My ache for the ancient is a disease. It’s probably safe to say that I am the creator of the world’s greatest range of Egypt-based fiction by a single author. My depth of knowledge comes from a lifetime spent studying ancient Egypt and Egyptian archaeology and making numerous research trips to Egypt. I am fascinated by the mystery of ancient Egypt and its potency and relevance to today’s world. I have written numerous series and stand-alone adventures.
A thrilling read that first sparked my lifelong passion for ancient Egypt with its vivid recreation of a distant past.
Sinuhe’s career as a young Egyptian physician takes him to the center of royal power and secrets and into the lives of unforgettable characters. Like the heartless courtesan Nefernefernefer, a beauty whose name ensured that no man would ever hear it spoken without saying it aloud and remembering it. Just as I remember it today.
First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This book is a gem for lovers of Greece and of superlative English prose.
For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.
His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.
This is Patrick Leigh Fermor's spellbinding part-travelogue, part inspired evocation of a part of Greece's past. Joining him in the Mani, one of Europe's wildest and most isolated regions, cut off from the rest of Greece by the towering Taygettus mountain range and hemmed in by the Aegean and Ionian seas, we discover a rocky central prong of the Peleponnese at the southernmost point in Europe.
Bad communications only heightening the remoteness, this Greece - south of ancient Sparta - is one that maintains perhaps a stronger relationship with the ancient past than with the present. Myth becomes history, and…
A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
Alexis, a present-day heroine, travels to her mother’s childhood home in Greece, intent upon learning the family’s hidden story. Arriving there, she spies the island of Spinalonga, once an actual leper colony. Hislop then switches time periods, taking the reader to the mid-twentieth century, when leprosy and war tore families apart.
I found Hislop’s writing gentle yet wrenching, and I was heartbroken by scenes between mothers and children who had to separate forever due to illness. But I was moved, too, by the strength, resilience, and capacity for love shown by many of the characters.
I enjoy novels that are based on history, with protagonists who are tested to their very limits. I won’t soon forget this book, and I bet you won’t either!
An atmospheric, vibrant and moving first novel from an exciting new author. On the brink of a life-changing decision, Alexis Fielding longs to find out about her mother's past. But Sofia has never spoken of it. All she admits to is growing up in a small Cretan village before moving to London. When Alexis decides to visit Crete, however, Sofia gives her daughter a letter to take to an old friend, and promises that through her she will learn more. Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the tiny, deserted island of…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
This book will transport you straight back to the Crete of the Bronze Age. I felt I was taking every step with the characters. Each setting, whether it be the marketplace in the village, the palace, and the underground prison cells, is meticulously described. The society, bound by ritual and ruled by a queen and her priestesses who are constantly searching for signs of approval from the goddess, is utterly believable. It's a fascinating mix of actual history and myth, where the Gods and Goddesses are as real as they were to the people living in those times.
"The Year-God’s Daughter succeeds in bringing to life a very distant world and capturing a heady blend of archaeology, legend, myth and fantasy." Judith Starkston, author of Hand of Fire.
Award Honoree of the BRAG Medallion for outstanding fiction.
Book One, The Child of the Erinyes series. A Saga of Ancient Greece. Epic historical fantasy inspired by Ariadne, Theseus, and the Minotaur.
Step into the Bronze Age. . . .
Crete: A place of magic, of mystery, where violence and sacrifice meet courage and hope.
Aridela: Wrapped in legend, beloved of the people. An extraordinary woman who dances with bulls.…
I grew up in Latin America (& briefly in Europe) and my connections and regard for the people, culture, and natural setting resulted in my novel, A Place in the World. I have lived in six countries and appreciate the experiences. I love languages and history and like to travel, at least vicariously with a good book. I hope you enjoy my book picks as much as I have! I am a writer, former university lecturer, and environmental scientist, with an MS in geology and a passion for botany. This background enabled me to weave aspects of natural science, as well as Latino culture, into my writing.
I love this tale narrated by a young academic who teams up with an exuberant, older working man named Zorba, “a passionate lover of wine, women and song” ...and dance. The younger man is more of a staid introvert. They are in a village in Crete to develop a mine. Their interactions are both amusing and philosophical. This contrasts with one horrific event where the appalled narrator struggles to understand the village’s moral codes which conflict with his own. In the final scene as he comes out of his shell, he asks Zorba to teach him to dance.
This is one of my favorite all-time novels. Kazantzakis words are to be savored.
This moving fable sees a young Greek writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, he is gradually won over, transformed and inspired along with the reader.
Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's…
I'm a historian who teaches strategic studies at the National Defense University and Georgetown University in Washington, DC. I'm fascinated by how we write and teach history, how we interpret it, and how we use it. To use history, we have to “get it right,” but we also have to think about how the past impacts the present. One of the foremost challenges confronting historians is how to write the history of their particular subject well while making it applicable (and interesting) more universally. The following books are all particular to the region I study most closely—the Eastern Mediterranean—but their grasp of humanity is profound. Their power and perspectives ring true across millennia.
Kazantzakis is perhaps most famous for being excommunicated after he wrote The Last Temptation of Christ, but I think his best book is Freedom and Death. Freedom and Deathwas described as Kazantzakis’ “modern Iliad,” but it is more than a tale of heroes and war. It is about the struggle of the Cretan people for liberty and their desire to end the Ottoman occupation of their island at the end of the 19th century. In spite of the obvious morality of the cause of freedom, Kazantzakis paints a complex picture in which there are no obvious heroes and humanity’s faults are clearly visible. No character is more noble than the Turk, Nuri Bey. None more flawed than the novel’s Greek protagonist, Captain Michalis. Freedom and Deathis also the powerful story of a man’s struggle against himself and the conflict between our personal interests and our…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I have a theory that great fiction about the British Army may require conscription – that system propelled individuals who otherwise would have never joined the military into the institution. They could then respond in writing in a manner that peacetime volunteers were never able to.
Evelyn Waugh, already in his late 30s when the Second World War was declared in 1939, was an unlikely soldier. However, he turned his experiences – notably in West Africa, Crete, and Yugoslavia – into a trio of fine fiction centered on a somewhat Waugh-like character, Guy Crouchback.
Waugh’s genius is to capture some of the eccentricities of army life – the discussion about the merits of porpoise skin as a material for boots will echo with anyone who has ever overheard, or participated in, an earnest discussion about the minutiae of kit.
I’m the daughter of a Californian grape farmer, and have driven tractor, picked grapes, and tied vines. Whilst at Berkeley, I travelled around Napa Valley tasting wines whilst riding pillion on a 750 cc motorcycle; at Oxford I discovered European wines. Thereafter, I was a professor of modern and contemporary history in London, writing nearly a dozen books, and continuing to explore wines with my husband. I have wine in my bones. I now travel around the world tasting it, writing about it, judging it, and leading tasting tours, all the while continuing to drink it. I am currently writing a book on the global history of wine.
Gerald Asher is a wine writer who is celebrated for his range, his knowledge, his ability to see below the surface of things, and his compelling writing style. This book of essays about wine is one of my favourites, ranging as it does from wines with food, in which he goes in unexpected directions, to whether or not and how to decant wines, to drinking wine in Greece surrounded by the gods, to wines from Portugal and California and Oregon and Italy and France. He takes me to places I’ve never been and to wines I’ve never drunk, all with no effort on my part. Along the way, I learn and I enjoy. What a pleasurable book!
A Napa Valley Cabernet, a French Burgundy, an Orvieto Classico shared among friends in the Umbrian hills—every wine has a story, and Gerald Asher tells it best. Asher, longtime wine editor of Gourmet magazine, has an unsurpassed knowledge of vineyards, wineries, and wines. He also has the refreshing ability to write about wine informatively and entertainingly, without technical jargon. Now in paperback, Asher's delightful Vineyard Tales evaluates wines from around the world—from secret sun-drenched vineyards on Crete to the celebrated Champagne houses of France—setting each wine in the context of a region's history and culture. In addition, Asher offers an…
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
This Cretan writer, who is most often identified as a Greek, asks us to probe our deepest identity, to be honest with ourselves. I think that that should be the first premise of an honest writer…an honest person. When you are born you are told early what to believe. Why you should believe. Who you and what you should believe or not believe in. At some point in your own life, you must resolve what you yourself accept for your own belief system. You should determine what is or is not important to you. Only then can you live YOUR LIFE.
Kazantzakis's autobiographical novel Report to Greco was one of the last things he wrote before he died. It paints a vivid picture of his childhood in Crete, still occupied by the Turks, and then steadily grows into a spiritual quest that takes him to Italy, Jerusalem, Paris, Vienna, Berlin, Russia and the Caucasus, and finally back to Crete again. At different times Nietzshe, Bergson, Buddha, Homer and Christ dominate as his spiritual masters.
My passion for ancient history and archaeology began in secondary school when I started learning Latin and we were taken on a field trip to Fishbourne Roman Palace. By the time I started my MA at Bristol, my obsession with ancient Roman housing was well and truly established, and it quickly became clear to me that this was the area that I wanted to study for my PhD. Now as an Associate Professor in Ancient History and Archaeology at Royal Holloway, University of London, I have been very lucky to study and teach a range of areas in ancient history and archaeology, including my beloved area of the Roman domestic realm.
Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.
Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.
Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.
Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.
This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age…
