World
myths have intrigued me since my teenage years and in various forms have
underscored much of my fiction. The exclusion of the goddess from modern
religion and culture and its many ramifications is something I have explored
in my novels, albeit set in an imagined world.
Returning to the topic recently, certainly one of the most comprehensive books
on the topic I’ve read is The Myth of the Goddess. It’s a painstakingly
researched, scholarly but highly accessible exploration and deep investigation
into the many (yet essentially one) goddess figures of ancient cultures. It
carries us from the Paleolithic age through the emerging cultures of Crete,
Sumeria, Egypt, Babylon, Greece and more, to the advent of Judaeo-Christian
monotheism, the assembling of the patriarchal superstructure, the Gnostic Sophia, the
Catholic cult of Mary and western civilization’s consequent disconnection from the
natural world.
A comprehensive, scholarly accessible study, in which the authors draw upon poetry and mythology, art and literature, archaeology and psychology to show how the myth of the goddess has been lost from our formal Judeo-Christian images of the divine. They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
With The Goddess Path the late Patricia Monaghan, author of The New Book of Goddesses and Heroines, bequeathed a well-designed and deeply wise pathway into spiritual engagement. She begins in “Basics of Goddess Spirituality” by answering commonly heard questions, then presents “Frameworks for Goddess Imagery” and “The Goddess Year” of rituals. The rest of the book is “The Goddess Revealed”: a chapter on each of twenty Goddesses, presenting her historical or traditional invocation, her myth and meaning, her symbols, and her feasts. At that point, Patricia Monaghan presents suggestions for invoking each Goddess through the reader’s personal ritual. Here she wisely speaks of the dynamics of women’s lives in modern culture and the power of this spiritual practice, flowing from extremely ancient roots into the presence of 21st-century women.
In this text, Patricia Monaghan, offers a creative approach to worship, one in which the reader can develop and ritualize their own connection to the goddess' manifestations around the world.
I’m a paranormal romance and fantasy author who fell in love with fantasy as a young girl. My journey as a reader started when I was four, but what changed me entirely was Russian Tales woven with magic. I’m passionate about Lycans, Werewolves, Witches, Vampires, and everything that’s magical. I like to write sizzling tales of love and betrayal.
This entire series has my heart and soul. Paranormal world fused with Greek mythology? Hell, yes! I’d read this any day and every day. My top pick in this series is The Darkest Kiss because I love the female lead Anya. She’s just amazing. Anya is introduced as a fun loving, trouble maker but as the novel evolves we learn Anya has more layers to her character and with each layer coming off, you can’t help but fall deeply in love with her just like Death. I mean, I totally understand him. This book is such an entertaining read.
She has tempted many men…but never found her equal. Until now.
Though she has lived for centuries, Anya, goddess of anarchy, has never known pleasure. Until Lucien, the incarnation of death—a warrior eternally doomed to take souls to the hereafter. He draws her like no other. And Anya will risk anything to have him. But when the merciless Lord of the Underworld is ordered by the gods to claim Anya herself, their uncontrollable attraction becomes an anguished pursuit. Now they must defeat the unconquerable forces that control them, before their thirst for one another demands a sacrifice of love beyond…
I rarely re-read books, but Salman Rushdie’s Victory City will be the exception. It is a feast of magic, humor, exotic locations, goddesses, dynastic conflict, and wars of conquest.
Love and betrayal, tolerance, and bigotry compete as the story travels through two and a half centuries of the life of one woman. Favored by a goddess, she becomes the creator of a great kingdom, speaks with the goddess’s voice, and carries her magic through her long life.
In recounting the rise and fall of Victory City, its heroes, and destroyers, Rushdie lays out a magic carpet ride for his readers. His wonderful humor is abundant. The kings, queens, warriors, and citizens of Victory City are only words. “Words are the only victors.”
She will whisper an empire into existence - but all stories have a way of getting away from their creators . . .
'A total pleasure' SUNDAY TIMES
'Shows once again why his work will always matter' NEW YORK TIMES
'Rushdie still has the gift of alchemy' FINANCIAL TIMES
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who tells her that she…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
If you try to learn about the cultural history of the sacred female cross-culturally, you are likely to encounter the attitude in our patriarchal society that Goddesses couldn’t really have been widespread or ever been very important. A handy refutation can be found in this book, which contains information on over 11,000 Goddesses, nymphs, spirits, and deified women around the world. Grouped according to geographic regions, each entry gives you not only the translation of the Goddess’s name but also her story. That is, it’s a biographical dictionary because it gives the characteristics and the mythology associated with each Goddess. If you read through the entries for any one region, you will become immersed in a deeply poetic sense of the resonant cultural history underlying later developments.
