I have loved escaping into different worlds for most of my life and all of these authors have inspired me to delve into worlds that don’t exist. They have taught me how to craft and expand my own made-up fantasy worlds. Not only inspiring my writing, but also giving me moments where I can escape from the world for a time and let my imagination run riot. I wanted to give readers the same chance to do just that in my latest book Realm of Dragons, Fight for the Crown, and I have these tales to thank for that. Truly great fantasy writers give us the chance to escape.
A simple explanation of this book is Althalas is a thief and lives his life looking for the next heist he can pull off, until the Goddess Dweia hires him to save the world from the desolations of her evil brother Daeva and his henchman Ghend. The telling of this tale is anything but simple. The authors have drawn on past civilisations that can be easily recognised to the reader, such as the Roman and Viking, adding their own lore and history to it. It is richly described and draws the reader to become invested in Althalas’s troubles and successes, along with all of his personable and flawed companions. It is an enjoyable read, and I dare you not to fall in love with Emmy.
A fabulous brand new Eddings standalone fantasy, set in an entirely new magical world.
Burglar, armed robber and sometime murderer, our hero Althalus is commissioned to steal a book from the House at the End of the World by a mysterious cloaked stranger named Ghend. At the House at the End of the World, he finds a talking cat... in the same room as the book Ghend described. What he can't find once he's in the house is the door by which he entered. Only 2467 years and an ice age later does Althalus re-emerge with the cat, Emmy. He's…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
This is another book that permanently perches on my shoulder. It is a masterpiece by a visionary author that helped me to explore the mythic origins of shrubs and trees in early societies. The book inspired me to write essays on the hazel and the hawthorn, their early blossoms as manifestations of the power of the mysterious white mantle spread by the White Goddess in Celtic lands, in contradistinction to the Aphrodite as the goddess of all that is green in the Mediterranean.
The definitive edition of one of the more extraordinary and influential books of our time
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry. Incorporating all of Graves's final revisions, his…
I liked the insight into Vijayanagara, the real empire located in present day Karnataka, India that Rushdie fictionalizes in his magic realism fable. The character of Pampa Campana, the 250-year-old queen who never ages, is a proxy for the kingdom that lasted for that same amount of time from the 14-16th centuries. There are stories within stories here, exposing all the travails of medieval empires, replete with conspiracies, uprisings, internal turf-battles, colonizers, assassinations, and border wars between the Hindus and the Moghuls. A must read for someone trying to understand the multi-faced fabric of Indian history. It is also a proxy for the rise and fall of empires, of how they rise and why they fall.
She will whisper an empire into existence - but all stories have a way of getting away from their creators . . .
'A total pleasure' SUNDAY TIMES
'Shows once again why his work will always matter' NEW YORK TIMES
'Rushdie still has the gift of alchemy' FINANCIAL TIMES
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who tells her that she…
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The book chronicles Kidd’s evolution from a patriarchal religion into a spirituality that honors her as a woman. She’d built her reputation and made her livelihood as a Christian writer and speaker, and she risked everything: career, marriage, family, and friends in leaving that behind. I was making a similar journey when I found the book, leaving behind the organized religion I’d grown up with and significantly, married into. Fighting broke out when I quit attending services, and I received a lot of condemnation for seeking to free myself from a religion thousands of years old. How dare I! I was letting my immediate, and not so immediate, family and community down. I was headed for damnation. Kidd’s book uplifted and supported my decision. It’s honest, too, in addressing one’s internal conflicts about change. The book gave me the courage to face my fears, my guilts, and keep following my…
"A masterpiece of women’s wisdom."—Christiane Northrup, M.D.
"The journey to capture her feminine soul and live authentically . . . makes a fascinating, well-researched and well-written story."—Publishers Weekly
In celebration of the twentieth anniversary of its publication, a newly reissued edition of the bestselling author’s classic work of feminine spiritual discovery, with a new introduction by the author.
"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening."—Sue Monk…
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.
