, and prehispanic central Mexico more specifically, but the deep roots of these transatlantic entanglements have always fascinated me personally and as a historically minded scholar.
A vivid account of life in the Aztec world and the tragic Aztec-Spanish War told by Indigenous scribes writing in Nahuatl during the decades following these events and the transformation to colonial New Spain. Mexican authors began publishing translations of Native-author sources in the late eighteenth century; yet, together with his former advisor, Ángel María Garibay, León-Portilla did more than any other twentieth-century scholar to elevate the voices and perspectives of Nahua peoples, the descendants of the prehispanic Aztecs. The Broken Spears was first published in Spanish in 1959 and translated to English in 1962. It has been translated into many other languages and revised versions since. Its key sixteenth-century texts include portions of Book 12 of the Florentine Codex, compiled by the Franciscan friar Bernardino de Sahagún, and sections of the Annals of Tlatelolco. Within these composite sources, readers can sense the multivalence of the Native authors…
For hundreds of years, the history of the conquest of Mexico and the defeat of the Aztecs has been told in the words of the Spanish victors. Miguel León-Portilla has long been at the forefront of expanding that history to include the voices of indigenous peoples. In this new and updated edition of his classic The Broken Spears, León-Portilla has included accounts from native Aztec descendants across the centuries. These texts bear witness to the extraordinary vitality of an oral tradition that preserves the viewpoints of the vanquished instead of the victors. León-Portilla's new Postscript reflects upon the critical importance…
Twenty-five years ago, I began to study Nahuatl, the language once spoken by the Aztecs—and still spoken today by more than a million Indigenous people in Mexico. This has opened up to me a world of great excitement. After the Spanish conquest, many Aztecs learned the Roman alphabet. During the day, they used it to study the texts presented to them by the Franciscan friars. But in the evenings, they used it to transcribe old histories recited for them by their parents and grandparents. Today we are beginning to use those writings to learn more about the Aztecs than we ever could before we studied their language.
Many people don’t realize that there were Indigenous people who chose to side with the Spaniards.
If they had reasons of their own to support the powerful outsiders, they sometimes did so. One such man had a great-great-grandson who became a writer in colonial Mexico. He took the family stories and did some research of his own, and then wrote this compelling account of the decisions his ancestor made and the actions he took.
I love his pride! (Warning: you have to like battle scenes to like this one.)
For many years, scholars of the conquest worked to shift focus away from the Spanish perspective and bring attention to the often-ignored voices and viewpoints of the Indians. But recent work that highlights the "Indian conquistadors" has forced scholars to reexamine the simple categories of conqueror and subject and to acknowledge the seemingly contradictory roles assumed by native peoples who chose to fight alongside the Spaniards against other native groups. The Native Conquistador-a translation of the "Thirteenth Relation," written by don Fernando de Alva Ixtlilxochitl in the early seventeenth century-narrates the conquest of Mexico from Hernando Cortes's arrival in 1519…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
I love Oxford’s Very Short Introductions series (I have co-authored two books in the series, on The Conquistadors and on The Maya), and this is one of my favorite volumes in the series. It is a book I often use in the classroom and as a reference. Carrasco writes with clarity and wit, managing both to introduce readers to the Aztecs as well as to take us more deeply into various aspects of their history and culture. He has written a great deal on the Aztecs, particularly on their religion, and his depth of knowledge shows—but is not showy. His interpretation of Aztec culture is different from Townsend’s (and, to some extent, mine), but not confusingly so; in other words, you could read both this book and her Fifth Sun, get a sense of how scholars grapple with the tricky evidence that has survived, with both authors helping…
This Very Short Introduction employs the disciplines of history, religious studies, and anthropology as it illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare. David Carrasco looks beyond Spanish accounts that have colored much of the Western narrative to let Aztec voices speak about their origin stories, the cosmic significance of their capital city, their methods of child rearing, and the contributions women made to daily life and the empire. Carrasco…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
Four times the sun has died and been reborn, and now we are living in the world of the fifth sun.
In this wonderful imaginative rendering of Aztec history, we move between mythological and real time, following the Mexica people as they gain power and establish a great kingdom, and then suffer the disaster of Spanish attack. The voices of many different people speak through this story, men and women, telling us of the price that they paid each step of the way in the struggle to survive in a beautiful but brutal world.
In November 1519, Hernando Cortes walked along a causeway leading to the capital of the Aztec kingdom and came face to face with Moctezuma. That story-and the story of what happened afterwards-has been told many times, but always following the narrative offered by the Spaniards. After all, we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partially translated, and rarely consulted by…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
After reading one or more of my other recommendations, you might be ready for some primary sources. But the obvious, well-known sources written in the 16th century—such as those by Hernando Cortés and Bernal Díaz—are very long and tend to be misleadingly presented as straight-forward eye-witness accounts. In fact, conquistador accounts are full of inventions and distortions. Victors and Vanquished offers excerpts from such sources (Cortés and Díaz included), but with helpful introductions, carefully selected and juxtaposed with textual—and even some visual—sources by Aztecs and other Nahuas (the Indigenous peoples of Central Mexico). This is intended for the classroom, as the basis for discussion, so it might not be an engaging read the same way that the other books are. But there is no better way to access such a variety of primary sources in translation, presented in an informed, intelligent, and manageable way.
Focusing on the major events and personalities during the fall of the Mexica empire, Victors and Vanquished helps you go deeper into this historical episode by revealing changing attitudes toward European expansionism.