This biographical dictionary contains 11,500 entries for goddesses from around the world and throughout time. Each entry contains area location, associated attributes, and a brief description. Many entries also contain brief retellings of the main myth pertaining to that goddess. This book is intended for religion students and scholars; those interested in New Age.
This is McMinn’s debut novel, and wow. What a debut.
The Ruptured Sky is a book that’s filled with action from the off. Nothing in this book is obvious – nothing goes smoothly for the characters, and they all face obstacles at every turn. It’s not what I would call a laugh-a-minute book, but it’s one that’s definitely engaging and compelling.
I couldn’t put this book down and certainly didn’t want it to end; to the point where I was loath to read the final chapter.
Abandoning her homeland, she travels across the ruins of Whyt’hallen to take up the hunt against the mutated remnants of a magical war that killed the gods and tore the sky asunder.
But these vicious beasts are not the darkest shadow hanging over Amika's life—it's the forbidden magic she’s hidden since childhood … and what would happen if it were discovered.
On the trail of a dangerous mark, Amika uncovers a madman who is more than what he seems. He claims her unnatural gifts are prophesied to restore the goddess to her throne, protecting Whyt’hallen…
I’m half-Filipino and half-Spanish. Growing up in the Philippines, I had to deal with many of the same emotions that the characters on this list go through. My identity made sense to me, but I found that I often had to explain it to other people, and I also found that outside my own house, people made their own opinions about whether I was more Filipino, more Spanish, or something else entirely. I’ve always been fascinated by how characters in fiction deal with this struggle, and I’ve always related more to characters who feel out of place.
The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere.
“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns
A girl of two worlds, accepted by none… A half Reaper, half Shinigami soul collector seeks her destiny in this haunting and compulsively readable dark fantasy duology set in 1890s Japan.
Death is her destiny.
Half British Reaper, half Japanese Shinigami, Ren Scarborough has been collecting souls in the London streets for centuries. Expected to obey the harsh hierarchy of the Reapers who despise her, Ren conceals her emotions and avoids her tormentors as best she can.
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
This is a left-of-field choice, but when thinking about female fliers it is worth remembering the cultural baggage they inevitably carry with them. Historically, female flight whether by broom, wing, mental transcendence or in the cockpit of a Spitfire, has threatened the patriarchy while liberating women. Even today, ‘flighty’ women are still considered in negative terms. This book explores the power and prejudice around aerial females.
From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike;…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
There are hundreds of good books on Goddess spirituality. This one presents a heart-centered approach that blends beautiful color plates of historical Goddess art and artifacts from around the world with an accessible explication of each Goddess’s mythology and cultural significance—as well as Hallie Iglehart Austen’s invitation to join her in a brief guided mediation for each Goddess. Her stated goal is that readers might “come into balance, reclaiming the lost feminine deep within ourselves and sharing that wisdom and power with the world.” Here’s the opening to a preface entitled “A Millennial’s Initiation”: “Every book is a teacher, yet some books reveal truths that flow into your deepest roots and stay with you forever. Reading The Heart of the Goddess was, truly, a rite of passage for me.”
I have been a spiritual seeker my entire life, drawn to the mysteries of life, the nature of the soul, the afterlife, intuitive knowing, higher consciousness, and psycho-spiritual transformation. Besides the numerous personal teachers who have enriched my path, personal/ spiritual growth books have been a powerful guide and inspiration. In my coaching practice “Touch The Soul”, I continually draw on my own 70 plus years of acquired elder wisdom as well as the wisdom of so many who have come before me, writers and wayshowers of expansive spirituality.I am grateful to share a few books which may enlighten and deepen your own spiritual journey.
What does it mean to become “a juicy crone”? Expanded mystical, intellectual, intuitive, and meditative wisdom as well as healing laughter, outrage, and compassion are all available to the elder woman in the goddess archetypes present in her psyche. I love the comprehensive and empowering recognition of the beautiful, priceless inner gifts possible in a woman's rebirthing after the age of 50.
From the bestselling author of Goddesses in Everywoman comes a celebration of life past fifty.
At some point after fifty, every woman crosses a threshold into the third phase of her life. As she enters this uncharted territory she can choose to mourn what has gone before, or she can embrace the juicy-crone years.
In this celebration of Act Three, Jean Shinoda Bolen, Jungian analyst and bestselling author of Goddesses in Everywoman, names the powerful new energies and goddess archetypes of compassion, outrage, healing laughter, and new layers of wisdom that come into the psyche at this momentous time. Bolen…
