My passion for the Battle of Crete flows from my traveler’s experiences of this most beautiful of Mediterranean islands and its people. The Second World War is just one episode in a history that stretches back millennia, yet to this day, it remains ever-present in the minds of Cretans. The landscape, too, still bears the scars of war. Every visitor to Crete has the opportunity to uncover the multiple layers of a rich past. To dig down to the horrors of the twentieth century with its brutal war and occupation does not take long, and it is enormously rewarding. In few places are past and present so closely intertwined.
As an avid consumer of military history, I am looking for books that not only set the wider political and strategic context of a war, a battle, or a fighting unit but also take me as a reader into the field of battle. Antony Beevor has managed that balance superbly ever since his first major success with his work on the Spanish Civil War.
His book is no different, vividly delivering to me the lived experience of fighting men on both sides. Importantly–and as the subtitle says–it also reminds me that for the people of Crete the short battle led to a brutal occupation of the island lasting four agonizing years.
The bestselling author of The Battle of Arnhem and D-Day vividly reconstructs the epic WWII struggle for Crete – reissued with a new introduction
Nazi Germany expected its airborne attack on Crete in 1941 to be a textbook victory based on tactical surprise. Little did they know that the British, using Ultra intercepts, had already laid a careful trap. It should have been the first German defeat of the war when a fatal misunderstanding turned the battle around.
Prize-winning historian and bestselling author Antony Beevor lends his gift for storytelling to this important conflict, showing not only how the situation…
My passion for the Battle of Crete flows from my traveler’s experiences of this most beautiful of Mediterranean islands and its people. The Second World War is just one episode in a history that stretches back millennia, yet to this day, it remains ever-present in the minds of Cretans. The landscape, too, still bears the scars of war. Every visitor to Crete has the opportunity to uncover the multiple layers of a rich past. To dig down to the horrors of the twentieth century with its brutal war and occupation does not take long, and it is enormously rewarding. In few places are past and present so closely intertwined.
For me, the history of any war or battle can only be grasped if the perspectives of both–or perhaps all–sides are taken into account. One of the most revealing accounts from a German perspective came from the pen of Baron von der Heydte.
Heydte was among those who parachuted into Crete on the first day of battle; his account conveys that perilous endeavor through his eyes and follows his participation until the surrender of Chania a week later. Intriguing for me, too, is how Heydte, once an avid Nazi, cleverly dials back here his enthusiasm for the cause.
limited 1,000 copy reprint of an extremely rare WWII memoir. This one of the few memoirs ever written by a former German paratrooper. The Baron was in command of a battalion of paratroopers in Crete, being dropped at zero hour near Canea and seven days later received the surrender of the town. This book is the full exciting account of preparation, landing and seven days of terrifying battle. This is an excellent read and the Baron has a flair with the pen. Captured in 1945 in the Ardennes the Baron was bitterly attacked for his anti-Hitler sentiments as a P.O.W.,…
I feel like I’ve read all of my life—though I know at some point someone had to teach me—but stories and storytelling are in my DNA. The first four books were my writing “primers.” I learned more about storytelling from them than any how-to book. They also fueled my passion to write in different genres. You will notice the words “blush free” in some of my recommendations. That is because I love well-told stories that live between prim and steamy, books where I don’t have to flip past the steamy stuff to get back to the story. I hope you enjoy them as much as I have!
I found The Moon-Spiners through a Disney movie of the same name (book was better). When I found out it was also a book, I went hunting at my local library and fell in love with the way Stewart immediately pulled me into her stories, evoking awe, fear, laughter ,and romance. She wafted me away to exotic places, and into exciting and romantic adventures with strong female characters. I went on to read all her books, even the Arthurian ones, but her romantic suspense books remain my favorites and the ones I turn to when I need a comfortable visit with old fictional friends.
Impetuous and attractive, Nicola Ferris has just arrived in Crete for a holiday when she sees an egret fly out of a lemon grove. On impulse, she follows the bird’s path into the White Mountains. There she discovers a young Englishman who, hiding out in the hills and less than pleased to have been discovered, sends Nicola packing with the order to keep out of his affairs. This, of course, Nicola is unable to do, and before long events lead to a stunning climax among the fishing boats of Agios Georgios Bay.
In this bestselling novel, first published in 1963…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.
Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (Andre Aciman) and 'wonderful' (Elif Shafak)
'A masterpiece.' Guardian
'A formidable, glittering achievement.' TLS
'One of the great works of English fiction.' Times
'Dazzlingly exuberant ... Superb.' Observer
'Brave and brazen ... Lush and grandiose.' Independent
'Legendary ... Casts a spell ... Reader, watch out!' Guardian
'Lushly beautiful ... One of the most important works of our time.' NYTBR
Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl.…
I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.
I loved this book because it made me feel like I was there, living in the Cretan White Mountains in the 1960s on a very tight budget, surrounded by magnificent Greek countryside, and eating local foods. I have visited Crete several times and found the kindness, friendliness, and philoxenia- hospitality shown to strangers by the locals is still true of the Cretan people today.
