The best quartets & trilogies with unreliable narrators

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

William Golding surpassed his Lord of the Flies with these novels about a sea voyage to Australia in the early 19th century on a former man-of-war crammed with passengers and crew. In it he explores his usual theme—all that is good and (mostly) bad in human nature and how savagery can so easily erupt.  

Something dark happens in the cramped confines below deck, linked to Reverend Colley, an unhappy on-ship acquaintance of the young aristocrat, Edmund Talbot, who narrates the story via his diaries. 

Talbot sorts the dark secret to his own satisfaction but that’s an unreliable narrator for you! A dark cloud still hangs over the ship, despite some lightness, especially as the old vessel may flounder before it reaches Australia. Stunning—and stunning evocation of shipboard life.

This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.

In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’?  Whoosh.

I love this stuff but understand it’s an acquired taste!

More insane narrators (or are they?) but you can’t get more unreliable than that. Discovered these thematically linked novels decades ago and came back to them when I was trying to work out the voice of the Trunk Murderer in my Trilogy and what mental state that person might have been in.  

In The Deadly Percheron a psychiatrist has a patient, otherwise seeming perfectly sane, claiming delusions that aren’t necessarily believable. (Except, of course, in fiction the best delusions are. The psychiatrist is drawn in and you know that’s not going to end well.) 

Fifth Business is the first of the Deptford Trilogy as the very first line. Deptford is a small village in Canada, by the way. Canadian author, Robertson Davis, wrote this trilogy in the 1970s. It has several things that have influenced me, not least different narrative perspectives.

A young lad throws a snowball and by mistake hits a pregnant woman, who goes into early labour. That has consequences for various Deptford characters. They all have secrets that affect other and are revealed in increments via the different narratives.

Although there is a main narrator—Dunstan Ramsey, a schoolmaster—for Fifth Business and The World of Wonders. He doesn’t appear as a character in the latter but he’s a character in The Manticore, whose narrator, undergoing Jungian analysis, thinks he might be his father. This narrator seems reliable but there are always secrets…