While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely…
I have been a spiritual seeker my entire life, drawn to the mysteries of life, the nature of the soul, the afterlife, intuitive knowing, higher consciousness, and psycho-spiritual transformation. Besides the numerous personal teachers who have enriched my path, personal/ spiritual growth books have been a powerful guide and inspiration. In my coaching practice “Touch The Soul”, I continually draw on my own 70 plus years of acquired elder wisdom as well as the wisdom of so many who have come before me, writers and wayshowers of expansive spirituality.I am grateful to share a few books which may enlighten and deepen your own spiritual journey.
What does it mean to become “a juicy crone”? Expanded mystical, intellectual, intuitive, and meditative wisdom as well as healing laughter, outrage, and compassion are all available to the elder woman in the goddess archetypes present in her psyche. I love the comprehensive and empowering recognition of the beautiful, priceless inner gifts possible in a woman's rebirthing after the age of 50.
From the bestselling author of Goddesses in Everywoman comes a celebration of life past fifty.
At some point after fifty, every woman crosses a threshold into the third phase of her life. As she enters this uncharted territory she can choose to mourn what has gone before, or she can embrace the juicy-crone years.
In this celebration of Act Three, Jean Shinoda Bolen, Jungian analyst and bestselling author of Goddesses in Everywoman, names the powerful new energies and goddess archetypes of compassion, outrage, healing laughter, and new layers of wisdom that come into the psyche at this momentous time. Bolen…
I have been publishing speculative fiction for over thirty years and the Beatrice Beecham Young Adult series since 2005. During this time, my appetite for quality fiction has never waned and, as readers will see from the recommended titles here, my reading is broad and spans not only entertaining, escapist fiction, but also that which has a profound message to tell. As a mentor for the Horror Writers Association (HWA) I have used my experience and passion for writing to help other writers develop and hone their craft and was humbled to be a recipient of the ‘HWA Mentor of the Year Award’ in 2023. In short, I know what makes a good story!
Bacon is a masterful storyteller known for creating surreal and obtuse landscapes and characters.
Broken Paradise is an intriguing tale of deception and sibling rivalry, featuring gods and magi, who engage in a cat-and-mouse battle beneath the oceans of the world. The primary message of the book leaves the reader questioning the strength of families, be that the power of unity, or its propensity for self-destruction.
The protagonist is Samaki—the goddess of water—who must divide herself into four parts to escape the wrath of her murderous brother. As Samaki hides, so she must learn to protect herself, growing and honing her powers under the tutorage of Mae, the enigmatic owner of her submersible home.
After falling out with her brothers, Samaki the goddess of water flees to Earth where she must mask her trace by splitting into a quadruplet of magi.A quadruplet is perfect, but all things are never equal. Dissonance arises when the magus Umozi breaks the quadruplet.Only the newness of a child magus can restore balance and save a broken paradise-with the help of a goddess mother.
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I stumbled across this book, written by a Nobel prize winner I had never heard of, when I was researching “comps” for my new novel. Both turn on the premise that suddenly death ceases to happen to people after a certain point in time; in Saramago’s novel, this is because Death is a female deity who gets really tired of her job.
It’s utterly fanciful but scathingly satirical in portraying humankind’s reactions to what they always thought would be a boon but soon realize is a catastrophe. It made me change some aspects of my book to try to emulate Saramago’s level of sophistication—and sense of humor—about human nature.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
This is McMinn’s debut novel, and wow. What a debut.
The Ruptured Sky is a book that’s filled with action from the off. Nothing in this book is obvious – nothing goes smoothly for the characters, and they all face obstacles at every turn. It’s not what I would call a laugh-a-minute book, but it’s one that’s definitely engaging and compelling.
I couldn’t put this book down and certainly didn’t want it to end; to the point where I was loath to read the final chapter.
Abandoning her homeland, she travels across the ruins of Whyt’hallen to take up the hunt against the mutated remnants of a magical war that killed the gods and tore the sky asunder.
But these vicious beasts are not the darkest shadow hanging over Amika's life—it's the forbidden magic she’s hidden since childhood … and what would happen if it were discovered.
On the trail of a dangerous mark, Amika uncovers a madman who is more than what he seems. He claims her unnatural gifts are prophesied to restore the goddess to her throne, protecting Whyt’hallen…