This is a beautiful and truly memorable read. If you ever wondered what it would be like to go and live in the mountains of Greece, this book will make you feel like you have done just that. I want to go back just thinking about it.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I have a theory that great fiction about the British Army may require conscription – that system propelled individuals who otherwise would have never joined the military into the institution. They could then respond in writing in a manner that peacetime volunteers were never able to.
Evelyn Waugh, already in his late 30s when the Second World War was declared in 1939, was an unlikely soldier. However, he turned his experiences – notably in West Africa, Crete, and Yugoslavia – into a trio of fine fiction centered on a somewhat Waugh-like character, Guy Crouchback.
Waugh’s genius is to capture some of the eccentricities of army life – the discussion about the merits of porpoise skin as a material for boots will echo with anyone who has ever overheard, or participated in, an earnest discussion about the minutiae of kit.
My passion for the Battle of Crete flows from my traveler’s experiences of this most beautiful of Mediterranean islands and its people. The Second World War is just one episode in a history that stretches back millennia, yet to this day, it remains ever-present in the minds of Cretans. The landscape, too, still bears the scars of war. Every visitor to Crete has the opportunity to uncover the multiple layers of a rich past. To dig down to the horrors of the twentieth century with its brutal war and occupation does not take long, and it is enormously rewarding. In few places are past and present so closely intertwined.
I know the value of visiting the sites of battle, even decades or centuries after the event. A sense of topography and space acquired in situ can provide insights in ways that pages, maps, and screens cannot. Yannis Prekatsounakis is a native of Heraklion. His book is infused with his own intimate sense of the place where a crucial part of the Battle of Crete raged.
Prekatsounakis, for good reason, laments that the works of many historians on the Battle of Crete lack Greek perspectives. While he delivers them in abundance here, he weaves them with narratives and accounts of German and Allied participants as well. I love the abundance of maps and photographs that complement the author’s own heightened sense of place.
Crete, 20 May 1941: the first campaign-sized airborne assault is launched. Many books have been written about this famous invasion, with the emphasis mainly on the battles for Maleme and Chania. The Battle for Heraklion - an epic struggle - remained largely forgotten and widely unstudied. Yet the desperate fight for Heraklion had everything: street-fighting in the town; heroic attacks against well-fortified positions and medieval walls; heavy losses on all sides; and tragic stories involving famous German aristocratic families like the von Blüchers and members of the Bismarck family. This book highlights personal stories and accounts - and the author’s…
A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
Alexis, a present-day heroine, travels to her mother’s childhood home in Greece, intent upon learning the family’s hidden story. Arriving there, she spies the island of Spinalonga, once an actual leper colony. Hislop then switches time periods, taking the reader to the mid-twentieth century, when leprosy and war tore families apart.
I found Hislop’s writing gentle yet wrenching, and I was heartbroken by scenes between mothers and children who had to separate forever due to illness. But I was moved, too, by the strength, resilience, and capacity for love shown by many of the characters.
I enjoy novels that are based on history, with protagonists who are tested to their very limits. I won’t soon forget this book, and I bet you won’t either!
An atmospheric, vibrant and moving first novel from an exciting new author. On the brink of a life-changing decision, Alexis Fielding longs to find out about her mother's past. But Sofia has never spoken of it. All she admits to is growing up in a small Cretan village before moving to London. When Alexis decides to visit Crete, however, Sofia gives her daughter a letter to take to an old friend, and promises that through her she will learn more. Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the tiny, deserted island of…
I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror. In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival. Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.
Simon Raven had a marked fascination for the supernatural that first manifested in an early novel Doctors Wear Scarlet, which was cited by Karl Edward Wagner (himself an award-winning American writer, poet, editor and publisher of horror and writer of numerous dark fantasy and horror stories), as one of the thirteen best supernatural novels. The story is set against Raven’s customary background of academia and University life and has a distinctly macabre and spine-chilling theme. It starts harmlessly enough with a young man’s infatuation for a beautiful Greek girl, but Chriseis is no ordinary holiday love affair; three friends track down their missing companion across the Aegean, where it becomes increasingly obvious that their relationship is strange to say the least. Despite dispatching Chriseis in the remote mountains of Crete and not without cost to themselves, the missing scholar is returned to his University – but the curse of…
Richard Fountain, a promising young Cambridge scholar, went to the island of Crete to study ancient rites and pagan rituals before suddenly and inexplicably breaking off all contact with the outside world. Disturbing rumors have filtered their way back to England, whisperings of blasphemous rituals and obscene orgies, hints of terrible crimes and wanton murder . . .
Three of Richard’s friends travel to Greece to find him and bring him back. Following a grim progression of ominous clues, they will arrive at last at an abandoned fortress high in the wild and desolate White Mountains, where they will discover…
My passion for ancient history and archaeology began in secondary school when I started learning Latin and we were taken on a field trip to Fishbourne Roman Palace. By the time I started my MA at Bristol, my obsession with ancient Roman housing was well and truly established, and it quickly became clear to me that this was the area that I wanted to study for my PhD. Now as an Associate Professor in Ancient History and Archaeology at Royal Holloway, University of London, I have been very lucky to study and teach a range of areas in ancient history and archaeology, including my beloved area of the Roman domestic realm.
Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.
Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.
Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.
Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.
This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age…
